An 'Othello' of psychological realism
The high point of director Ron Daniels's enrichingly nuanced "Othello" is one of the tragic hero's lowest. Jonno Roberts's coldly efficient Iago " a Shakespearean psychopath if there ever was one " stokes the doubts of Faran Tahir's Othello in such an ingeniously insidious way that the embers of Othello's paranoia about Desdemona's fidelity suddenly erupt into an inferno.Read full article >>