All stories by Luke Jennings on BroadwayStars

Sunday, July 26, 2015

Ardani 25 dance gala review – from polite virtuosity to riotously entertaining by Luke Jennings

Coliseum, LondonNatalia Osipova and her ex, Ivan Vasiliev, steal the show in Ardani’s adventurous triple bill of contemporary danceArdani Artists is a New York-based agency representing a …

SOURCE: The Guardian at 02:57AM
Sunday, July 19, 2015

The Car Man review – Matthew Bourne’s smouldering storytelling by Luke Jennings

Sadler’s Wells, LondonA revival of Matthew Bourne’s small-town tale of a mysterious mechanic is sultry perfectionMatthew Bourne’s The Car Man, first staged in 2000, is a dance show wit…

SOURCE: The Guardian at 04:24AM

Matthew Bourne's Sleeping Beauty – review by Luke Jennings

Sadler's Wells, LondonTchaikovsky's three great ballet scores were those he composed for The Nutcracker, Swan Lake and The Sleeping Beauty in the later years of the 19th century. In 1992, Ma…

SOURCE: The Guardian at 01:44AM
Sunday, July 12, 2015

Other Stories review – flashing the artistic wealth of experience by Luke Jennings

Wendy Whelan and Edward Watson bring the riches of their long careers to five specially commissioned new worksThe US ballerina Wendy Whelan and Royal Ballet principal Edward Watson are in th…

SOURCE: The Guardian at 03:54AM

Cinderella review – pagan thrills and a captivating heroine by Luke Jennings

London ColiseumChristopher Wheeldon and the Dutch National Ballet’s Anna Tsygankova give us a young woman’s transition from hesitant girl to exuberant womanChristopher Wheeldon’s Cinde…

SOURCE: The Guardian at 03:54AM

The struggle for the soul of British dance by Luke Jennings

A trio of influential choreographers have claimed that Britain’s contemporary dance schools are no longer producing talent capable of performing at the highest level. Are teachers encourag…

SOURCE: The Guardian at 03:54AM
Sunday, July 5, 2015

Tree of Codes review – all action and no consequence by Luke Jennings

Opera House, ManchesterIt looks awesome, but Wayne McGregor’s adaptation of a Jonathan Safran Foer novel contains none of its source’s poetryThe inspiration for Wayne McGregor’s new ba…

SOURCE: The Guardian at 03:15AM
Sunday, June 28, 2015

Circumference: Shelter Me review – a wander through the webs we weave by Luke Jennings

119 Farringdon Road, LondonAn effective if whimsical mix of interactive art installation and exhilarating performance takes over a vacant office buildingShelter Me is a site-specific piece a…

SOURCE: The Guardian at 04:15AM
Sunday, June 21, 2015

Swagga review – a butch bonanza by Luke Jennings

Charlotte Cooper and Kay Hyatt’s celebration of butch lesbianism is nothing if not loud and proud“I’m going to fuck all the women here!” roars Charlotte Cooper, as she and Kay Hyatt …

SOURCE: The Guardian at 03:42AM
Sunday, June 14, 2015

Madame Butterfly review – fluttering life of a geisha bride by Luke Jennings

Richmond theatre; then touringNorthern Ballet’s take on Puccini’s opera is movingly acted and expressive – though it could do with fewer oriental clichesDavid Nixon created his danced …

SOURCE: The Guardian at 03:36AM

Spotlight on… R.I.O.T by Luke Jennings

Thwack! Kapow! Panic Lab’s latest show features awesome, spandex-clad, comic-book superheroes and supervillainsWhat is it?The latest outing from avant-garde performance company Panic Lab a…

SOURCE: The Guardian at 03:36AM
Sunday, June 7, 2015

Coup Fatal review – shimmying dandies make political poses by Luke Jennings

Sadler’s Wells, LondonA crack team of Congolese musicians and dancers take on poverty, lawlessness and Handel with class and verveCoup Fatal, directed by Alain Platel of Ballets C de la B,…

SOURCE: The Guardian at 03:03AM
Sunday, May 31, 2015

Sylvie Guillem: Life in Progress review – a muted conclusion to a brilliant career by Luke Jennings

The French ballet star has redefined the technical boundaries of her art, and inspired female dancers the world over to confront a culture of compliance Continue reading...

SOURCE: The Guardian at 02:45AM
Monday, May 25, 2015

Aletta Collins: 'Most dancers have a thing for shoes' | Dance Q&A by Luke Jennings

Leading UK choreographer Aletta Collins talks about bringing Oliver Sacks's Awakenings to the stage, working with Richard Thomas and why she never got to be in the Brownies

SOURCE: The Guardian at 05:58PM

Agua; Charlatan | Dance Review by Luke Jennings

Playhouse, Assembly Hall, both Edinburgh

SOURCE: The Guardian at 05:58PM
Sunday, May 24, 2015

Charmatz: Aatt enen tionon review – look, no pants by Luke Jennings

Sadler’s Wells, LondonDoes Boris Charmatz’s three-tier piece hit the bare essentials – or is it merely random nakedness? Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, May 17, 2015

Royal Ballet: Woolf Works review – a compellingly moving experience by Luke Jennings

Royal Opera House, LondonWayne McGregor’s ambitious triptych based on the multi-dimensional works of Virginia Woolf was a gamble that has paid off in exhilarating style Continue reading...

SOURCE: The Guardian at 01:59AM
Sunday, May 10, 2015

D’avant review – plainchant and pissing contests in a show of male rivalry by Luke Jennings

Queen Elizabeth Hall, London Sidi Larbi Cherkaoui, Damien Jalet and Sasha Waltz concoct a clowning piece that illuminates melancholy masculine rituals with medieval music Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, May 3, 2015

5 Soldiers review – war from a female perspective packs a punch by Luke Jennings

The Rep, BirminghamIn Rosie Kay’s taut, visceral, compassionate piece, the body is the frontline Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, April 26, 2015

La Fille mal gardée review – a sheer rush of happiness by Luke Jennings

Royal Opera House, LondonOsipova and McRae vie with a Shetland pony in Royal Ballet’s impeccable Ashton Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, April 19, 2015

Tanztheater Wuppertal Pina Bausch: Gebirge; Theo Clinkard – review by Luke Jennings

Sadler’s Wells; the Place, London A nightmare vision from Pina Bausch insinuates and alienates, while Theo Clinkard takes his twisting, looping time to delightful effect Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, April 12, 2015

Miann/Scottish Dance Theatre review – a Celtic Rite of Spring by Luke Jennings

Queen Elizabeth Hall, LondonFleur Darkin’s heartfelt Miann grapples with form and mysticism Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, April 5, 2015

Royal Ballet triple bill review – falling in step with Nigel Farage by Luke Jennings

Royal Opera House, LondonThe Ukip leader is an unlikely feature of Hofesh Shechter’s new work. Before that, a fine Balanchine act Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, March 29, 2015

Bayadère – the Ninth Life; Ann Maguire gala – review by Luke Jennings

Linbury Studio; Sadler’s Wells, LondonShobana Jeyasingh reclaims La Bayadère but the spell remains. And schoolteacher Ann Maguire is honoured by dancers including her daughter Continue re…

SOURCE: The Guardian at 03:00AM
Sunday, March 22, 2015

Swan Lake review – McRae and Obraztsova never really fire by Luke Jennings

After this run, and 28 years, a new Swan Lake is on the cards for the Royal Ballet. It’s a huge opportunity… Continue reading...

SOURCE: The Guardian at 04:00AM
Sunday, March 15, 2015

Modern Masters; Vincent Dance Theatre – review by Luke Jennings

Sadler’s Wells; Shoreditch town hall, LondonEnglish National Ballet put a fresh spin on three 20th-century classics. And hats off to fearless, funny Charlotte Vincent Continue reading...

SOURCE: The Guardian at 04:00AM
Sunday, March 8, 2015

Phoenix Dance Theatre mixed programme 2015 review – challenging but approachable by Luke Jennings

Curve, Leicester and touringCaroline Finn’s New Adventures winner, Bloom, is the standout in Phoenix’s fine mixed programme Continue reading...

SOURCE: The Guardian at 04:00AM
Sunday, March 1, 2015

Royal Ballet: Draft Works review – Blommaert and Sambé stand out by Luke Jennings

Linbury Studio, Royal Opera House, LondonThe Royal Ballet’s annual showcase of its own dancers’ choreography was short on risk – and women Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, February 15, 2015

Ballet Black triple bill – an erotic Jack and Jill meet voodoo pirates by Luke Jennings

Linbury Studio, LondonWorks by Kit Holder, Will Tuckett and Mark Bruce showcase the company’s considerable rangeIn Ballet Black’s 14th season, director Cassa Pancho offers a contrasting …

SOURCE: The Guardian at 03:00AM
Sunday, February 8, 2015

The Associates review – a revealing triple bill from Prince, Shecter and Pite by Luke Jennings

Sadler’s Wells, LondonAs Sadler’s Wells celebrates three of its favourite choreographers, Crystal Pite emerges as the clear winner Continue reading...

SOURCE: The Guardian at 03:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic