All stories by Michael Billington on BroadwayStars

Sunday, May 7, 2017

Oh What a Lovely War: the show that shook Britain by Michael Billington

Joan Littlewood's pioneering 1963 musical about the first world war not only changed attitudes towards the conflict, it remade British theatre. As the show gets a loving revival, Michael Bil…

SOURCE: The Guardian at 05:48PM

The Life of Galileo, National, London by Michael Billington

National, LondonGalileo is a restless, endlessly evolving masterpiece. Brecht himself wrote three versions between 1937 and his death. David Hare has now amplified his 1994 adaptation for th…

SOURCE: The Guardian at 03:06AM
Saturday, May 6, 2017

Ubu Roi – review by Michael Billington

Barbican, LondonHow do you recapture the shock impact of Alfred Jarry's 1896 play, with its savage portrait of a grotesque monster? Given that Jarry's play started as a schoolboy prank aimed…

SOURCE: The Guardian at 10:24PM
Thursday, May 4, 2017

Angels in America review – Garfield and Lane excel in revival of Kushner's epic by Michael Billington

Lyttleton, LondonTwenty five years after its first production, this eight-hour fantasia is revealed as both a document of the Aids crisis and an amply justified vision of US politicsTwo big …

SOURCE: The Guardian at 08:12PM
Wednesday, May 3, 2017

The Ferryman review – Butterworth and Mendes deliver shattering tale of passion and violence by Michael Billington

Royal Court, London Paddy Considine stars as a reformed IRA activist in the Jerusalem playwright’s deeply involving and abundant new workThe combination of Jez Butterworth as writer and Sa…

SOURCE: The Guardian at 07:42PM
Tuesday, May 2, 2017

Educating Rita review – Lenny Henry walks off stage but returns with conviction by Michael Billington

Minerva, ChichesterDespite stumbling over a line, Henry ended the evening looking totally assured in a Willy Russell revival that proves Lashana Lynch’s star potentialThis was one of the s…

SOURCE: The Guardian at 08:42PM

The Resistible Rise of Arturo Ui review – Lenny Henry powers Trumped-up fascist parable by Michael Billington

Donmar Warehouse, London Henry exudes authority as a deadly racketeer but Bruce Norris’s version of Brecht’s 1941 drama tries too hard to draw parallels with the new US presidentIt is al…

SOURCE: The Guardian at 06:24PM

Everything Between Us review – siblings' bitter battle lays bare Ulster's divisions by Michael Billington

Finborough, LondonTwo sisters confront each other and the irrationality of hatred in David Ireland’s blackly comic political dramaDavid Ireland is our theatre’s expert at exploring the p…

SOURCE: The Guardian at 08:48AM
Monday, May 1, 2017

The Cardinal review – darkly comic revenge drama is a forgotten gem by Michael Billington

Southwark Playhouse, London A defiant duchess takes on a corrupt clergyman in this vigorous revival of James Shirley’s cracking 17th-century playJames Shirley (1596-1666) is one of British…

SOURCE: The Guardian at 06:48AM
Sunday, April 30, 2017

The Treatment review – Martin Crimp's movie biz satire is more potent than ever by Michael Billington

Almeida, London Lyndsey Turner’s immaculate, neon-lit revival of Crimp’s 1993 play lays bare the ways reality is exploited and distorted by the mediaThere’s a rich ambiguity to the tit…

SOURCE: The Guardian at 09:18AM
Friday, April 28, 2017

Romeo and Juliet review – the Globe's perverse show vandalises Shakespeare by Michael Billington

Shakespeare’s Globe, LondonThis risible production butchers the language, turns Juliet into a squawking, pampered princess and makes everyone dance to the Village PeopleDaniel Kramer, dire…

SOURCE: The Guardian at 08:02AM
Thursday, April 27, 2017

Forty Years On review – Richard Wilson returns in Bennett's satirical school play by Michael Billington

Chichester Festival theatreDaniel Evans directs a patchy and slightly chaotic revival of Alan Bennett’s comedy about a Britain torn between tradition and progressDaniel Evans made such a s…

SOURCE: The Guardian at 07:12AM
Tuesday, April 25, 2017

Obsession review – Jude Law is artfully romantic but remake lacks power by Michael Billington

Barbican, LondonJude Law stars in Ivo van Hove’s classy stage adaptation of Luchino Visconti’s 1942 film that just falls short of original’s atmospheric detailJude Law is the big draw …

SOURCE: The Guardian at 08:42PM

All the President's Men? review – Trump's allies squirm under the Senate spotlight by Michael Billington

Vaudeville, LondonPhil Davis and Sinéad Cusack star in Nicolas Kent’s verbatim staging of the US Senate’s confirmation hearings of four of Donald Trump’s political appointeesOne of th…

SOURCE: The Guardian at 07:48AM
Sunday, April 23, 2017

Nuclear War review – bizarre scenes of a woman alone in the city by Michael Billington

Royal Court, LondonSimon Stephens’ experimental new piece about grief and urban alienation is intentionally ‘fluid and contradictory’ – but also baffling and obscureSimon Stephens is…

SOURCE: The Guardian at 10:02AM
Saturday, April 22, 2017

Michael Billington: A greasepaint glossary by Michael Billington

The Old Vic, we read, is "going dark" for the summer: a far more expressive phrase than being "shut", since it implies the temporary extinction of light. But it's also a potent reminder that…

SOURCE: The Guardian at 07:31PM

Joan Bakewell responds to Pinter's Betrayal with her take on their affair by Michael Billington

The broadcaster’s play Keeping in Touch, aired on Radio 4, is a reply to the classic 1978 drama about the pair’s clandestine seven-year relationship“Truth in drama is forever elusive,�…

SOURCE: The Guardian at 02:48PM
Thursday, April 20, 2017

The Philanthropist review – Lily Cole and Matt Berry star in smart college comedy by Michael Billington

Trafalgar Studios, LondonSimon Callow directs a starry young cast in a revival of Christopher Hampton’s astonishing 70s play about academic havocChristopher Hampton’s comedy of academic …

SOURCE: The Guardian at 06:54PM
Wednesday, April 19, 2017

London's new Bridge theatre should encourage playwrights to think big by Michael Billington

The West End is becoming a Broadway-like shop window for musicals and spectaculars. Hytner and Starr’s theatre devoted to new plays is to be welcomedWhat is instantly striking about the in…

SOURCE: The Guardian at 08:42AM
Monday, April 17, 2017

The Plague review – ingenious update of Camus' chilling fable by Michael Billington

Arcola, LondonNeil Bartlett asks what this 1947 allegory of Nazi occupation means today in a striking production as focused on optimism as on despairAlbert Camus’ novel La Peste was publis…

SOURCE: The Guardian at 03:12AM
Sunday, April 16, 2017

Best Shakespeare productions: what's your favourite Cymbeline? by Michael Billington

The 2001 staging at Shakespeare's Globe, with Mark Rylance tackling a trio of roles, gave clarity to this convoluted playNot a play for rationalists. Dr Johnson wrote of its "unresisting imb…

SOURCE: The Guardian at 01:02AM
Friday, April 14, 2017

The Mentor review – F Murray Abraham skewers writerly ego in a prickly comedy by Michael Billington

Ustinov studio, BathThe Homeland actor plays a tetchy older author clashing with a younger dramatist in Daniel Kehlmann’s compelling study of creative anxietyThis show has the aura of an e…

SOURCE: The Guardian at 09:18AM

How to Succeed in Business Without Really Trying review – sprightly revival scales the corporate ladder by Michael Billington

Wilton’s Music Hall, LondonDerived from a mocking tome on how to lie and cheat your way to the top, this musical brings a welcome note of satire amid a daft plot with beguiling songsMusica…

SOURCE: The Guardian at 05:02AM
Thursday, April 13, 2017

Guards at the Taj review – bloody tale probes the price of beauty by Michael Billington

Bush, LondonHuman curiosity and the capriciousness of power are central to this story of two footmen forbidden to look on the splendour of the Taj Mahal in 1648 Related: Bush Theatre boss Ma…

SOURCE: The Guardian at 08:12AM

46 Beacon review – smooth study of sexual awakening by Michael Billington

Trafalgar Studios, LondonThis bedroom drama about a man who steers a gauche student towards sex misses its chance to explore the problems of nostalgia for a pre-Aids pastBill Rosenfield, a L…

SOURCE: The Guardian at 02:42AM
Wednesday, April 12, 2017

Carousel review – Jenkins and Boe are a joy in Rodgers and Hammerstein classic by Michael Billington

Coliseum, LondonENO’s semi-staged production, with a 42-piece orchestra conducted by David Charles Abell, is a memorable reminder of this show’s adventurousnessAfter Sweeney Todd with Br…

SOURCE: The Guardian at 08:02AM

Carousel – review by Michael Billington

Barbican, LondonI've always thought there's a dodgy brilliance to Carousel. Musically it is far and away the most sophisticated of the Rodgers and Hammerstein operettas, yet lyrically it com…

SOURCE: The Guardian at 03:36AM
Tuesday, April 11, 2017

Christopher Morahan obituary | Michael Billington by Michael Billington

Director and producer whose 60-year career spanned television, theatre and film – from The Jewel in the Crown to Pinter playsIn an age when it is fashionable for directors to be regarded a…

SOURCE: The Guardian at 09:48AM
Monday, April 10, 2017

The Hard Problem review – Tom Stoppard tackles momentous ideas by Michael Billington

Dorfman Theatre, LondonPlaywright explores consciousness, morality and human behaviour in stimulating work that occasionally suffers from information overloadTom Stoppard famously uses drama…

SOURCE: The Guardian at 11:54PM
Friday, April 7, 2017

King Charles III – a flawed premise but royally entertaining by Michael Billington

Almeida theatre, LondonMike Bartlett has written a speculative play about the future of the monarchy that has the courage to ask serious questionsMike Bartlett has written a speculative play…

SOURCE: The Guardian at 02:42PM
Thursday, April 6, 2017

Caste review – Victorian class-clash comedy with pin-sharp performances by Michael Billington

Finborough theatre, London Paul Bradley as a hopeless boozehound, Susan Penhaligon as a haughty mother and Rebecca Collingwood as a sparky sister light up TW Robertson’s 1867 playIt is 150…

SOURCE: The Guardian at 08:06AM