All stories by Natasha Tripney on BroadwayStars

Friday, July 12, 2019

10 years of BE: the Birmingham festival of European theatre where dinner is political by Natasha Tripney

The act of artists eating with audiences has been at the heart of the BE Festival, which has just celebrated its 10th anniversary.

SOURCE: The Stage Registration at 11:37AM

Invisible Cities review at Mayfield, Manchester – ‘thrilling visuals’ by Natasha Tripney

Having previously tackled Paul Auster’s metaphysical novella City of Glass, 59 Productions joins forces with Rambert and choreographer Sidi Larbi Cherkaoui to

SOURCE: The Stage Registration at 07:33AM
Wednesday, July 10, 2019

Peter Gynt review at National Theatre, London – ‘David Hare’s clunky satire’ by Natasha Tripney

While David Hare’s satirical update of Ibsen’s sprawling, richly mythic and dramatically cumbersome verse drama contains some witty lines and a magnetic

SOURCE: The Stage Registration at 05:20AM
Monday, July 8, 2019

Top 5 theatre shows to see this week (July 8-14) by Natasha Tripney

Life of Pi – Crucible Theatre, Sheffield Max Webster directs Lolita Chakrabarti’s adaptation of Yann Martel’s fable-like bestseller about a young boy

SOURCE: The Stage Registration at 02:00AM
Monday, July 1, 2019

Dark Sublime review at Trafalgar Studios, London – ‘endearing, if overstretched play about fandom and friendship’ by Natasha Tripney

Back in the 1980s, Marianne (Marina Sirtis) starred in a sci-fi series called Dark Sublime. It wasn’t a global smash like Star

SOURCE: The Stage Registration at 05:39AM

Top 5 theatre shows to see this week (July 1-7) by Natasha Tripney

The End of History – Royal Court, London Prolific playwright Jack Thorne and director John Tiffany – aka the Harry Potter and

SOURCE: The Stage Registration at 02:00AM
Friday, June 28, 2019

Europe review at Donmar Warehouse, London – ‘powerful and timely revival’ by Natasha Tripney

Michael Longhurst begins his inaugural season as artistic director at the Donmar Warehouse with a devastatingly timely revival of David Greig’s 1994

SOURCE: The Stage Registration at 04:30AM
Wednesday, June 26, 2019

Jellyfish: a sexy romcom that finally reflects real life by Natasha Tripney

The heroine of Ben Weatherill’s play is strong, witty and learning disabled. So is Sarah Gordy who portrays her. About time too, say the writer and actor When Ben Weatherill set out to wri…

SOURCE: The Guardian at 10:24PM
Tuesday, June 25, 2019

Present Laughter review at Old Vic, London – ‘Andrew Scott is magnificent’ by Natasha Tripney

A dark undercurrent often lurks beneath the surface of Noel Coward’s comedies. Present Laughter, his semi-autobiographical play about a puffed-up actor, is

SOURCE: The Stage Registration at 07:16PM
Monday, June 24, 2019

Top 5 theatre shows to see this week (June 24-30) by Natasha Tripney

Incoming Festival – New Diorama Theatre, London; Home, Manchester; Tobacco Factory, Bristol The festival of emerging work continues to expand, now playing

SOURCE: The Stage Registration at 02:00AM
Friday, June 21, 2019

Natasha Tripney: By using assault as a punchline, David Mamet’s Bitter Wheat is not a satire but a sad reflection of the culture by Natasha Tripney

By the far the most galling thing about David Mamet’s new play Bitter Wheat – and, believe me, there are many galling

SOURCE: The Stage Registration at 06:00AM
Tuesday, June 18, 2019

Citysong review at Soho Theatre, London – ‘poignant, lyrical and gorgeously written’ by Natasha Tripney

Time, and its passing, loom large in Dylan Coburn Gray’s Verity Bargate award-winning ‘play for voices.’ It zooms in on one Dublin

SOURCE: The Stage Registration at 05:44AM
Monday, June 17, 2019

Top 5 theatre shows to see this week (June 17-23) by Natasha Tripney

Strange Fruit – Bush Theatre, London Nancy Medina directs a revival of Caryl Phillips’ powerful 1981 debut play as part of the

SOURCE: The Stage Registration at 02:00AM
Friday, June 14, 2019

Plenty review at Chichester Festival Theatre – ‘engaging, if chilly revival’ by Natasha Tripney

The title of David Hare’s 1978 play has never felt more ironic. Visible signs of the impact of austerity can be seen

SOURCE: The Stage Registration at 01:08PM

Playwright Dylan Coburn Gray: ‘Poetry is stillness, drama is rupture’ by Natasha Tripney

Citysong, Dylan Coburn Gray’s Verity Bargate award-winning play, is coming to Soho Theatre. Natasha Tripney talks to the playwright about his inspirations,

SOURCE: The Stage Registration at 08:12AM
Thursday, June 13, 2019

The Pope review at Royal and Derngate, Northampton – ‘compellingly performed character study’ by Natasha Tripney

When Pope Benedict XVI resigned in 2013, he was the first pope to do so in over 700 years. Screenwriter and novelist

SOURCE: The Stage Registration at 08:51AM
Tuesday, June 11, 2019

A Midsummer Night’s Dream review at the Bridge Theatre, London – ‘circus thrills and muted magic’ by Natasha Tripney

Nicholas Hytner’s promenade production of Julius Caesar, staged at the Bridge Theatre early last year, put the audience at its heart. Those

SOURCE: The Stage Registration at 05:00PM
Monday, June 10, 2019

Top 5 theatre shows to see this week (June 10-16) by Natasha Tripney

One Night in Miami – Nottingham Playhouse Kemp Powers’ play about a pivotal night in the life of Muhammad Ali, spent in

SOURCE: The Stage Registration at 02:00AM
Friday, June 7, 2019

The Knight of the Burning Pestle review at Barbican Theatre, London – ‘metatheatrical playfulness’ by Natasha Tripney

A group of stylish actors, immaculately clad in black, glide around a stark stage. Declan Donnellan’s updated take on Francis Beaumont’s 1607

SOURCE: The Stage Registration at 01:02PM
Thursday, June 6, 2019

Hobson’s Choice review at Royal Exchange Theatre, Manchester – ‘buoyant and enjoyable’ by Natasha Tripney

In 2003, the Young Vic staged Tanika Gupta’s Salford update of Harold Brighouse’s robust play – originally written in 1915, and set

SOURCE: The Stage Registration at 05:18AM
Wednesday, June 5, 2019

Armadillo review at Yard Theatre, London – ‘appealingly strange play about gun love’ by Natasha Tripney

When Sam (Michelle Fox) was 13 she was kidnapped. Salvation took the shape of a man with a gun. As an adult

SOURCE: The Stage Registration at 06:06AM
Monday, June 3, 2019

Top 5 theatre shows to see this week (June 3-9) by Natasha Tripney

Armadillo – the Yard, London American playwright Sarah Kosar wrote the distinctive Mumburger – a skewed study of the ways in which

SOURCE: The Stage Registration at 02:00AM
Wednesday, May 29, 2019

Rutherford and Son review at National Theatre, London – ‘Strongly performed, occasionally melodramatic revival’ by Natasha Tripney

Rutherford, the domineering patriarch in Githa Sowerby’s 1912 play, is a man for whom the family business is everything. He has sweated

SOURCE: The Stage Registration at 04:14AM

Michelle Terry: ‘This job has taught me that democracy is really hard’ by Natasha Tripney

Shakespeare’s Globe artistic director Michelle Terry tells Natasha Tripney about taking over from Emma Rice during a period of trauma for the

SOURCE: The Stage Registration at 03:00AM
Monday, May 27, 2019

Top 5 theatre shows to see this week (May 27-June 2) by Natasha Tripney

Rutherford and Son – National Theatre, London Roger Allam takes the title role of the domineering patriarch in Polly Findlay’s production of Githa

SOURCE: The Stage Registration at 02:00AM
Monday, May 20, 2019

Top 5 theatre shows to see this week ( May 20-26) by Natasha Tripney

The Cheviot, the Stag and the Black, Black Oil – Eden Court, Inverness A new National Theatre of Scotland tour of this

SOURCE: The Stage Registration at 02:00AM
Friday, May 17, 2019

Dinner Is Coming review at Vaults, London – ‘an entertaining Game of Thrones dining experience’ by Natasha Tripney

In an increasingly crowded field, this immersive dining experience-slash-cheeky cash-in created by Ami Stidolph and Sam Carrack, and based on the dizzyingly

SOURCE: The Stage Registration at 10:10AM
Thursday, May 16, 2019

Orpheus Descending review at Menier Chocolate Factory, London – ‘intriguing but flawed’ by Natasha Tripney

Tennessee Williams’ 1957 play is an intriguing cocktail of the mythic and gothic, laced with racial ugliness. It is a reworking of

SOURCE: The Stage Registration at 05:52AM
Wednesday, May 15, 2019

Wild Longings review at Plantation Gardens, Norwich – ‘well-intentioned but rambling outdoor performance’ by Natasha Tripney

The Norfolk and Norwich Festival has a good track record when it comes to staging creative, location-responsive outdoor work. This well-intentioned but

SOURCE: The Stage Registration at 06:13AM
Tuesday, May 14, 2019

News News News review at Norwich Playhouse – ‘a child’s-eye view of the news’ by Natasha Tripney

“Your news is bad news,” proclaim a group of primary school children. They’re fed up with grown-up news – it’s boring, depressing

SOURCE: The Stage Registration at 06:44AM
Monday, May 13, 2019

Top 5 theatre shows to see this week (May 13-19) by Natasha Tripney

Lose Yourself – Sherman Theatre, Cardiff The new play by Katherine Chandler, the Sherman Theatre’s playwright in residence, is about one day

SOURCE: The Stage Registration at 02:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic