All stories by Paul Vale on BroadwayStars

Monday, May 20, 2019

This Island’s Mine review at King’s Head, London – ‘worthy revival’ by Paul Vale

Philip Osment’s play This Island’s Mine was originally performed by theatre company Gay Sweatshop in 1988. The government had just introduced the

SOURCE: The Stage Registration at 07:27AM
Friday, May 17, 2019

Summer Street review at Waterloo East, London – ‘a clumsy musical parody of Australian soap operas’ by Paul Vale

Andrew Norris’ musical began life in 2004 as a nostalgic pastiche of the Australian soap operas Neighbours and Home and Away, set

SOURCE: The Stage Registration at 10:53AM
Friday, May 10, 2019

A Belly Full review at the Mill at Sonning – ‘underpowered script, but good performances’ by Paul Vale

The play A Belly Full started life as a screenplay by Canada-based authors Marcia Kash and Mary Colin Chisholm. It failed to

SOURCE: The Stage Registration at 06:58AM
Wednesday, May 8, 2019

Boom Bang-a-Bang review at Above the Stag, London – ‘spirited revival of Jonathan Harvey’s play’ by Paul Vale

Jonathan Harvey’s plays have frequently graced the stage at Above the Stag. The new venue opened with a production of his play

SOURCE: The Stage Registration at 12:38PM

Supper Freak review at Bloomsbury Ballroom, London – ‘inventive, immersive dining experience’ by Paul Vale

Immersive dining experiences are on the increase. Companies such as Gingerline and Funicular are carving out a space for themselves, offering elaborate

SOURCE: The Stage Registration at 11:44AM
Tuesday, May 7, 2019

The Jewel of the Empire review at Pedley Street Station, London – ‘enjoyable immersive dining experience’ by Paul Vale

The Pedley Street Station venue has been operating for a year now, delivering theatrical dining experiences on board a fake Pullman carriage

SOURCE: The Stage Registration at 11:37AM
Friday, May 3, 2019

Uncle Vanya review at Hope Theatre, London – ‘a traditional, abridged staging’ by Paul Vale

As its name suggests, Tales Retold is a company that attempts to find alternative ways to explore classic texts. It scored a

SOURCE: The Stage Registration at 09:12AM
Friday, April 26, 2019

The Picture of Dorian Gray review at Richmond Theatre, London – ‘stylish and intelligent adaptation’ by Paul Vale

When Oscar Wilde published his novel The Picture of Dorian Gray in 1891, it caused a scandal. The anti-hero of the title

SOURCE: The Stage Registration at 09:26AM
Thursday, April 25, 2019

Gals Aloud producer Christopher Clegg: ‘We’re much more than just a drag show’ by Paul Vale

Producer Christopher Clegg knew he had a hit on his hands with a drag tribute to Girls Aloud, but trying to secure

SOURCE: The Stage Registration at 12:14PM
Tuesday, April 23, 2019

How can I pursue a career in hair and make-up? by Paul Vale

Artists working on some of the UK’s biggest shows tell Paul Vale how they got into the business and offer advice for people

SOURCE: The Stage Registration at 10:00AM

Awkward Conversations With Animals I’ve Fucked review at King’s Head Theatre, London – ‘a nuanced performance’ by Paul Vale

Though the title of Rob Hayes’ 2014 play is unashamedly provocative and unquestionably memorable, the piece itself is a fraught, often funny

SOURCE: The Stage Registration at 07:39AM
Wednesday, April 17, 2019

Kick-start your acting career with a Scholarship to Rose Bruford College by Paul Vale

Join the likes of Gary Oldman and Rosalie Craig by studying at Rose Bruford College, which is offering a full scholarship worth

SOURCE: The Stage Registration at 07:00AM
Monday, April 15, 2019

Queereteria TV review at Above the Stag, London – ‘a truly bizarre concoction’ by Paul Vale

The ageless, enigmatic Torsten first appeared at Above the Stag in 2016 as part of the dramatic song-cycle Torsten: The Beautiful Libertine,

SOURCE: The Stage Registration at 08:46AM
Friday, April 5, 2019

Thrill Me: The Leopold and Loeb Story review at the Hope Theatre, London – ‘intense and stylish’ by Paul Vale

Nathan Leopold and Richard Loeb should probably be consigned to anonymous ignominy. Two young men from wealthy families in the 1920s, they

SOURCE: The Stage Registration at 05:55AM

Bed Peace: The Battle of Yohn and Joko review at Cockpit, London – ‘big-hearted and sprightly’ by Paul Vale

In 1969, as the conflict escalated in Vietnam, John Lennon and his new wife Yoko Ono staged their bed-in for peace. This

SOURCE: The Stage Registration at 05:32AM
Wednesday, April 3, 2019

The Stage Scholarships 2019: Razzamataz Theatre Schools by Paul Vale

Razzamataz is celebrating its ninth year offering scholarships with The Stage. This year it has a record number of 43 places for

SOURCE: The Stage Registration at 07:00AM
Tuesday, April 2, 2019

Ali and Dahlia review at Pleasance Theatre, London – ‘a promising debut play’ by Paul Vale

Actor-turned-playwright Tariq Jordan delivers a fresh take on a familiar story with his debut play. Set in the West Bank, Ali and

SOURCE: The Stage Registration at 07:29AM
Friday, March 29, 2019

Hair the Musical review at New Wimbledon Theatre, London – ‘diluted touring version of an energetic production’ by Paul Vale

Jonathan O’Boyle’s production of the 1960s countercultural musical Hair opened at the Hope Mill Theatre in Manchester in 2016. A semi-immersive run

SOURCE: The Stage Registration at 09:03AM
Friday, March 22, 2019

The Life I Lead review at Park Theatre, London – ‘Miles Jupp is perfectly cast’ by Paul Vale

Best known for a handful of Disney films in the 1960s, the life of British actor David Tomlinson might not seem like

SOURCE: The Stage Registration at 04:58AM
Wednesday, March 20, 2019

The Stage Scholarships 2019: Spirit Young Performers Company by Paul Vale

Spirit Young Performers Company is offering three year-long scholarships across its dance and musical theatre courses. Paul Vale speaks to the company’s

SOURCE: The Stage Registration at 08:00AM
Monday, March 18, 2019

Undetectable review at King’s Head Theatre, London – ‘intimate and engaging gay drama’ by Paul Vale

Tom Wright’s debut play My Dad’s Gap Year, which opened last month at London’s Park Theatre, concerned the exploits of a dysfunctional,

SOURCE: The Stage Registration at 11:19AM
Friday, March 15, 2019

The Crown Dual review at King’s Head Theatre, London – ‘an entertaining parody’ by Paul Vale

Out-of-work actor Beth Buckingham believes she was born to play the role of Elizabeth II in the Netflix series The Crown. When

SOURCE: The Stage Registration at 01:01PM
Wednesday, March 13, 2019

Win a free place on part-time courses at Arts Ed by Paul Vale

With a wide range of part-time courses on offer for all ages, Arts Educational Schools London is once again teaming up with

SOURCE: The Stage Registration at 08:00AM
Monday, March 11, 2019

Gaslight review at Mill at Sonning – ‘an effective, entertaining production’ by Paul Vale

The term ‘gaslighting’ – the psychological manipulation of a person carried out with the intention of making them doubt their sanity –

SOURCE: The Stage Registration at 12:46PM
Friday, March 8, 2019

Circa review at the Old Red Lion Theatre, London – ‘Ambitious gay chronicle that runs out of ideas’ by Paul Vale

In his ambitious and articulate first play, which had its London premiere at the Vaults in 2016, Tom Ratcliffe explores the evolution

SOURCE: The Stage Registration at 06:39AM
Monday, March 4, 2019

My Brother’s Keeper review at Playground Theatre, London – ‘impeccable staging’ by Paul Vale

Award-winning playwright and novelist Nigel Williams wrote My Brother’s Keeper in the mid-1980s, not long after his own father had died of

SOURCE: The Stage Registration at 09:17AM
Friday, March 1, 2019

The Importance of Being Earnest review at Tara Theatre, London – ‘joyously inventive’ by Paul Vale

It takes confidence to tinker with Oscar Wilde’s The Importance of Being Earnest. Earlier this year, LKT Productions relocated it to a council

SOURCE: The Stage Registration at 07:07AM
Tuesday, February 19, 2019

Gently Down the Stream review at Park Theatre, London – ‘a touching intergenerational romance’ by Paul Vale

Forty years on from Bent, renowned playwright Martin Sherman, now celebrating his 80th year, wanted to examine the changing face of the

SOURCE: The Stage Registration at 07:36AM
Monday, February 18, 2019

[Title of Show] review at Above the Stag, London – ‘warm, witty meta-musical’ by Paul Vale

Hunter Bell and Jeff Bowen’s autobiographical musical gains perspective with age. Originally written in 2004, it’s a quirky, navel-gazing piece that touched

SOURCE: The Stage Registration at 09:36AM
Friday, February 15, 2019

Can-Can! review at Union Theatre, London – ‘cliché-ridden and heinously cheesy’ by Paul Vale

Director and producer Phil Willmott has proved himself a past master of the musical reinvention. But though his Essential Classics season at

SOURCE: The Stage Registration at 06:44AM
Wednesday, February 13, 2019

Rip It Up – The 60s review at Garrick Theatre, London – ‘stylish and energetic’ by Paul Vale

Following a UK tour and a brief stint at the Palladium last year Rip It Up – The 60s gets a limited

SOURCE: The Stage Registration at 06:42AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic