All stories by Paul Vale on BroadwayStars

Monday, January 23, 2017

Bitches Ahoy! review at Above the Stag, London – ‘predictable but entertaining’ by Paul Vale

In 2016 Martin Blackburn’s first play Alright Bitches! proved a firm favourite with Above The Stag audiences. A brash, bawdy comedy in

SOURCE: The Stage Registration at 08:15AM
Sunday, January 22, 2017

Let It Shine Episode 3 review: Can any of them act? by Paul Vale

As we hit the third week of auditions to find a boy band for Gary Barlow’s new musical, I can’t help thinking

SOURCE: The Stage Registration at 07:16AM
Friday, January 20, 2017

Holding the Man review at Jack Studio Theatre, London – ‘richly textured’ by Paul Vale

While London’s King’s Head Theatre is running a revival of Tommy Murphy’s Strangers in Between, south of the river the Big Boots

SOURCE: The Stage Registration at 08:35AM
Thursday, January 19, 2017

Out There on Fried Meat Ridge Road review at the White Bear Theatre, London – ‘slight, but sweet’ by Paul Vale

Mitchell is not having a good week. His girlfriend has kicked him out, his car has been torched and he’s lost his

SOURCE: The Stage Registration at 06:01AM
Tuesday, January 17, 2017

My Fair Ladies: A Celebration of Broadway Divas review at Live at Zedel – ‘a lot of potential’ by Paul Vale

There’s more to performing a successful cabaret than getting up on a stage and belting out a set. A cabaret singer has

SOURCE: The Stage Registration at 10:03AM
Sunday, January 15, 2017

Let It Shine Episode 2: Tops off, temperatures up by Paul Vale

It seems that Gary Barlow managed to clear his first hurdle with Let It Shine, by winning the ratings battle with ITV’s

SOURCE: The Stage Registration at 05:32AM
Tuesday, January 10, 2017

The Twentieth Century Way review at Jermyn Street, London – ‘smoothly performed’ by Paul Vale

The Twentieth Century Way is a euphemism for a blow-job, something which had risen in popularity with the onset of better public

SOURCE: The Stage Registration at 06:33AM
Sunday, January 8, 2017

Let It Shine: Gary Barlow musical talent show gets under way by Paul Vale

It’s been eight years since the BBC launched a talent contest aimed at casting a stage musical. After a flurry of series

SOURCE: The Stage Registration at 04:53AM
Friday, January 6, 2017

Three Sisters review at Union Theatre, London – ‘nuanced performances’ by Paul Vale

Phil Willmott’s annual residency at the Union Theatre usually sees the director accessing the work of classic playwrights with productions that hope

SOURCE: The Stage Registration at 05:38AM
Wednesday, December 28, 2016

Aladdin review at Yvonne Arnaud Theatre, Guildford – ‘energy, colour and laughs’ by Paul Vale

While Disney’s Aladdin plays to packed houses in the West End, Guildford offers its very own take on the pantomime version of

SOURCE: The Stage Registration at 06:18AM
Friday, December 23, 2016

Christmas Carol – The Musical review at Lost Theatre, London – ‘a rich, romantic score’ by Paul Vale

Alan Menken and Lynn Ahrens’ take on A Christmas Carol is a curious blend of Broadway and Dickens. The familiar story has been

SOURCE: The Stage Registration at 07:44AM
Thursday, December 22, 2016

Dick Whittington review at Hippodrome, Birmingham – ‘slick panto fun’ by Paul Vale

You’ve got to hand it to the Krankies. The husband and wife team have been in the industry together for 50 years

SOURCE: The Stage Registration at 05:20AM
Wednesday, December 21, 2016

Peter Pan review at Hawth, Crawley – ‘raucous and ribald’ by Paul Vale

This production has all the charm of JM Barrie’s original Peter Pan, but it’s very much a panto Pan. Paul Hendy’s knowing

SOURCE: The Stage Registration at 07:18AM
Tuesday, December 20, 2016

Art review at the Old Vic Theatre, London – ‘Tim Key steals the show’ by Paul Vale

It’s unlikely that when Art premiered at the Comedie des Champs-Elysees in Paris in 1994 anyone could have predicted its global popularity.

SOURCE: The Stage Registration at 06:13PM
Friday, December 16, 2016

The Adventures of Dick! review at Leicester Square, London – ‘viciously slick’ by Paul Vale

In a similar manner to the Palladium pantomime, The Adventures of Dick! takes place in Soho – or rather Soho-ho – and

SOURCE: The Stage Registration at 10:38AM
Wednesday, December 14, 2016

Cinderella review at the London Palladium – ‘gloriously excessive’ by Paul Vale

It’s been nearly 30 years since a pantomime has appeared on the stage of the London Palladium, so this current production of

SOURCE: The Stage Registration at 07:32PM

Sleeping Beauty review at Towngate Theatre, Basildon – ‘the perfect local pantomime’ by Paul Vale

This is Simon Fielding’s 10th pantomime for the Towngate and it seems that the years of work are paying off. Sleeping Beauty

SOURCE: The Stage Registration at 10:06AM

Bollywood Jack review at Tara Theatre, London – ‘an exciting and colourful fusion’ by Paul Vale

This is the first pantomime in Tara Arts’ new theatre and the script to Bollywood Jack doesn’t shy away from celebrating that

SOURCE: The Stage Registration at 07:57AM
Monday, December 12, 2016

Terry Parsons: ‘Panto has mega effects now, but my style is more graphic’ by Paul Vale

When it comes to creating a pantomime, there are few designers working today with Terry Parsons’ breadth of experience. In a career

SOURCE: The Stage Registration at 05:00AM
Friday, December 9, 2016

Sleeping Beauty review at Richmond Theatre, London – ‘amiable comedy’ by Paul Vale

There’s a sense of deja-vu about this Sleeping Beauty that has nothing to do with returning visits from either Chris Jarvis as

SOURCE: The Stage Registration at 06:13AM
Wednesday, December 7, 2016

Royal Variety Performance 2016 review at Eventim Apollo Hammersmith, London by Paul Vale

The Royal Variety Performance returns for a second time to the Apollo Hammersmith, with HRH Charles, the Prince of Wales on duty,

SOURCE: The Stage Registration at 04:20AM
Tuesday, December 6, 2016

Pinocchio review at King’s Head Theatre, London – ‘weird and wildly creative’ by Paul Vale

For much of the year, Charles Court Opera is committed to producing boutique classics such as The Magic Flute or The Barber

SOURCE: The Stage Registration at 06:11AM
Monday, December 5, 2016

High Society review at the Mill at Sonning – ‘lively choreography’ by Paul Vale

As metaphors go, the yacht True Love is a fairly clumsy one, but it acts as a linchpin to the Cole Porter’s

SOURCE: The Stage Registration at 11:02AM

Sleeping Beauty review at the Stag, Sevenoaks – ‘great vocals’ by Paul Vale

This year’s offering at Sevenoaks hit the headlines when a local resident complained that the pantomime was “too black”. The inflammatory remarks

SOURCE: The Stage Registration at 06:17AM
Thursday, December 1, 2016

Beauty on the Piste review at Above the Stag, London – ‘smut and satire’ by Paul Vale

The Above the Stag pantomime has become something of an adult entertainment institution and this year’s adaptation of La Belle et la

SOURCE: The Stage Registration at 06:50AM
Wednesday, November 30, 2016

Bianco: Here Be Dragons review at Winter Festival Big Top, London – ‘fun, festive circus’ by Paul Vale

For its 30th anniversary, NoFit State Circus, completes the Bianco trilogy with Here Be Dragons. Director Firenza Guidi, who also devised the

SOURCE: The Stage Registration at 05:43AM
Monday, November 28, 2016

Whose Sari Now? review at Theatre Royal Stratford East – ‘fascinating and funny’ by Paul Vale

Following a brief UK tour, writer and performer Rani Moorthy brings her one-woman show, Whose Sari Now? to Theatre Royal Stratford East.

SOURCE: The Stage Registration at 12:46PM
Friday, November 25, 2016

Tuesday review at the White Bear Theatre, London – ‘bleak and angry’ by Paul Vale

After a stalled opening due to licensing issues, the White Bear Theatre is finally up and running in its new space above

SOURCE: The Stage Registration at 08:43AM
Thursday, November 24, 2016

Paul Vale: Panto has evolved, and that’s why it continues to grow by Paul Vale

Whatever your thoughts on its place in the theatrical calendar, the annual pantomime is big business. If it wasn’t making money for

SOURCE: The Stage Registration at 05:00AM
Friday, November 11, 2016

Dracula review at the King’s Head Theatre, London – ‘an enjoyable comic reworking’ by Paul Vale

It’s difficult to discern from the studious look on Anthony Pinnick’s animated face whether or not this production is going to be

SOURCE: The Stage Registration at 06:27AM
Tuesday, November 8, 2016

Saving Jason review at the Park Theatre, London – ‘sentimental and trite’ by Paul Vale

As a writer, Peter Quilter is probably best known for End of the Rainbow, the hit play imagining Judy Garland’s swansong, before

SOURCE: The Stage Registration at 07:44AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic