“Year of the Rooster,” a play about cockfighting at the Ensemble Studio Theater, gives a rooster a complex interior life.
SOURCE: The New York Times Subscription at 05:47PMThe documentary “Broadway Idiot” observes the metamorphosis of “American Idiot” from record to stage show, and of Billie Joe Armstrong from rock star to stage actor.  …
SOURCE: movies.nytimes.com at 08:17PM“The Hollow Crown” is a four-part serving of Shakespeare that begins on Friday on PBS’s “Great Performances.”
SOURCE: tv.nytimes.com at 06:07PMIn “Why We Left Brooklyn,” a party is being given for an actor who has accepted a teaching job in Ohio.
SOURCE: The New York Times Subscription at 04:59PMDaria Tavana’s play is a stage adaptation of Kurt Vonnegut’s novel.
SOURCE: The New York Times Subscription at 05:43PMA review of “Perceval,” a four-actor play about one of the Knights of the Round Table.
SOURCE: The New York Times Subscription at 02:18PMMs. Herz publicized shows for almost 65 years, among “La Cage aux Folles,” and her client list included dance troupes, TV shows and even the Moscow Circus.
SOURCE: The New York Times Subscription at 11:45PM“Under the Greenwood Tree,” at the Flea Theater, is a musical adaptation of Shaespeare’s “As You Like It.”
SOURCE: The New York Times Subscription at 05:55PM“The Vaudevillians” mixes drag, music and time travel at the Laurie Beechman Theater.
SOURCE: The New York Times Subscription at 05:12PMIn “Shida,” Jeannette Bayardelle acts and sings in depicting a young woman’s passage to the edge of adulthood.
SOURCE: The New York Times Subscription at 10:00PMThe comedian Terry Fator brought his genial, unusual ventriloquist act to the New Jersey Performing Arts Center in Newark.
SOURCE: The New York Times Subscription at 04:50PMThe family in “The Capables,” at the Gym at Judson, lets a “Hoarders”-like TV show into its overstuffed house, hoping it will lead to a cleaned-out home.
SOURCE: The New York Times Subscription at 10:00PMMatthew-Lee Erlbach portrays a dozen characters, from a migrant worker to a white supremacist, in his one-man show, “Handbook for an American Revolutionary.”
SOURCE: The New York Times Subscription at 10:00PMA theater company called the Apothetae showcases edgier narratives about disability rather than stories of triumph over adversity.
SOURCE: The New York Times Subscription at 01:07AM“Unlock’d,” a new musical at the Duke on 42nd Street, imagines a place when extravagant tresses assure male adoration.
SOURCE: The New York Times Subscription at 10:01PMThis documentary about the making of the recent production of “Annie” follows its young actresses as they audition and rehearse.
SOURCE: tv.nytimes.com at 04:25PMThe overbearing mother is played by a man in drag in the new production of Sidney Howard’s “Silver Cord,” a hit in 1926 when Freudian theory was all the rage, and later a movie. &…
SOURCE: The New York Times Subscription at 04:20PMWorks in the third cycle of Ensemble Studio Theater’s one-act play marathon range from the hilarious to the uncomfortable.
SOURCE: The New York Times Subscription at 04:52PMThe Tony Awards host, Neil Patrick Harris, dazzled the house at Radio City Music Hall with an opening number and finished with an insta-song.
SOURCE: The New York Times Subscription at 12:10AMThe stage version of Jules Verne’s “Around the World in 80 Days” surrounds the traveler Phileas Fogg with lots of frenetic activity.
SOURCE: The New York Times Subscription at 04:56PMA new version of “Disney’s ‘The Little Mermaid,’ ” isn’t reluctant to invoke the movie, or have its characters fly above the stage.
SOURCE: The New York Times Subscription at 04:08PMThe Ensemble Studio Theater’s festival of one-acts continues with the second of three series.
SOURCE: The New York Times Subscription at 05:08PMIn “The Last Cyclist,” a play that was written inside a Nazi concentration camp, all bicyclists — or anyone whose ancestors had anything to do with bicycles — face deportation or dea…
SOURCE: The New York Times Subscription at 05:28PMThe tics with which Jean Stapleton invested Edith Bunker had the comic timing and commitment of a theatrical performance. She died on Friday at 90.
SOURCE: The New York Times Subscription at 02:34PMAn old man takes a look at his life, and so do members of the audience experiencing “One Day in the Life of Henri Shnuffle,” presented by the Sprat Theater Company. &nbs…
SOURCE: The New York Times Subscription at 04:14PMThe small Fiasco Theater ensemble is bringing its stripped-down approach to the Stephen Sondheim-James Lapine musical “Into the Woods.”
SOURCE: The New York Times Subscription at 05:44PMMark Nadler’s “I’m a Stranger Here Myself: Musik From the Weimar and Beyond,” at the York Theater Company, broadens his cabaret show about Germany before the Nazi crackdown. &nb…
SOURCE: The New York Times Subscription at 04:10PM“The Last Will,” directed by and starring Austin Pendleton, is Robert Brustein’s speculation on the death, and bequests, of William Shakespeare.
SOURCE: The New York Times Subscription at 04:40PMIn “Finks,” Joe Gilford’s new play, young people must choose whether to protect their careers or their friends in the time of McCarthyism.
SOURCE: The New York Times Subscription at 06:33PM“Honky,” a brash comedy by Greg Kalleres presented at Urban Stages, looks at race relations through the perspective of basketball shoe company executives.
SOURCE: The New York Times Subscription at 08:31PM“The Drawer Boy” by Michael Healey looks in on the lives of two aging friends who share a farmhouse in the Canadian countryside, and a stranger who comes to live with them.
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