All stories by Peter Marks on BroadwayStars

Friday, March 11, 2016

Broadway’s man of the moment: Ivo van Hove by Peter Marks

Although he has always been fond of this country’s drama, Ivo van Hove — a European vying for the mantle of America’s hottest stage director — never felt any affinity for one of our …

SOURCE: Washington Post at 11:36AM
Thursday, March 10, 2016

Jeff Daniels and Michelle Williams play the troubled combatants of Broadway’s ‘Blackbird’ by Peter Marks

NEW YORK -- It isn’t only war and weather that leave devastation in their wakes. The aftermath of intimacy, too, can be a brutal, obliterating ordeal, especially if -- as David Harrower’…

SOURCE: Washington Post at 10:45PM
Tuesday, March 8, 2016

‘Disaster!’ (Not really!) by Peter Marks

NEW YORK -- The year is 1979, and a porn-stachioed sleaze named Tony (Roger Bart) is packing his rat trap of a floating casino with enough comedy material to fill a Zucker brothers movie o…

SOURCE: Washington Post at 11:12PM
Tuesday, March 1, 2016

An ‘Othello’ of psychological realism by Peter Marks

The high point of director Ron Daniels’s enrichingly nuanced “Othello” is one of the tragic hero’s lowest. Jonno Roberts’s coldly efficient Iago — a Shakespearean psychopath if t…

SOURCE: Washington Post at 05:39PM
Thursday, February 25, 2016

Forest Whitaker successfully tackles Eugene O’Neill’s ‘Hughie’ by Peter Marks

NEW YORK -- He talks a pretty good game, does Erie Smith, in Eugene O’Neill’s “Hughie.” As luck would have it, so does the actor who portrays him in the finely-etched revival of the…

SOURCE: Washington Post at 09:57PM
Wednesday, February 24, 2016

‘Road Show’: A journey into the ‘get-rich-quick’ 20th century by Peter Marks

“Road Show” has logged a lot of miles on a long, bumpy journey to Shirlington and the cozy confines of Signature Theatre. Who knew that to smooth out the ride, we’ve been waiting all t…

SOURCE: Washington Post at 03:20PM
Sunday, February 21, 2016

Mark Rylance’s Tony Award speeches bewildered viewers. In “Nice Fish,” his rationale becomes clearer at last. by Peter Marks

NEW YORK -- So that’s what he meant.Back in 2008, when he accepted his first best-actor Tony Award, for the Broadway revival of “Boeing-Boeing,” Mark Rylance distinguished himself w…

SOURCE: Washington Post at 10:43PM
Friday, February 19, 2016

How a humane playwright made it all the way to Broadway by Peter Marks

NEW YORK — While writing “The Humans” — his best play yet — Stephen Karam was striving to be so precise about the space his characters inhabited that he wanted to share it with the…

SOURCE: Washington Post at 11:22AM
Thursday, February 18, 2016

What Broadway needs more of: extraordinary ‘Humans’ by Peter Marks

NEW YORK -- The challenges they face are so commonplace you could be eavesdropping on Thanksgiving dinner at your cousins': A daughter with a college degree working odd restaurant jobs; a m…

SOURCE: Washington Post at 10:48PM
Wednesday, February 17, 2016

Edward Gero not only got to be Antonin Scalia, he got to know Antonin Scalia by Peter Marks

Edward Gero will forever savor the first words Antonin Scalia ever spoke to him. “I’m not coming to see the play,”  the justice declared that afternoon in the late fall of 2014, as G…

SOURCE: Washington Post at 01:14PM
Monday, February 15, 2016

Jonathan Pryce in “Merchant of Venice,” coming to the Kennedy Center by Peter Marks

In what may portend a revitalization of links between the Kennedy Center and major British theater companies, the institution on the Potomac will host a short stay this summer of a productio…

SOURCE: Washington Post at 05:01PM

A Cuban ‘Carmen’ with a shortage of sizzle by Peter Marks

Congas and mambos are the dynamic devices by which Moises Kaufman’s new Cuban-spiced adaptation of “Carmen” puts its best feet forward. And yet, although this atmospheric version of th…

SOURCE: Washington Post at 12:33PM
Saturday, February 13, 2016

‘Lost in the Stars’ falls short as compelling musical drama by Peter Marks

When soprano Lauren Michelle, in the guise of the hapless, pregnant Irina, begins the opening verse of “Trouble Man,” the otherwise stentorian rhythms of “Lost in the Stars” suddenly…

SOURCE: Washington Post at 05:26PM
Friday, February 5, 2016

Suzan-Lori Parks examines notions of freedom in ‘Father Comes Home’ by Peter Marks

In the second of the three blazingly original playlets that make up Suzan-Lori Parks’s “Father Comes Home from the Wars (Parts 1, 2 and 3),” a slave serving as aide to his master in th…

SOURCE: Washington Post at 08:54AM
Thursday, February 4, 2016

In uncovering tensions, productions expose humor and society’s fears by Peter Marks

“Drama’s vitallest expression is the common day / That arise and set about us,” wrote the 19th-century American poet Emily Dickinson — words that would suit as a preamble to many of …

SOURCE: Washington Post at 06:03PM
Tuesday, February 2, 2016

‘Midsummer Night’s Dream’: There’s life in the warhorse yet by Peter Marks

Never say never.I thought I was completely over and done with “A Midsummer Night’s Dream.”Having seen it dozens of times, indoors and outdoors, in productions influenced by the Renaiss…

SOURCE: Washington Post at 03:32PM
Monday, February 1, 2016

A “Menagerie” of real feeling by Peter Marks

When the required lump is raised in your throat as Jenna Sokolowski’s Laura hands Thomas Keegan’s Gentleman Caller a shiny crystal memento of her awakening, you know that the emotional g…

SOURCE: Washington Post at 01:28PM
Friday, January 29, 2016

Who’s an American? The current crop of musicals may have the best answer. by Peter Marks

“Immigrant!” Anita sneers, playfully but dismissively, at her lover, Bernardo, in the run-up to “West Side Story’s” glorious Act 1 number, “America.” The time is the mid-1950s,…

SOURCE: Washington Post at 11:19AM
Thursday, January 28, 2016

You’re tempted to look away during ‘I Shall Not Hate.’ But you shouldn’t. by Peter Marks

A moment arrives in the harrowing and absorbing “I Shall Not Hate” that is so unbearably sad you may want to hide your eyes. As this monodrama by Izzeldin Abuelaish and Shay Pitovsky is …

SOURCE: Washington Post at 02:06PM
Sunday, January 24, 2016

“Sweat”: A necessary if familiar tale of the plight of American workers by Peter Marks

For insight into why blue-collar America is so riled up, fed up and downright distraught in 2016, “Sweat” makes for — if nothing more novel — a useful and colorful bases-covering res…

SOURCE: Washington Post at 06:48PM
Tuesday, January 19, 2016

‘Between Riverside and Crazy’ off to reasonably good start — with room to grow by Peter Marks

Stephen Adly Guirgis won the Pulitzer Prize for drama last year for “Between Riverside and Crazy,” a wise, wry portrait of an embittered ex-New York cop whose entire reason for being is …

SOURCE: Washington Post at 12:10PM
Wednesday, January 13, 2016

Signature, Disney join forces on new musical version of ‘Freaky Friday’ by Peter Marks

In a deal that rockets Signature Theatre into a whole new producing orbit, the Arlington company will team up this fall with the Walt Disney Co. to present a world-premiere musical version o…

SOURCE: Washington Post at 05:56PM
Tuesday, January 12, 2016

Playwrights get last word in delightful ‘Critic’ and ‘Real Inspector Hound’ by Peter Marks

At the start of “The Critic,” a self-regarding theater reviewer — is there any other kind? — scans the morning papers and disgustedly tosses them all away. They’re filled, it seems…

SOURCE: Washington Post at 08:16PM
Monday, January 11, 2016

David Bowie, man of the theater by Peter Marks

NEW YORK — Right up to the end, David Bowie was exploring new universes. In this case, musical theater was his destination. Just 36 days before his death, in fact, a musical featuring Bow…

SOURCE: Washington Post at 11:04AM
Wednesday, December 23, 2015

Theater 2015: ‘Hamilton’ was the best, but here are 9 other standouts by Peter Marks

Even in a year with a streamlined theatergoing schedule — owing to a book-writing leave — a reviewer could find enough work of real merit to fill out a best-of list. So here, in my sligh…

SOURCE: Washington Post at 06:28AM
Tuesday, December 22, 2015

Signature’s ‘West Side Story’: It’s not just any night by Peter Marks

The perfect Tony. A Maria of pure enchantment. So, yes, it’s truly love at first sight in director Matthew Gardiner’s riveting new “West Side Story” — and not just for that star-cr…

SOURCE: Washington Post at 12:35PM
Sunday, December 20, 2015

A Resonant New ‘Fiddler’ Alights on Broadway by Peter Marks

NEW YORK — That director Bartlett Sher should be considered a master of the Golden Age musical is reaffirmed with his latest handiwork, the deeply affecting revival of “Fiddler on the …

SOURCE: Washington Post at 10:32PM

Matilda, can you hear me? by Peter Marks

Before we get to the multifarious delights of “Matilda,” the musical making a holiday splash at the Kennedy Center Opera House, I have to utter a couple of words about the Opera House it…

SOURCE: Washington Post at 05:08PM
Thursday, December 17, 2015

Steve Martin and Edie Brickell’s new musical is pretty big on pretty by Peter Marks

“Pretty” is a word that comes to mind all through an encounter with “Bright Star,” the, well, very pretty new musical by Steve Martin and Edie Brickell. Everything about the show is …

SOURCE: Washington Post at 10:34PM

Steve Martin and Edie Brickell’s new musical is pretty — and not much else by Peter Marks

“Pretty” is a word that comes to mind all through an encounter with “Bright Star,” the, well, very pretty new musical by Steve Martin and Edie Brickell. Everything about the show is …

SOURCE: Washington Post at 06:17PM
Tuesday, December 15, 2015

‘Diner’: Improved, but it still needs more oomph by Peter Marks

WILMINGTON, DEL. — A moment of silence, please, for Older Boogie.The character who served as narrator in last winter’s Signature Theatre world premiere of “Diner,” the musical, is no…

SOURCE: Washington Post at 06:21PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic