All stories by Robert Michael Oliver on BroadwayStars

Monday, January 16, 2017

Spine: ‘Silent Sky’ at Silver Spring Stage by Robert Michael Oliver

On occasion, a play comes along with a bit of history, a bit of uncovered history, and that history changes the nature of the universe. Silent Sky is that sort of play. Lauren Gunderson’s …

SOURCE: DC Metro Theater Arts at 11:50AM
Wednesday, January 11, 2017

Review: ‘The Gabriels’ at the Kennedy Center by Robert Michael Oliver

For those who are familiar with Richard Nelson’s 4-play cycle, The Apple Family Plays, his The Gabriels: Election Year in the Life of One Family, now on stage at the Kennedy CenterR…

SOURCE: DC Metro Theater Arts at 09:50AM

Spine: ‘Charm’ at the Mosaic Theater Company of DC by Robert Michael Oliver

Philip Dawkins’ Charm takes on a high order: it wants to charm you. And to do that its lead character, Mama, has to be more than charming. She has to charm your disbelief, your cynical…

SOURCE: DC Metro Theater Arts at 12:53AM
Sunday, December 18, 2016

Review: Handel’s ‘Messiah’ by NSO at The Kennedy Center by Robert Michael Oliver

Messiah is perhaps the best known of the German-born but London-settled composer George Frideric Handel. Profoundly religious, the three-part Oratorio moves from the prophecy of Christ to h…

SOURCE: DC Metro Theater Arts at 01:26PM

Spine: Pointless Theatre’s ‘King Ubu’—No, That’s Not Donald Trump You See Sitting on That Crapper by Robert Michael Oliver

Ironically, and full of unintended consequences, while watching Pointless Theatre’s production of Alfred Jarry’s King Ubu  (yes, that’s who wrote this play, translated afresh by G…

SOURCE: DC Metro Theater Arts at 10:29AM
Tuesday, December 13, 2016

Review: ‘The Greatest Holiday Special (N)ever’ at Silver Spring Stage by Robert Michael Oliver

The Greatest Holiday Special (N)ever, by Silver Spring Stage in collaboration with The Coil Project (a local company that writes and produces original work), is the perfect Christmas show fo…

SOURCE: DC Metro Theater Arts at 11:13PM
Tuesday, December 6, 2016

Review: ‘Picnic’ at The Catholic University of America by Robert Michael Oliver

Picnic comes to Catholic. And by the time it’s over, lives are overturned, dreams are rekindled, and who knows what will happen next. William Inge, master playwright of the heartland, cap…

SOURCE: DC Metro Theater Arts at 11:30AM
Sunday, November 27, 2016

Spine: ‘Moby Dick’ Inside Jonah’s Whale at Arena Stage by Robert Michael Oliver

“Jonah,” I said to myself as soon as I laid eyes upon the set of Lookingglass Theatre Company’s Moby Dick. Large, curved rib-bones thrusting upward, form a cradle: “I…

SOURCE: DC Metro Theater Arts at 09:47PM
Friday, November 18, 2016

Spine: The Second City’s ‘Black Side of the Moon’ at Woolly Mammoth Theatre Company by Robert Michael Oliver

“We are not a monolith! We are not a monolith! We are not a monolith!” chanted the six-member cast at the start of Woolly Mammoth’s Second City’s Black Side of the Moon. And,…

SOURCE: DC Metro Theater Arts at 03:36PM
Tuesday, November 15, 2016

Spine: ‘Straight White Men’ by Young Jean Lee at The Studio Theatre by Robert Michael Oliver

Young Jean Lee’s theatre, entitled Young Jean Lee’s Theater Company (2003-2016), was dedicated to producing “shows written and directed by Young Jean Lee.” The compan…

SOURCE: DC Metro Theater Arts at 10:49AM
Wednesday, November 9, 2016

Spine: ‘Milk Like Sugar’ at Mosaic Theater Company by Robert Michael Oliver

America is but an expensive iPhone. If you’ve got that, and its Pink with a sexy ringtone, then you’re in, as in the “in” crowd. Now, all you need is a baby. Or so se…

SOURCE: DC Metro Theater Arts at 12:04PM
Monday, November 7, 2016

Review: Sheila Jordan at the KC Jazz Club by Robert Michael Oliver

Sheila Jordan loves jazz. Sheila Jordan loves singing. Sheila Jordan really loves jazz singing. And we feel truly blessed to have spent an evening in the presence of that love. For those who…

SOURCE: DC Metro Theater Arts at 10:04PM
Tuesday, November 1, 2016

Spine: ‘Rameau’s Nephew’ at Spooky Action Theater by Robert Michael Oliver

The 18th century French playwright and philosopher Denis Diderot is known best among theatre folk for his theoretical writings: on the actor, the 4th Wall, and the emergence of scenography…

SOURCE: DC Metro Theater Arts at 09:59AM
Saturday, October 29, 2016

Review: ‘City of Angels’ at The Catholic University of America by Robert Michael Oliver

The 1989 musical City of Angels opened last night at Catholic University’s Hartke Theatre, offering its appreciative audience a glimpse into the past through its double filtered lens. …

SOURCE: DC Metro Theater Arts at 05:36PM
Saturday, October 22, 2016

Review: ’43 1/2: The Greatest Deaths of Shakespeare’s Tragedies’ at the Logan Fringe Arts Space by Robert Michael Oliver

Five actors, a stage manager, an audience, and a lot of blood. Nu Sass Productions has remounted its 2013 Capital Fringe hit, complete with gags and cornball and puppets. The pace might not …

SOURCE: DC Metro Theater Arts at 02:42PM
Monday, October 17, 2016

Review: ‘The Man Who Mistook His Wife For A Hat’ at UrbanArias by Robert Michael Oliver

Oliver Sacks’ non-fiction book, The Man Who Mistook His Wife For A Hat, consists of a series of neurological case studies. Each study examines one of Sacks’ patients, each of who…

SOURCE: DC Metro Theater Arts at 04:39PM
Sunday, October 16, 2016

Review: ‘Wild Lines: Jane Ira Bloom Plays Emily Dickinson’ at the KC Jazz Club by Robert Michael Oliver

There is nothing quite like “a vast morsel.” When Jane Ira Bloom plays her soprano saxophone, her wiry body jutting and jagging to the notes popping out of her horn, vastness of …

SOURCE: DC Metro Theater Arts at 10:45AM
Sunday, October 9, 2016

Review: The Gary Bartz Quartet at the Kennedy Center Jazz Club by Robert Michael Oliver

The KC Jazz Club opened its 14th season last Friday with a soul-tossing river of jazz. Gary Bartz starts the evening with a prayer: “Sadness must leave this room,” as Paul Bollen…

SOURCE: DC Metro Theater Arts at 11:16PM
Thursday, October 6, 2016

Spine: For the Love of ‘Angels in America: Perestroika’ at Round House Theatre by Robert Michael Oliver

Part II of Tony Kushner’s Angels in America opened last weekend at the Round House Theatre. A joint production with the Olney Theatre Center, the restaging of Kushner’s modern da…

SOURCE: DC Metro Theater Arts at 10:59AM
Sunday, October 2, 2016

Review: ‘Dante’s Inferno’ at Synetic Theatre by Robert Michael Oliver

Synetic Theatre, which gave Washington a Silent Hamlet, now brings audiences a wordless Dante’s Inferno. And a silent 100 minutes never sounded so good. Created by Paata Tsikurishvili …

SOURCE: DC Metro Theater Arts at 11:18AM
Thursday, September 29, 2016

SPINE: Theresa Rebeck’s ‘What We’re Up Against’ at Keegan Theatre by Robert Michael Oliver

Theresa Rebeck’s sharp-knuckled comedy, What We’re Up Against, received its regional premiere at Keegan Theatre this week, and the laughs abound. An architectural firm hires a yo…

SOURCE: DC Metro Theater Arts at 12:35AM
Friday, September 23, 2016

Spine: Jane Austin’s ‘Sense and Sensibility’ at Folger Theatre by Robert Michael Oliver

Oh, what a difference 200 years make! Jane Austin’s novel, Sense and Sensibility, was published anonymously in 1811. Folger’s Sense and Sensibility, adapted by Kate Hamill and di…

SOURCE: DC Metro Theater Arts at 04:29PM
Wednesday, September 14, 2016

Spine: Anguish, Angels, and the Reagan Revolution: ‘Angels in America’ at Round House Theatre by Robert Michael Oliver

Round House Theatre and Olney Theatre Center have teamed up for a truly remarkable Washington event: Parts 1 & 2 of Tony Kushner’s Pulitzer-Prize winning Angels in America. On Mond…

SOURCE: DC Metro Theater Arts at 03:34PM
Monday, September 12, 2016

Review: ‘Cloud 9’ at The Studio Theatre by Robert Michael Oliver

Caryl Churchill’s Cloud 9, now playing at Studio Theatre, is a fabulous, funny, smart, and ever more relevant vision of a world in the midst of upheaval. Director Michael Kahn, always …

SOURCE: DC Metro Theater Arts at 12:31PM
Sunday, August 21, 2016

Review: ‘Aliens with Extraordinary Skills’ at the 4615 Theatre Company by Robert Michael Oliver

The 4615 Theatre Company returns to Woolly Mammoth’s classroom theatre with its DC premiere of Saviana Stanescu’s Aliens with Extraordinary Skills. With its touching story, enth…

SOURCE: DC Metro Theater Arts at 03:35PM
Thursday, August 11, 2016

Spine: ‘The Lonesome West’ and Other Motherless Places at Keegan Theatre by Robert Michael Oliver

Not long ago, Washington was the Murder-Capital of the USA. Crack Wars. Drive-Bys. Domestic Violence. Police Brutality. And all on a daily basis. The Murder-Capital of Europe in 1993 was app…

SOURCE: DC Metro Theater Arts at 12:53PM
Monday, August 8, 2016

Review: ‘Fear’ at Longacre Lea by Robert Michael Oliver

Let’s say a wealthy patron approaches an ensemble theatre company with a proposition: “Shakespeare? Why so much Shakespeare? Why so revered? Surely, other playwrights deserve ha…

SOURCE: DC Metro Theater Arts at 03:33PM
Thursday, July 21, 2016

2016 Capital Fringe Review ‘Act Like a Grrrl!’ by Robert Michael Oliver

Act Like a Grrrl! by the Actors Bridge Ensemble opened at the Martin Luther King Library this Thursday. More paratheatre than straight performance, this rendition of Act Like a Grrrl! repres…

SOURCE: DC Metro Theater Arts at 09:05PM

Review: ‘Riches’ at Anacostia Playhouse by Robert Michael Oliver

Act 3 of Edward Albee’s Who’s Afraid of Virginia Woolf (1962) is entitled, “Exorcism” and, indeed, the infamous Martha and George exorcise their demons, as well as th…

SOURCE: DC Metro Theater Arts at 04:22PM
Wednesday, July 20, 2016

Spine: ‘We Know How You Die’ and an Oracular Upright Citizens Brigade by Robert Michael Oliver

We Know How You Die, the Upright Citizens Brigade’s improvised, audience participation exploration of the Oracle, its predictive methodology, and its impact on the American political&#…

SOURCE: DC Metro Theater Arts at 02:57PM
Monday, July 18, 2016

Review: ‘8 Stops’ at Unexpected Stage Company by Robert Michael Oliver

I’ll be frank: for much of 8 Stops, Deb Margolin’s newest solo performance piece, now at Unexpected Stage Company, I was bored. I didn’t necessarily want to commit suicide,…

SOURCE: DC Metro Theater Arts at 12:15AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime