All stories by Nelson Pressley on BroadwayStars

Sunday, November 3, 2013

Review: Tommy Tune turns on the charm at Kennedy Center’s Terrace Theater by Nelson Pressley

Tommy Tune has always broken the mold, and the 6-foot-6-inch-tall singin’-dancin’ Texan did it again Friday night at the Kennedy Center’s Terrace Theater. In a loping tempo, Tune, 74, …

SOURCE: Washington Post at 12:59PM
Friday, November 1, 2013

‘If/Then,’ next up for ‘Next to Normal’ team by Nelson Pressley

It’s too early to tell whether the new musical “If/Then” is the Next Big Thing, even with original “Rent” stars Idina Menzel and Anthony Rapp on the National Theatre stage, along w…

SOURCE: Washington Post at 10:31AM

Premieres at the National Theatre: ‘Show Boat,’ ‘West Side Story’ and more by Nelson Pressley

The new musical “If/Then” at the National Theatre isn’t only a pre-Broadway tryout, that now-rare specimen of a new show alighting in Washington on a circuit that often included New Ha…

SOURCE: Washington Post at 10:31AM
Wednesday, October 30, 2013

Conflict is at the heart of Theater J’s production of ‘The Argument’ by Nelson Pressley

It is tempting to contrast “The Argument” at Theater J with its spiritual sister, “The Night Watcher,” just two blocks away at the Studio Theatre. In writer-performer Charlayne Wooda…

SOURCE: Washington Post at 03:22PM
Sunday, October 27, 2013

Theater review: ‘Love in Afghanistan’ is predictable, half-hearted by Nelson Pressley

Romance at first sight usually means being taken by surprise — “gobsmacked,” as one of the characters puts it in the awkwardly swoony new “Love in Afghanistan” at Arena Stage. And …

SOURCE: Washington Post at 04:33PM
Friday, October 25, 2013

Florrie Bagel: A formidable D.C. area stage talent returns in touring ‘Sister Act’ by Nelson Pressley

The actress playing Mary Patrick, the peppiest nun in the comedy “Sister Act,” may look familiar to local audiences when the musical brings its 1970s disco groove to the Kennedy Center�…

SOURCE: Washington Post at 11:14AM
Wednesday, October 23, 2013

Marcus Gardley’s ‘dance of the holy ghosts’ at Center Stage: Michael Genet supplies the heft by Nelson Pressley

Sentences fizz like champagne bubbles in Marcus Gardley’s “dance of the holy ghosts: a play on memory” at Baltimore’s Center Stage. It’s all about a blustery, isolated 72-year-old …

SOURCE: Washington Post at 12:19PM

Molotov Theatre makes main characters of ‘Extremities’ seem equally extreme by Nelson Pressley

The Molotov Theatre Group’s staging of “Extremities” begins with a suitably horrifying image of the classic rape scenario. Sherry Berg, the actress playing the victim, Marjorie, is pet…

SOURCE: Washington Post at 10:16AM
Friday, October 18, 2013

All eyes on the radiant Charlayne Woodard by Nelson Pressley

Actress Charlayne Woodard has been married for nearly 22 years, and she doesn’t have children — at least not exactly. “I have 13 godchildren, 21 nieces and nephews, and 15 people who c…

SOURCE: Washington Post at 11:15AM
Friday, October 11, 2013

In Christine Lahti, Signature has a star for its ‘Pride in the Falls of Autrey Mill’ by Nelson Pressley

Enter, in an unlikely place, Christine Lahti: tall, lean, radiating just the right touch of glamour in a sleek, low-key charcoal sweater dress that looks like cashmere. The face — dark eye…

SOURCE: Washington Post at 12:13PM
Tuesday, October 8, 2013

Spooky Action gives the rarely staged ‘Two-Character Play’ another turn in the spotlight by Nelson Pressley

“The Two-Character Play” is a modest title for Tennessee Williams’s 1975 psychodrama about a brother and sister locked in mortal combat with familiar Williams demons: debilitating fear…

SOURCE: Washington Post at 04:03PM
Monday, October 7, 2013

Riot Grrrls successfully serve up a Shakespearean revenge story by Nelson Pressley

Let’s just say it: The Riot Grrrls are taking a fierce bite out of “Titus Andronicus,” Shakespeare’s grisly revenge tragedy. The Riot Grrrls are the all-female wing of the Taffety Pu…

SOURCE: Washington Post at 05:28PM
Sunday, October 6, 2013

Ford’s ‘Laramie Project’ will go on — but maybe not at the famous theater by Nelson Pressley

The people in line at 10th and G streets NW look happy, and why not? They’re queueing for free tickets to the Ford’s Theatre’s new production of “The Laramie Project.” Two blocks d…

SOURCE: Washington Post at 08:42PM
Sunday, September 29, 2013

Review: Singer Laura Benanti at George Mason Concert Hall by Nelson Pressley

“I’m old-fashioned,” Tony Award-winning singer Laura Benanti crooned Saturday night at George Mason University’s Concert Hall, a jazzy quartet swinging lightly behind her. That was f…

SOURCE: Washington Post at 06:29PM
Friday, September 27, 2013

Studio Theatre’s ‘Red Speedo’ tests the waters on a current issue: doping by Nelson Pressley

Why so much huffing and puffing about performance-enhancing drugs? “Red Speedo,” the new play premiering at the Studio Theatre, wants to know. “There are people who will never be good …

SOURCE: Washington Post at 12:07PM
Friday, September 20, 2013

Shakespeare Theatre Company, Lansburgh building landlords reach settlement by Nelson Pressley

All’s well that ends well, and the dispute between the Shakespeare Theatre Company and its landlords of the Lansburgh building is apparently over. Pending a formal dismissal of the STC’s…

SOURCE: Washington Post at 02:16PM

Warning! Shakespeare for 18 and above by Nelson Pressley

The poster for the Shakespeare Theatre Company’s new “Measure for Measure” is a bit of a shocker. Glance at it and you’ll find yourself peeking up the garments of a young nun. She’…

SOURCE: Washington Post at 11:22AM

‘A Young Lady of Property’ and ‘Gee’s Bend’: productions steeped in nostalgic Americana by Nelson Pressley

Rep Stage in Columbia and MetroStage in Alexandria represent the northern and southern poles of the Washington theater world. Both are small professional troupes that have been around for a …

SOURCE: Washington Post at 11:22AM

With ‘Detroit,’ playwright Lisa D’Amour wins acclaim by ‘speaking to a real-life moment’ by Nelson Pressley

In “Detroit,” the hot-topic drama that was a Pulitzer Prize finalist in 2011, nobody says “Democrat” or “Republican.” No one says “Wall Street” or “too big to fail,” thou…

SOURCE: Washington Post at 11:22AM
Tuesday, September 17, 2013

Helen Hayes Awards will split nominees into two groups based on Equity involvement by Nelson Pressley

Washington theater’s Helen Hayes Awards unveiled a major makeover Tuesday night, restructuring its maligned judging process and nearly doubling the number of prizes that can be handed out.…

SOURCE: Washington Post at 06:55PM

Theater review: A high-minded, low-comedy ‘Don Juan’ by Nelson Pressley

Ahem, harrumph: Commedia dell’arte, the Renaissance style involving comic archetypes, masks and improvisation, is a deceptively intellectual tradition well suited for interpretations of �…

SOURCE: Washington Post at 02:42PM
Monday, September 16, 2013

Theater review: ‘Bell,’ an engaging portrait of the inventor by Nelson Pressley

You’re free to fiddle with your phone during “Bell,” the one-man bio-drama about Alexander Graham Bell now playing at the National Geographic Society. Bell, after all, invented the tel…

SOURCE: Washington Post at 12:41AM
Saturday, September 14, 2013

Shakespeare Theatre’s tenancy fight springs from D.C. urban renewal plan by Nelson Pressley

Washington’s Shakespeare Theatre Company basked in Broadway limelight last summer when it received the Regional Theater Tony Award. What does an internationally acclaimed classical troupe …

SOURCE: Washington Post at 07:13PM
Thursday, September 12, 2013

In Amy Herzog’s ‘After the Revolution’ at Theater J, an activist family’s secrets revealed by Nelson Pressley

Amy Herzog’s savvy “After the Revolution” is set in New York and Boston, but it’s a first-rate Washington play. The drama, being acted with heart and intelligence at Theater J, follo…

SOURCE: Washington Post at 05:53PM
Wednesday, August 28, 2013

Mladinsko Theatre’s ‘Nijinsky’s Last Dance’: An introspective, physically in-your-face play by Nelson Pressley

The mad tango of “Nijinsky’s Last Dance” is back in Washington, where it began its award-winning career at Signature Theatre in 1998. The Slovenian version at Flashpoint this week is r…

SOURCE: Washington Post at 02:35PM
Tuesday, August 20, 2013

‘Neverwhere’ puts Rorschach Theatre’s inventiveness on full display by Nelson Pressley

The inventive Rorschach Theatre has a flair for cult fantasy, but the troupe has upped its game big-time for the sprawling “Neverwhere.” The wild plot careens through a seedy underworld …

SOURCE: Washington Post at 02:16PM
Monday, August 19, 2013

Theatre Alliance’s ‘Broke-ology’ christens Anacostia Playhouse stage by Nelson Pressley

It was 20 years ago today — well, within a month or two — that the low-budget, serious-minded American Theater Project rolled the dice in an Anacostia storefront. It survived only a coup…

SOURCE: Washington Post at 02:02PM
Wednesday, August 14, 2013

Helen Hayes Awards considers tier system by Nelson Pressley

Should the Helen Hayes Awards be handed out on two separate tiers, splitting larger and smaller theater companies into separate groups? Or not? The debate has run on two distinctly separate …

SOURCE: Washington Post at 06:42PM

by Nelson Pressley

Should the Helen Hayes Awards be handed out on two separate tiers, splitting larger and smaller theater companies into separate groups? Or not? The debate has run on two distinctly separate …

SOURCE: Washington Post at 06:25PM
Friday, August 9, 2013

Signature thinks big with ‘Miss Saigon’ by Nelson Pressley

“Miss Saigon” – isn’t that the megamusical with the helicopter onstage? That’s not what director Eric Schaeffer and his cast of 19 are talking about at Arlington’s Signature Thea…

SOURCE: Washington Post at 01:37PM
Monday, August 5, 2013

‘A Chorus Line’ at the Olney Theatre Center is a largely enjoyable re-creation of Broadway hit by Nelson Pressley

The Olney Theatre Center has long staked a claim to musicals, but “A Chorus Line” — surely that’s a high kick too far, right? After all, it’s a pro’s show, forged from the person…

SOURCE: Washington Post at 01:25PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic