All stories by Missy Frederick on BroadwayStars

Thursday, September 5, 2019

Review: A Nite at the Dew Drop Inn’s singers raise the roof in this tribute revue by Missy Frederick

Yvette Spears is one of those performers who sings with her whole body and soul. Medleys start deep in her throat and nearly consume her as she belts out the blues, whether she’s scolding …

Linked From DC Theatre Scene at 06:36PM
Monday, July 15, 2019

Review: Be More Chill from Monumental Theatre Company by Missy Frederick

Broadway musicals’ 11 o’clock numbers are often defiant, triumphant character studies or orchestra-swelling realizations of love — think “Rose’s Turn” from Gypsy or “She Used t…

Linked From DC Theatre Scene at 12:24PM
Wednesday, July 10, 2019

Fringe review: We’re All Going to Fucking Die! by Missy Frederick

It’s probably safe to say that We’re All Going to Fucking Die! is the only Fringe show where you stand a chance at taking home a prostate massager. Despite the cheekily morbid title, thi…

Linked From DC Theatre Scene at 12:54PM

Fringe review: 33 1/3 Chorus Girls by Missy Frederick

In 33 1/3 Chorus Girls, seven comedic sketches are linked by the loose thread of “show business.” A klutzy stand-up comedienne tells academic jokes about Harry Potter, surrounded by heck…

Linked From DC Theatre Scene at 12:54PM
Friday, June 28, 2019

Review: Roald Dahl’s Matilda the Musical at Olney Theatre Center by Missy Frederick

Mom’s so in denial about having a baby, she’s nine months pregnant and still thinks she’s making it to her ballroom dancing competition in Spain. Shady used car salesman Dad’s hoping…

Linked From DC Theatre Scene at 03:32PM
Wednesday, May 15, 2019

Review: The Member of the Wedding at 1st Stage by Missy Frederick

Frankie Addams really, really wants to get out of dodge. The teenager and her struggles are put center stage in The Member of the Wedding, a staple of high school English classes adapted int…

Linked From DC Theatre Scene at 11:18AM
Tuesday, April 30, 2019

Review: The White Snake, Constellation Theatre Company by Missy Frederick

Constellation Theatre Company’s latest production may be called The White Snake, but it’s the Green Snake who steals the show. Momo Nakamuru proves a delightful, hilarious presence as th…

Linked From DC Theatre Scene at 11:04AM
Wednesday, March 20, 2019

Fallen Angels review. NextStop rises to the occasion by Missy Frederick

Pre-dinner martinis turn into two bottles of champagne, which turn into nightcaps of Benedictine. The alcohol just keeps flowing during Noël Coward’s Fallen Angels, and things get more an…

Linked From DC Theatre Scene at 11:09AM
Wednesday, March 13, 2019

Review: Hands on a Hardbody. Gotta have that truck! by Missy Frederick

My sister asked me what play I was going to see as we wrapped up our phone call. “Oh, it’s a musical about one of those contests where people stand around a truck and the last person who…

Linked From DC Theatre Scene at 12:03PM
Monday, February 11, 2019

Review: Once at Olney Theatre Center, a love story that only comes around once by Missy Frederick

As a film, the tiny indie musical Once (shot over 17 days for a mere $150,000) was such an unlikely hit that it’s easy to be cynical over whether a big-budget Broadway adaptation could cap…

Linked From DC Theatre Scene at 01:42PM
Wednesday, February 6, 2019

Review: The Master and Margarita, an eccentric production worthy of its origin by Missy Frederick

Abrupt decapitations. A chatty, fiendish cat. Magical sorcery onstage and off. An epic costumed ball thrown by Satan himself. On its surface, The Master and Margarita doesn’t seem like the…

Linked From DC Theatre Scene at 02:54PM
Friday, January 18, 2019

American Moor review. Keith Hamilton Cobb in a magnetic performance by Missy Frederick

Keith Hamilton Cobb (or at least, the actor he’s playing) isn’t exactly afraid that his director might accuse him of playing the race card when it comes to his opinions over Othello. Onc…

Linked From DC Theatre Scene at 09:48AM
Monday, January 7, 2019

[title of show] review. NextStop’s cast take over Off-Broadway’s wickedly clever musical by Missy Frederick

Broadway obsessives who can rattle off titles like Shogun: The Musical, Smile and Ruthless with as much authority as The Music Man and Les Misérables will find a special place in their hear…

Linked From DC Theatre Scene at 11:42AM
Monday, December 17, 2018

Review: Oh, God. Ready to throw in the towel, God tries therapy by Missy Frederick

So is God more like a Jewish mother or an abusive husband? Both comparisons are thrown around like zingers in Mosaic Theater Company’s Oh, God. In Anat Gov’s comedy, God (Mitchell Héber…

Linked From DC Theatre Scene at 02:32PM
Friday, November 30, 2018

Review: Indecent. Paula Vogel’s heartbreaking reveal of Broadway scandal by Missy Frederick

The glimpses we get into God of Vengeance, the real-life play-within-a-play that’s at the heart of Paula Vogel’s thrilling, stirring Indecent, are audacious, provocative, tender, challen…

Linked From DC Theatre Scene at 11:18AM
Monday, November 19, 2018

Review: Cry It Out, a funny, refreshing look at new mothers by Missy Frederick

Whether they’re getting dolled up for a trip to the Shop-N-Stop like it’s a trip to the prom, or realizing, as the Fed-Ex guy walks away, that they’ve had an entire conversation with t…

Linked From DC Theatre Scene at 11:48AM
Wednesday, October 17, 2018

Review: Aida, stellar performances in Constellation’s standout production by Missy Frederick

There are only about a dozen cast members onstage at the exhilarating closing of Aida’s first act, but given their vocal power and emotional heft, you’d swear there were 30. Constellatio…

Linked From DC Theatre Scene at 01:32PM
Tuesday, October 2, 2018

Review: The Comedy of Errors, plenty of hijinks with a splash of Broadway by Missy Frederick

Was Shakespeare’s The Comedy of Errors lacking for want of a Broadway-style splashy opening number? Probably not, but director Alan Paul has tinkered with the comedy by adding a handful of…

Linked From DC Theatre Scene at 01:06PM
Tuesday, September 18, 2018

Review: The Wedding Singer at NextStop Theatre by Missy Frederick

Eye rolling and harrumphing over Broadway musical writers being out of ideas feels pretty banal at this stage in the game. It’s no secret that creators of musical theater are relying more …

Linked From DC Theatre Scene at 11:18AM
Tuesday, July 17, 2018

Review: Monumental cast gets its corner of the sky with Pippin by Missy Frederick

In Monumental Theatre Co.’s production of Pippin, young dreamers are still out to find their own corner of the sky — they’re just also likely to share that corner with their social me…

Linked From DC Theatre Scene at 03:18PM
Monday, July 9, 2018

Review: The City Of… at Capital Fringe by Missy Frederick

Playwright Matthew Capodicasa has tapped into a truly terrifying idea in The City Of… The premise: What would happen if an entire town just gradually started forgetting everything about ea…

Linked From DC Theatre Scene at 11:12AM

Review: America’s Wives at Capital Fringe by Missy Frederick

Farah Lawal Harris’ America’s Wives is an extended metaphor, really. Its central two characters are both married to a distant, narcissistic, unfair man named America.  His first wife is…

Linked From DC Theatre Scene at 11:12AM
Tuesday, May 15, 2018

Review: Burst, new play from Parlor Room Theater by Missy Frederick

Amy Leigh Horan’s new play Burst is tough to watch — and at the same time, engrossing to watch — precisely because it feels so real. Anyone who has dealt with grave uncertainty and a d…

Linked From DC Theatre Scene at 10:24AM
Monday, April 30, 2018

Review: Synetic’s Titus Andronicus, bloodless yet chilling by Missy Frederick

Take out the words, and it turns out you can make Shakespeare’s most violent play even more brutal and terrifying. With Titus Andronicus, Synetic Theater has created a vicious, disturbing…

Linked From DC Theatre Scene at 08:33AM
Monday, March 19, 2018

The Winter’s Tale at Folger (review) by Missy Frederick

There’s no getting around it — The Winter’s Tale, as far as Shakespearean romances go, is a weird play. One King’s jealous rage springs into action for seemingly unfounded reasons. H…

Linked From DC Theatre Scene at 12:29PM
Monday, March 5, 2018

A refreshed, updated Godspell at NextStop (review) by Missy Frederick

Followers of Jesus post Bible verses on Reddit. John the Baptist unplugs the wifi to get everyone’s attention. The surrendering of your cell phone or laptop is the ultimate show of commitm…

Linked From DC Theatre Scene at 11:38AM
Monday, February 5, 2018

Review: It’s the Rest of the World That Looks So Small at Flying V by Missy Frederick

Those unfamiliar with the works of Jonathan Coulton are likely to find themselves going down the Google rabbit hole after seeing It’s the Rest of the World That Looks So Small, a theatrica…

Linked From DC Theatre Scene at 11:56AM
Monday, January 15, 2018

Constellation’s take on Thornton Wilder’s The Skin of Our Teeth (review) by Missy Frederick

You know things are going to start getting weird when the woolly mammoth and the dinosaur show up at the front door. Indeed, Thornton Wilder’s The Skin of Our Teeth may be a classic, but …

Linked From DC Theatre Scene at 11:16AM
Tuesday, January 9, 2018

Mosaic’s Queens Girl in Africa first in Women’s Voices Theater Festival (review) by Missy Frederick

Jaqueline Marie Butler may seem like an unassuming teenage girl, just doing her best to find her way in her new, confusing home country of Nigeria. But don’t underestimate her — as Jaque…

Linked From DC Theatre Scene at 02:20PM
Monday, December 18, 2017

Keegan Theatre brings back its Irish Carol (review) by Missy Frederick

An Irish Carol does a fine job capturing the spirit and message of Charles Dickens’ classic holiday tale in an evening spent in an Irish pub. No small feat. The play, courtesy of author Ma…

Linked From DC Theatre Scene at 02:04PM
Monday, December 4, 2017

Whodunnit? Only 1 actor knows in WIT’s murder mystery (review) by Missy Frederick

“Seasonal Disorder” is an improv grab bag of sorts. Depending on which night a person shows up, between now and December 31st, the audience can end up seeing everything from comedy to dr…

Linked From DC Theatre Scene at 02:12PM

All that Chat

Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue