All stories by Mark Cofta on BroadwayStars

Monday, April 25, 2016

Ayckbourn’s ‘Things We Do For Love’ in Delaware by Mark Cofta

Think Alan Ayckbourn is the English Neil Simon? Think again. He's more like the English Anton Chekhov.

SOURCE: Broad Street Review at 06:02PM

Shakespeare Theatre’s ‘Twelfth Night’ by Mark Cofta

Seen together in repertory, Shakespeare’s romantic comedy Twelfth Night and the tragic Macbeth are greater than the sum of their parts.

SOURCE: Broad Street Review at 05:21PM
Monday, May 25, 2015

Two's Company by Mark Cofta

A new wave of theater bucks the economic trend.

SOURCE: citypaper.net at 05:58PM

Supernatural Selection: Ghost-Writer at Arden Theatre Co. by Mark Cofta

Hollinger's intimate, powerful work — given a superb Arden Theatre Co. production by director Jim Christy — uses supernatural mystery to explore creative inspiration.

SOURCE: citypaper.net at 05:58PM

The Forest for the Trees - REVIEW: Wilma Theater's Macbeth by Mark Cofta

While effort to thoughtfully examine the text is matched by a respect for the play as ghost story and psychological thriller, neither constitutes a consistent or unifying vision, and the pla…

SOURCE: citypaper.net at 05:58PM

Magic Man by Mark Cofta

Populated with richly realized but unlikeable characters, Run, Mourner, Run packs inexplicable punch.

SOURCE: citypaper.net at 05:58PM
Thursday, October 31, 2013

Theater review: Hamlet/She Stoops to Conquer by Mark Cofta

Both prove eminently watchable, and the rotation provides extra benefits. If you see one, be sure to see the other; repertory celebrates actors' talents, showcasing them playing two disparat…

SOURCE: citypaper.net at 08:44AM
Thursday, October 17, 2013

Theater review: Romeo and Juliet by Mark Cofta

Curio's "lesbian" Romeo and Juliet—in which a woman plays Romeo not as a pants role but as an actual female character—will disappoint those expecting an overt political statement.

SOURCE: citypaper.net at 09:16AM
Thursday, September 5, 2013

Is Fringe still fringe? by Mark Cofta

Fringe has been evolving steadily since its beginnings as a five-day theater, dance, music and visual-art festival in Old City. It’s grown in performances, days and locations, bursting out…

SOURCE: citypaper.net at 02:27PM
Thursday, June 6, 2013

Uncle Tom's Draggin' by Mark Cofta

EgoPo's controversial casting swap of black and white actors turns out a drab gray.

SOURCE: City Paper (Philadelphia) at 06:11AM

New Wrestling Play Hits Where It Hurts by Mark Cofta

Classic wrestling — with its iconic costumed characters, frothing proclamations and cartoonish violence — seems a tired topic for satire. And, in fact, that’s not Adam Rapp’s intenti…

SOURCE: City Paper (Philadelphia) at 06:08AM
Thursday, May 16, 2013

Review: Lend Me a Tenor by Mark Cofta

The first clue that this is farce? The six doors on Dirk Durossette’s colorful hotel suite set. The second is the breathless pace of director Bud Martin’s production of Ken Ludwig’s 19…

SOURCE: City Paper (Philadelphia) at 04:14AM

Reviews: The Misanthrope/Arms and the Man by Mark Cofta

To director Alexander Burns’ credit, both fit perfectly and are staged with all necessary dynamism. Their uneven performances, however, suggest a tentativeness with classic comedy. Both wo…

SOURCE: City Paper (Philadelphia) at 04:13AM
Thursday, May 9, 2013

Curtain Call: Garage Rocks by Mark Cofta

The harrowing drama confronts the vanishing middle class

SOURCE: City Paper (Philadelphia) at 05:34AM
Thursday, April 18, 2013

Avenging Ireland's Stolen Soccer Honor in The Hand of Gaul by Mark Cofta

Jared Michael Delaney’s first full-length play, presented by Inis Nua Theatre Company, barrages us with ridiculousness. Adam Altman, Harry Smith and Delaney himself are dim-witted Irish la…

SOURCE: City Paper (Philadelphia) at 05:46AM
Thursday, April 11, 2013

More Than Their Parts’ Sum by Mark Cofta

Mark Cofta reviews the Philadelphia Shakespeare Theatre's latest offerings

SOURCE: City Paper (Philadelphia) at 05:54AM
Thursday, April 4, 2013

Review: The Prescott Method by Mark Cofta

In Michael Whistler’s charming new play, wounded souls bond over baking.

SOURCE: City Paper (Philadelphia) at 06:08AM

Woes of An Escape Artist by Mark Cofta

Houdini’s Wikipedia page provides more excitement about his showmanship than this play.

SOURCE: City Paper (Philadelphia) at 06:05AM
Thursday, March 28, 2013

Acting Out the Messy Business of Writing by Mark Cofta

Writers talking about writing sounds deadly dull, but not in Theresa Rebeck’s capable hands. Her play Seminar reveals writing — here, fiction, at which she excels, as well as playwriting…

SOURCE: City Paper (Philadelphia) at 05:40AM

A Boston Southie Clashes With A Lace-Curtain Irishman by Mark Cofta

The Walnut Street Theatre fits one serious contemporary play into each season of musicals and crowd-pleasers, and David Lindsay-Abaire’s 2011 Broadway hit Good People fills that role this …

SOURCE: City Paper (Philadelphia) at 05:39AM
Thursday, March 21, 2013

Fishermen's Lives Take Center Stage at the Wilma by Mark Cofta

The East Hull native’s drama about his city’s once-thriving fishing industry receives a stunning Wilma Theater North American premiere.

SOURCE: City Paper (Philadelphia) at 04:31PM
Thursday, March 7, 2013

Review: Hurlyburly by Mark Cofta

Hurlyburly is crude, rude and deep, despite its main characters’ shallowness, and packs a wallop.

SOURCE: City Paper (Philadelphia) at 05:47AM
Thursday, February 28, 2013

Curtain Call by Mark Cofta

Reviewing 1812 Productions' To Fool the Eye.

SOURCE: City Paper (Philadelphia) at 05:48AM

Review: Vincent in Brixton by Mark Cofta

This gripping play about love, class and art shows how all four characters contribute to Vincent’s seemingly impossible, yet inevitable, growth from callow youth to immortal artist.

SOURCE: City Paper (Philadelphia) at 05:40AM
Thursday, February 21, 2013

Review: The Diary of a Madman by Mark Cofta

David Holman’s surprisingly involving adaptation of Nikolai Gogol’s 1835 story swept me away.

SOURCE: City Paper (Philadelphia) at 05:47AM
Wednesday, February 13, 2013

Review: An Infinite Ache by Mark Cofta

David Schulner’s two-person play reveals a seemingly ordinary love story’s 50-year arc in 90 minutes, from awkward first date to final bedside goodbye. In Bi Jean Ngo and Griffin Stanton…

SOURCE: City Paper (Philadelphia) at 06:33PM
Thursday, January 31, 2013

Theater Reviews: Three Duo-Centric Productions by Mark Cofta

New two-person offerings from the Arden’s InterAct, Act II and Luna.

SOURCE: City Paper (Philadelphia) at 06:13AM
Thursday, January 24, 2013

Theater Review: The Beauty Queen of Leenane by Mark Cofta

Beauty Queen isn’t easy to take — and it’s not to be missed.

SOURCE: City Paper (Philadelphia) at 06:06AM
Thursday, December 20, 2012

Curtain Call: On Dave & Aaron Go to Work. by Mark Cofta

A heartwarming story, an innovative experiment in puppetry, physical comedy and clowning.

SOURCE: City Paper (Philadelphia) at 05:43AM

The Barryless Awards by Mark Cofta, David Anthony Fox, Deni Kasrel and Emily Guendelsberger

Awards for extremely specific on-stage achievements.

SOURCE: City Paper (Philadelphia) at 05:42AM
Friday, November 30, 2012

Roll out the Carol by Mark Cofta

Local theaters get into the spirit of the season with Scrooge, young Santa and elves on strike.

SOURCE: City Paper (Philadelphia) at 05:46AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic