Friday, January 25, 2019
A brief sampling of productions that use augmented reality, smartphone mapping and motion capture, blurring the line between the live and the virtual.
SOURCE: The New York Times Subscription at 10:42AMThursday, December 6, 2018
A producer announced that one Oscar-winning actress will play another in Matthew Lombardo’s “Tea at Five.”
SOURCE: The New York Times Subscription at 04:04PMWednesday, October 24, 2018
Return engagements mean second chances to see acclaimed productions, like “School Girls” and “Happy Birthday, Wanda June,” that got away.
SOURCE: The New York Times Subscription at 01:18PMWednesday, August 29, 2018
They are often Broadway sensations, but jukebox musicals rarely get good reviews. We invited our critics to stop snarking and tell us what they want.
SOURCE: The New York Times Subscription at 10:48AMFriday, July 6, 2018
What the stage director Lileana Blain-Cruz saw in New Orleans and how it informs her production of “The House That Will Not Stand.”
SOURCE: The New York Times Subscription at 10:12AMMonday, June 11, 2018
Thursday, May 31, 2018
The two actors, who have never met, share insights on understanding the character of Prior Walter and how to maintain the stamina to play him.
SOURCE: The New York Times Subscription at 05:48AMWednesday, May 30, 2018
Wednesday, May 9, 2018
Disagreeing on classic musicals, agreeing on “The Band’s Visit,” and worried about a season when revivals outshone new plays.
SOURCE: The New York Times Subscription at 06:18AMMonday, June 12, 2017
Bette Midler didn’t sing, but talked (and talked). Russians partied in the aisles. And Ben Platt’s heartfelt speech was one of the most inspiring moments.
SOURCE: The New York Times Subscription at 12:04PMMonday, June 5, 2017
A team of dressers works in darkness to help the musical’s cast make 300 costume changes, fat suits and hats included.
SOURCE: The New York Times Subscription at 06:05PMThursday, November 24, 2016
Simon McBurney’s hypnotic one-man show or Cate Blanchett’s daredevil acting? There are also cast albums like “Bright Star” and “A New Brain.”
SOURCE: The New York Times Subscription at 06:02PMTuesday, June 28, 2016
The romantic mystery of a girl who may be a 20th century Russian princess will open April 24, 2017, at the Broadhurst Theater.
SOURCE: The New York Times Subscription at 11:02AMMonday, June 6, 2016
Joe Mantello and Finn Wittrock will also star in Tennessee Williams’s 1944 drama, which will be directed by Sam Gold and start showing on Feb. 14.
SOURCE: The New York Times Subscription at 04:31PMMonday, May 23, 2016
Tuesday, May 3, 2016
A New York Times theater critic, the theater reporter and the theater editor discuss how the awards derby shapes up from here.
SOURCE: The New York Times Subscription at 03:52PMMonday, February 22, 2016
The prize for "Sweat," the acclaimed drama about deindustrialization in a working-class city in Pennsylvania, includes a $25,000 check.
SOURCE: The New York Times Subscription at 07:18PMTuesday, November 24, 2015
Thursday, October 29, 2015
Tuesday, October 20, 2015
Saturday, September 19, 2015
Tuesday, August 18, 2015
Thursday, August 13, 2015
“Elaine Stritch: Still Here,” “Exact Change” and “Naked Hamilton” are among the shows in this year’s FringeNYC, which opens on Friday.
SOURCE: The New York Times Subscription at 07:37PMTuesday, August 4, 2015
Tuesday, July 28, 2015
Thursday, July 23, 2015
Tuesday, June 23, 2015
Thursday, June 4, 2015
An unscientific survey of 44 eligible voters finds good odds for “The King and I” and Helen Mirren as Queen Elizabeth II, and tougher races in other categories.
SOURCE: The New York Times Subscription at 06:08PMMonday, May 25, 2015
