Tramway, Glasgow Stef Smith's excellent adaptation has Noras experience economic and emotional pressures through history There are three door frames and three cavernous pathways to an uncertain future. On Tom Piper's set, there are three pairs of chairs and, above, three frames marking the eras in iron, concrete and LED. Duly, there are three Noras, each awaiting emancipation: Molly Vevers is Nora in 1918, voting for…
SOURCE: The Guardian at 03:47PM on March 28, 2019