All stories by Robert Cushman on BroadwayStars

Friday, January 16, 2015

Theatre Review: Of a prince of thieves and men in tights by Robert Cushman

So, there’s this medieval thug called Robin Hood and he robs the rich. Period. He’s obviously operating on the sensible maxim espoused by thieves of a later generation

SOURCE: news.nationalpost.com at 04:13PM
Monday, January 12, 2015

Inside the Next Stage Theatre Festival: Provocative work, from A to B by Robert Cushman

The Next Stage Theatre Festival is an ambiguous animal. It began, or so I’ve always assumed, as a way of giving a second airing to shows that had proved successful

SOURCE: news.nationalpost.com at 03:55PM
Friday, December 26, 2014

Top 2,014 Things of 2014: The best theatre of the year by Robert Cushman

From Franz Kafka a sartorially specific motherf--ker, the country’s theatre scene was awash in outstanding works this year — so much so that no mere Top 10 list could hold every deservin…

SOURCE: news.nationalpost.com at 04:26PM
Friday, December 19, 2014

Theatre Review: A revelatory look at Who’s Afraid of Virginia Woolf? by Robert Cushman

I had always thought the imaginary child to be a crutch for the playwright rather than for the characters. This production has changed my mind

SOURCE: news.nationalpost.com at 04:15PM
Friday, December 12, 2014

Theatre Review: James and the Giant Peach is a treat for the eyes, but The Brown Bull just runs in circles by Robert Cushman

YPT’s production of James and the Giant Peach, a musical based on the Roald Dahl book and directed by Sue Miner, has two great things going for it

SOURCE: news.nationalpost.com at 05:33PM
Friday, November 28, 2014

Theatre Review: God only knows what troubles await the priestly hero of The De Chardin Project by Robert Cushman

Pierre Teilhard de Chardin was a French geologist and paleontologist whose crucial scientific work was done before the Second World War. He was also a Jesuit priest

SOURCE: National Post (Canada) at 04:15PM
Monday, November 24, 2014

The Scottish plays: The Royal National Theatre pays tribute to the forgotten Jameses; The Scottsboro Boys is the best musical of the millenium by Robert Cushman

Mary Queen of Scots is a sovereign who has never lacked for theatrical attention. The James Plays are an ambitious attempt by a Scottish playwright and TV writer, Rona Munro, to even the odds

SOURCE: National Post (Canada) at 11:45AM
Friday, November 21, 2014

Two new productions — NSFW and Sextet — strip down concepts that are definitely not safe for work by Robert Cushman

The acronym NSFW stands for 'not safe for work.' The play of which the acronym is the title has a further subtitle: Money, Sex and Photoshop

SOURCE: National Post (Canada) at 03:38PM
Friday, November 14, 2014

Theatre Reviews: The Motherf–ker with the Hat and Arcadia are both masterpieces by Robert Cushman

The plays are more successful at evoking a world than at making a point, but they still dazzle

SOURCE: National Post (Canada) at 03:48PM
Friday, November 7, 2014

Theatre Review: Soulpepper resurrects one lively graveyard with Spoon River by Robert Cushman

Welcome to the graveyard. You’ll be amazed at how lively it is. Spoon River is adapted, by Albert Schultz and Mike Ross, from Spoon River Anthology by Edgar Lee Masters

SOURCE: National Post (Canada) at 06:22PM
Friday, October 31, 2014

Robert Cushman: Two plays in London’s West End are metrics of monarchy and the modern press by Robert Cushman

'The historical novelist,' or so I once read, 'must necessarily turn history into romance, and romance will always lie with the deposed or threatened king'

SOURCE: National Post (Canada) at 03:41PM
Friday, October 17, 2014

Theatre Review: What Makes a Man parcels out the words and music of Charles Aznavour — which sounds more promising than it is by Robert Cushman

It seems that hardly a show can open in Toronto that isn’t a tribute to some troubadour or other

SOURCE: National Post (Canada) at 02:38PM
Friday, October 10, 2014

Second City’s latest is one for the funny by Robert Cushman

Rebel Without a Cosmos doesn't match its predecessor, but it has its share of giggle-worthy gags

SOURCE: National Post (Canada) at 04:08PM
Thursday, October 9, 2014
Wednesday, October 8, 2014

Theatre Review: Tarragon elevates a ‘lesser’ Ibsen in one of the great plays about sibling rivalry by Robert Cushman

Ibsen scholars have generally ranked An Enemy of the People fairly low in their man’s canon, maybe because of its spirited straightforwardness

SOURCE: National Post (Canada) at 12:54PM
Monday, September 22, 2014

Theatre Review: Cast of Aussie convicts in Timberlake Wertenbaker’s Our Country’s Good can’t avoid anachronisms by Robert Cushman

With a cast composed of transported convicts, Our Country’s Good, by the contemporary British dramatist Timberlake Wertenbaker, is now touching down in Toronto for the second time

SOURCE: National Post (Canada) at 03:57PM

Theatre Review: Rob Ford the Musical is a show without substance — which may be for the better by Robert Cushman

The show that has opened could not be called good, but it isn’t uniformly terrible either. It defeats expectation in other ways too

SOURCE: National Post (Canada) at 11:16AM
Friday, September 12, 2014

Theatre Review: The Girl King is history repeating by Robert Cushman

If you are the monarch of a strictly Protestant 17th-century country, and you want to keep the job, try not to be pacifist, intellectually curious, sympathetic toward Catholicism, homosexual…

SOURCE: National Post (Canada) at 05:02PM
Friday, September 5, 2014

Theatre Review: Soulpepper puts Shakespeare on shuffle with A Tender Thing, and quarters Glenn Gould to mixed results by Robert Cushman

It’s a critical commonplace that Romeo and Juliet were lucky to die when they did. If they had survived, their image wouldn’t have. A Tender Thing is a reassembly of the play, if you will

SOURCE: National Post (Canada) at 06:00PM
Tuesday, September 2, 2014

Theatre Reviews: Productions of Antony and Cleopatra and Cymbeline’s Reign provide a study in editing contrasts by Robert Cushman

There are cuts and there are cuts. There are also additions and substitutions. Two of Shakespeare’s unruliest plays are currently on view in surgically altered or truncated versions

SOURCE: National Post (Canada) at 04:19PM
Friday, August 22, 2014

Theatre Review: Stratford’s Beaux’ Stratagem finds plenty of life in rollicking Restoration comedy by Robert Cushman

Both also fold very nicely and usefully into the main action; of its kind, this is an exceptionally well-made play

SOURCE: National Post (Canada) at 03:15PM
Friday, August 15, 2014

Theatre Review: Soulpepper brings Tartuffe to life with extreme hilarity and superb ensemble work by Robert Cushman

Molière wrote farces that tilt toward tragedy. The huge achievement of Laszlo Marton’s Soulpepper production of Tartuffe is that it takes both aspects to the limit without letting either …

SOURCE: National Post (Canada) at 04:26PM
Sunday, August 10, 2014

Theatre Review: The Mountaintop caps a mostly excellent season at Shaw by Robert Cushman

It’s Martin Luther King’s last night on earth. He doesn’t know it of course, but the audience does; and that simple contrast is what sustains The Mountaintop

SOURCE: National Post (Canada) at 09:00AM
Sunday, August 3, 2014

Theatre Review: Waiting for the worst in Juno and the Paycock by Robert Cushman

Charlie Gallant, a rising young actor at the Shaw Festival, gives an intense and compelling performance as Johnny Boyle in Juno and the Paycock

SOURCE: National Post (Canada) at 09:00AM
Friday, August 1, 2014

Theatre Review: Stratford’s A Misummer Night’s Dream: A Chamber Play strikes a fine balance by Robert Cushman

There is a strain of cruelty in A Midsummer Night’s Dream, and Peter Sellars’ Stratford production embraces it, to the exclusion of almost everything else. The result is certainly striki…

SOURCE: National Post (Canada) at 05:37PM
Saturday, July 26, 2014

Theatre review: The plotted besotted save the day if not the play in Shaw’s The Philanderer by Robert Cushman

“A lady and a gentleman are making love to one another in the drawing room.” That is the opening stage direction of The Philanderer, Bernard Shaw’s second play, written in 1893

SOURCE: National Post (Canada) at 01:00PM
Sunday, July 20, 2014

Theatre Review: The Sea and A Lovely Sunday for Creve Coeur by Robert Cushman

Edward Bond’s The Sea is a great play up until its final scene

SOURCE: National Post (Canada) at 09:00AM
Friday, July 18, 2014

TheatreBooks’s last bow: Online means curtains for ‘niche market’  by Robert Cushman

Friday July 18. A sad day for Toronto book lovers, and for theatre lovers both within and without the city

SOURCE: National Post (Canada) at 02:02PM
Sunday, July 13, 2014

Theatre Review: The leafy ups & downs of Shakespeare in High Park by Robert Cushman

Shakespeare in High Park, formerly The Dream in High Park, took a notable step forward last year with its production of Macbeth, which was less concerned than its predecessors with playing g…

SOURCE: National Post (Canada) at 09:00AM
Wednesday, July 9, 2014

Theatre Review: Theatre 20’s Company is a slick number hampered by its venue by Robert Cushman

In a way that’s unique among musicals, the action of Company takes place in a split second

SOURCE: National Post (Canada) at 02:51PM
Saturday, July 5, 2014

Theatre review: Nöel Coward’s strong, simple Hay Fever stumbles by Robert Cushman

A tricky farce falls flat in Stratford's production

SOURCE: National Post (Canada) at 02:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic