All stories by Mark Fisher on BroadwayStars

Sunday, February 21, 2016

The Crucible review – brisk and bullish, with a new centre of gravity by Mark Fisher

Royal Lyceum, EdinburghWith a skeletal set and cast positioned in tableaux, director John Dove focuses on Arthur Miller’s compelling textWhen Ron Donachie takes the stage as Deputy Governo…

SOURCE: The Guardian at 07:54AM
Tuesday, February 16, 2016

The James Plays review – triumphant trilogy holds a mirror to Scottish history by Mark Fisher

Edinburgh Festival theatreRona Munro’s day-long reimagining of 15th-century royal Scotland shows a nation determined to do things on its own terms Related: The lost kings of Scotland There…

SOURCE: The Guardian at 09:32AM
Monday, February 8, 2016

Endgame review – Coronation Street stars step into Beckett's bleak music hall by Mark Fisher

Citizens, GlasgowA cast led by Chris Gascoyne and David Neilson deliver Samuel Beckett’s apocalyptic play with nihilistic forceCould it have been intentional that Chris Gascoyne’s Clov s…

SOURCE: The Guardian at 07:51AM
Sunday, January 31, 2016

How You Gonna Live Your Dash review – a pyrotechnic study of uncertainty by Mark Fisher

Platform, GlasgowJenna Watt’s striking and poignant interaction between colourful smoke and life-changing decisions is at once gorgeous and full of jeopardyTowards the start of this entert…

SOURCE: The Guardian at 09:06AM
Saturday, January 23, 2016

Knives in Hens, Tron, Glasgow by Mark Fisher

Tron, GlasgowYou could describe the plot of Knives in Hens easily enough. You could say that David Harrower's play was about a young woman driven to kill her adulterous ploughman husband wit…

SOURCE: The Guardian at 11:15PM
Thursday, January 21, 2016

The Weir review – a welcome return to Conor McPherson's old haunt by Mark Fisher

Royal Lyceum, EdinburghAmanda Gaughan’s excellent revival highlights the loneliness of the characters gathered to tell tales in a rural pubThere’s something unsatisfying about a certain …

SOURCE: The Guardian at 05:46AM
Monday, December 21, 2015

Mark Fisher’s top 10 Scottish theatre of 2015 by Mark Fisher

Theatres in Scotland played host to the dazzling stagecraft of Robert Lepage, a striking Titus Andronicus and raucous but close-harmonising schoolgirls This summer, I was lucky to get two bi…

SOURCE: The Guardian at 02:55AM
Thursday, December 10, 2015

Tracks of the Winter Bear review – bleak midwinter for secret sweethearts by Mark Fisher

Traverse, EdinburghStephen Greenhorn and Rona Munro’s one-act companion pieces aim for a warming sense of Dickensian resolution, but are actually a bit of a downer It’s the law that ever…

SOURCE: The Guardian at 09:46AM
Tuesday, December 8, 2015

Sleeping Betty review – diamond-encrusted panto full of fancy dancing by Mark Fisher

Tron, GlasgowThis bijou romp combines a delightfully mismatched romance, lovable characters and sparkling designsNo doubt the role is still being played as it used to be in some panto or oth…

SOURCE: The Guardian at 08:19AM
Monday, December 7, 2015

Rapunzel review – half-hearted fairytale gets itself in a tangle by Mark Fisher

Citizens, GlasgowDespite strong design and spirited performances, this retelling can’t decide whether it’s a serious Christmas show or a panto with age-inappropriate jokesI enjoy King Le…

SOURCE: The Guardian at 10:16AM
Wednesday, December 2, 2015

The Little Mermaid review – laugh-a-minute panto romp makes waves by Mark Fisher

Macrobert Arts Centre, SterlingHans Christian Andersen probably wouldn’t recognise the choreography nabbed from Taylor Swift, but he’d approve of the uproarious female energy I don’t t…

SOURCE: The Guardian at 08:32AM
Monday, November 30, 2015

The Lion, the Witch and the Wardrobe review – wraps the audience up in wonder by Mark Fisher

Royal Lyceum, EdinburghAndrew Panton’s musical production treats CS Lewis’s story with absolute seriousness while seamlessly leading you into the wintry world of NarniaDo you remember th…

SOURCE: The Guardian at 07:28AM
Sunday, November 1, 2015

The Choir review – big-hearted, good humoured Christian allegory by Mark Fisher

Citizens theatre, GlasgowPaul Higgins and Ricky Ross’s musical on a theme of absolution, reconciliation and redemption is uneven but carried by its rousing expression of communal enterpris…

SOURCE: The Guardian at 09:57AM
Tuesday, October 27, 2015

The Seer, Spectrum Centre, Inverness by Mark Fisher

Spectrum Centre, InvernessThe Accidental, Ali Smith's much-lauded novel, is about the effect on a middle-class family of the mysterious Amber. Enigmatic, inconsistent and appearing out of no…

SOURCE: The Guardian at 07:34PM
Friday, October 23, 2015

The Devil's Larder review – fondue orgies and grisly poisonings by Mark Fisher

Custom House, EdinburghThis sumptuous site-responsive tour touches on food as both source of pleasure and harbinger of mortalitySome say all theatre is about sex or death. It’s certainly t…

SOURCE: The Guardian at 07:16AM
Wednesday, October 14, 2015

Ghosts review – Ibsen for the Jimmy Savile era by Mark Fisher

Tron theatre, GlasgowPlaywright Megan Barker’s reworking of Ghosts shines a light into the murky corners of outwardly respectable lives – and it’s unsettling stuff Related: Hedda Gable…

SOURCE: The Guardian at 10:31AM
Tuesday, October 13, 2015

Stories for the Starlit Sky review – Daniel Kitson wins the storytelling marathon by Mark Fisher

Royal Lyceum, EdinburghWith three wobbly-hearted shows in one slow-burning evening, ever-funny Kitson tells life stories with scruffy humanityOn the Lyceum stage not long ago, three actors l…

SOURCE: The Guardian at 08:34AM
Wednesday, September 23, 2015

Waiting for Godot review – Cox and Paterson make electrifyingly idle tramps by Mark Fisher

Royal Lyceum, EdinburghAs Samuel Beckett’s pair of dusty gents, Brian Cox and Bill Paterson bounce off each other with gleeful animation in a full-blooded ensemble productionSomething fasc…

SOURCE: The Guardian at 08:06AM
Thursday, September 17, 2015

The Waiting is over: Brian Cox and Bill Paterson on finally sharing a stage by Mark Fisher

Their paths have crossed throughout their acting careers, but Brian Cox and Bill Paterson will finally team up for the ultimate double act: Beckett’s Waiting for Godot. They discuss its ev…

SOURCE: The Guardian at 06:51AM
Monday, September 14, 2015

The Cheviot, the Stag and the Black, Black Oil review – a raucous five-star revival by Mark Fisher

Dundee RepThis update of John McGrath’s epic play is the rousing theatrical equivalent of a Proclaimers gigTold as a Brechtian ceilidh with song, poetry, scenes and sketches, John McGrath�…

SOURCE: The Guardian at 09:32AM
Thursday, September 3, 2015

All My Sons review – uninspired staging of an ever-relevant play by Mark Fisher

Theatre Royal, GlasgowDirector Michael Emans’s production fails to ignite the passion of Arthur Miller’s postwar classicEvery so often a news story breaks that reminds you of All My Sons…

SOURCE: The Guardian at 08:38AM
Wednesday, August 12, 2015

Traumas, tumours and bombs: Robert Lepage on his childhood in Quebec by Mark Fisher

From his sister’s brain tumour to his family’s cramped flat, the revered actor and director Robert Lepage has plundered his childhood to tell the story of Quebec’s often violent strugg…

SOURCE: The Guardian at 03:43AM
Sunday, July 26, 2015

Richard II review – political intrigue and rock'n'roll hedonism in a glasshouse by Mark Fisher

Glasgow Botanic GardensJennifer Dick’s streamlined production makes a persuasive case for Shakespeare’s tale of the flighty monarchYou wait 420 years for what might be the first professi…

SOURCE: The Guardian at 10:34AM
Thursday, July 9, 2015

Can't Forget About You review – ribald romcom with Northern Irish tension by Mark Fisher

Tron, GlasgowA May-to-December romance sets off ripples of disapproval in this raucously funny Belfast-set comedyActor-turned-playwright David Ireland has been carving out a niche as a kind …

SOURCE: The Guardian at 08:16AM
Wednesday, June 24, 2015

The Driver's Seat review – Muriel Spark meets CSI by Mark Fisher

Royal Lyceum, EdinburghThis National Theatre of Scotland adaptation of Spark’s favourite among her novels treats it as a police procedural and ramps up the sense of alienation Related: Loo…

SOURCE: The Guardian at 10:37AM
Friday, June 12, 2015

Great Expectations review – image is everything in a Dickensian dream-world by Mark Fisher

Dundee RepBlack-and-white movie aesthetics and well-judged performances make for an excellent adaptationOne reason Great Expectations adapts so readily to the stage is the fact that so many …

SOURCE: The Guardian at 12:55PM
Tuesday, June 2, 2015

Yer Granny review – Gregor Fisher as another lovable Scottish grotesque by Mark Fisher

King’s, GlasgowDouglas Maxwell relocates Robert Cossa’s comedy about a voracious granny to 1970s Scotland with very funny results Continue reading...

SOURCE: The Guardian at 07:21AM
Monday, June 1, 2015

Crazy Jane review – a portrait of Toulouse-Lautrec's Moulin Rouge muse by Mark Fisher

Tron, GlasgowNicola McCartney’s play about Jane Avril is staged with a restless combination of back projections, dance routines and multiple languages Continue reading...

SOURCE: The Guardian at 08:57AM
Monday, May 25, 2015

The Sun Also Rises (The Select) - Review by Mark Fisher

With a show by Elevator Repair Service, auds are in for the long haul.

SOURCE: Variety at 05:58PM

Is it OK to laugh at Ibsen? by Mark Fisher

We have tended to treat the Norwegian master's plays as solemn dramas, but have we been taking him too seriously?

SOURCE: The Guardian at 05:58PM

The taming of the flu? Finland puts plays on prescription by Mark Fisher

The mayor of Turku, 2011 capital of culture, has handed his medics 5,500 free tickets to dole out. Time for a dose of drama?

SOURCE: The Guardian at 05:58PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic