All stories by Natasha Tripney on BroadwayStars

Friday, December 1, 2017

Night at the Bombay Roxy review at Dishoom Kensington, London – ‘a fusion of dinner and theatre’ by Natasha Tripney

When the first branch of Dishoom opened in 2010, it was one of the few places where you could get a decent

SOURCE: The Stage Registration at 08:13AM
Wednesday, November 29, 2017

A Christmas Carol review at Old Vic, London – ‘incredibly atmospheric’ by Natasha Tripney

Matthew Warchus’ staging of Charles Dickens’ never-more-timely morality tale brings the magic of a carol service to the West End. Staged in

SOURCE: The Stage Registration at 06:00PM
Monday, November 27, 2017

Jack and the Beanstalk review at Lyric Hammersmith, London – ‘fizzy and fun’ by Natasha Tripney

The Lyric Hammersmith panto, now in its ninth year, has never relied on big names or snazzy special effects. Its strength lies

SOURCE: The Stage Registration at 05:39AM
Friday, November 10, 2017

Twelfth Night review at the Royal Shakespeare Theatre, Stratford – ‘lavish and uplifting’ by Natasha Tripney

In a year in which we’ve already seen Tamsin Greig as Malvolia in Simon Godwin’s Twelfth Night at the National Theatre and

SOURCE: The Stage Registration at 05:05AM
Thursday, November 9, 2017

Glengarry Glen Ross at the Playhouse Theatre review – ‘a polished revival’ by Natasha Tripney

Written in 1983, David Mamet’s lancing of American masculinity and capitalism feels more an indictment than ever. Glengarry Glen Ross’ team of

SOURCE: The Stage Registration at 07:01PM
Tuesday, October 31, 2017

The Exorcist review at Phoenix Theatre, London – ‘crass and schlocky’ by Natasha Tripney

Even if you don’t subscribe to film critic Mark Kermode’s view that The Exorcist is a cinematic masterpiece, its power to disturb

SOURCE: The Stage Registration at 08:01PM

The Slaves of Solitude review at Hampstead Theatre, London – ‘a patchy adaptation’ by Natasha Tripney

Despite kicking off with a scene of confrontation, this new stage adaptation of Patrick Hamilton’s 1947 novel of lonely souls thrown together

SOURCE: The Stage Registration at 06:30AM
Thursday, October 26, 2017

Young Marx review at the Bridge Theatre, London – ‘funny, but dramatically underpowered’ by Natasha Tripney

The Bridge Theatre – Nicholas Hytner and Nick Starr’s shiny new 900-seat theatre near Tower Bridge – throws open its doors with

SOURCE: The Stage Registration at 05:00PM
Tuesday, October 24, 2017

Natasha Tripney: Critics need to remember their power and ditch the toxic adolescent commentary by Natasha Tripney

Lyn Gardner has already done a very good job of covering the meat of last week’s Widening the Lens debate on diversity

SOURCE: The Stage Registration at 07:26AM

Witness for the Prosecution review at County Hall, London – ‘cumbersome’ by Natasha Tripney

You can see why the idea appealed. The council chamber at County Hall, with its pillars and panelling, with its grand galleries,

SOURCE: The Stage Registration at 04:24AM
Thursday, October 19, 2017

The Lady from the Sea review at the Donmar Warehouse, London – ‘earthbound’ by Natasha Tripney

Ibsen’s The Lady from the Sea is a strange and slippery play. Having been recently appointed as artistic director of the Young

SOURCE: The Stage Registration at 05:49AM
Tuesday, October 17, 2017

Venus in Fur review at Theatre Royal, Haymarket, London – ‘Natalie Dormer is magnetic’ by Natasha Tripney

David Ives’ Venus in Fur is as much about power as it is about sex. More precisely it’s about power in the

SOURCE: The Stage Registration at 06:00PM

A Woman of No Importance review at Vaudeville Theatre – ‘gently revelatory’ by Natasha Tripney

Launching a year-long season of Oscar Wilde’s work along with his new Classic Spring company, Dominic Dromgoole’s production of A Woman on

SOURCE: The Stage Registration at 05:32AM
Friday, October 13, 2017

Beginning review at National Theatre, London – ‘tender and resonant’ by Natasha Tripney

The party’s over. Laura and Danny are the only ones left. It’s late and they’re both a little drunk – and more

SOURCE: The Stage Registration at 04:40AM
Thursday, October 12, 2017

Saint George and the Dragon review at the National Theatre, London – ‘disappointing’ by Natasha Tripney

The cavern that is the Olivier is a difficult space to fill. Its size seems to encourage an epic sensibility in the

SOURCE: The Stage Registration at 05:15AM
Tuesday, October 10, 2017

Mel Brooks’ Young Frankenstein review at the Garrick Theatre, London by Natasha Tripney

Reanimation is a tricky thing. Time is a variable you ignore at your peril. There’s a argument to be made that Mel

SOURCE: The Stage Registration at 07:09PM
Monday, October 9, 2017

Heisenberg: The Uncertainty Principle review at Wyndham’s Theatre – ‘a lopsided two-hander’ by Natasha Tripney

First staged in New York in 2015, Simon Stephens’ two-hander, Heisenberg: The Uncertainty Principle, is an attempt to fuse elements of romantic

SOURCE: The Stage Registration at 07:30PM
Friday, September 22, 2017

Coriolanus review at Royal Shakespeare Theatre, Stratford-upon-Avon – ‘moments of power’ by Natasha Tripney

Angus Jackson’s production, the fourth in the Royal Shakespeare Company’s Roman season, opens with a drawn-out sequence in which a forklift truck

SOURCE: The Stage Registration at 04:51AM
Thursday, September 21, 2017

Dido, Queen of Carthage review at the Swan Theatre, Stratford-upon-Avon – ‘rich performances’ by Natasha Tripney

The whims and wishes of the gods feature prominently in Christopher Marlowe’s early, infrequently performed play. Dido, the Phoenician queen, and her

SOURCE: The Stage Registration at 07:20PM

Wings review at Young Vic, London – ‘Juliet Stevenson takes to the air’ by Natasha Tripney

Mrs Stilson has been untongued by a stroke. This one-time wing-walker, now in her 70s, has lost her words. In this revival

SOURCE: The Stage Registration at 03:48AM
Wednesday, September 20, 2017

Pride and Prejudice review at Nottingham Playhouse – ‘Sara Pascoe takes on Jane Austen’ by Natasha Tripney

Sara Pascoe is a woman who knows funny. Jane Austen is no slouch on this front either. The comedian’s new stage adaption

SOURCE: The Stage Registration at 04:39AM
Monday, September 18, 2017

Oslo review at National Theatre, London – ‘intelligent and intricate’ by Natasha Tripney

For a play that chiefly consists of men in suits sitting around tables smoking and talking, JT Rogers’ Oslo is gripping stuff.

SOURCE: The Stage Registration at 06:59PM
Friday, September 15, 2017

Deathtrap review at Theatre Royal, Brighton – ‘a tired revival’ by Natasha Tripney

Ira Levin’s 1978 play Deathtrap is a simultaneous sends up and salute to the mid-20th century stage thriller. Sidney Bruhl, a has-been

SOURCE: The Stage Registration at 11:01AM
Thursday, September 14, 2017

Boudica review at Shakespeare’s Globe, London – ‘ambitious but flawed’ by Natasha Tripney

She’s gone by many names – Boudica, Boadica, Bonduca – the warrior queen of the Iceni in her chariot, with her daughters

SOURCE: The Stage Registration at 06:20AM
Tuesday, September 12, 2017

Rita, Sue and Bob Too review at Octagon Theatre, Bolton – ‘a timely revival’ by Natasha Tripney

Sex is central to Rita, Sue and Bob Too – the film version was released with the tag-line ‘Thatcher’s Britain with her

SOURCE: The Stage Registration at 09:49AM
Monday, September 11, 2017

Doubt, a Parable review at Southwark Playhouse – ‘strong performances’ by Natasha Tripney

Set in a catholic school in the Bronx in the 1960s, John Patrick Shanley’s 2004 Pulitzer-winning play, Doubt, pits the school’s staunchly

SOURCE: The Stage Registration at 05:52AM
Friday, September 8, 2017

Coriolanus review at Rose Playhouse, London – ‘surefooted direction’ by Natasha Tripney

With its depictions of arrogant, feuding politicians accused of contravening the will of the people, Shakespeare’s Coriolanus is highly pertinent to the

SOURCE: The Stage Registration at 11:32AM
Thursday, September 7, 2017

Hamlet starring Tom Hiddleston – review at Vanbrugh Theatre, London – ‘Hiddleston shines’ by Natasha Tripney

There hasn’t exactly been a shortage of Hamlets of late, but what marks Tom Hiddleston’s apart is its exclusivity. Directed by Kenneth

SOURCE: The Stage Registration at 05:29AM
Wednesday, September 6, 2017

Six Edinburgh Festival Fringe shows in search of a transfer by Natasha Tripney

The Edinburgh Fringe is over for another year. The streets are free of flyers. Normality has reasserted itself. Here are six of

SOURCE: The Stage Registration at 12:10PM
Thursday, August 31, 2017

Missed the Edinburgh Fringe? Here’s where to see the best shows by Natasha Tripney

The Edinburgh Festival Fringe may have had its curtain call, but many shows that played there can now be seen elsewhere across

SOURCE: The Stage Registration at 11:49AM
Wednesday, August 30, 2017

Seance review at Summerhall, Edinburgh – ‘creepy binaural experience’ by Natasha Tripney

Darkness is a canvas.  We fill it with our fears. We populate it with monsters of our making. Glen Neath and David

SOURCE: The Stage Registration at 08:14AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime