Superbly directed and choreographed by Martha Clarke, with fascinating historically based text by Alfred Uhry, this is an enthralling dance-theater portrait of an 18th-century Shaker commu…
SOURCE: Backstage at 05:11AMWith this latest work, choreographer-designer Shen Wei seems to be moving—or at least looking—backward, embracing the past rather than evolving new approaches to the art of dan…
SOURCE: Backstage at 05:30AMMore like a ballet than a play or a traditional puppet-theater presentation, this uneven choreography-driven show features a hodgepodge cast of people and puppets.
SOURCE: Backstage at 02:04AMA superbly entertaining show for all ages, this stimulating introduction to tap features five appealing male dancers backed by a three-piece rock band and a beat boxer.
SOURCE: Backstage at 06:15AMA remarkable achievement of multimedia artistry created by Phantom Limb, this spellbinding show is an imaginatively evocative depiction of British explorer Ernest Shackleton's 1914 expedit…
SOURCE: Backstage at 05:01AMA stage adaptation of the Oscar-winning 1954 Italian film of the same title, this is an enchanting, cunningly constructed production, performed in Spanish with English supertitles.
SOURCE: Backstage at 06:14AMA tidy production of a compelling A.R. Gurney play, this is the kind of show that sends a critic to her thesaurus seeking synonyms for the word "perfect."
SOURCE: Backstage at 07:30AMA world premiere choreographed by Luca Veggetti, this engrossingly experimental work combines a bit of puppetry, slippery text, flute and electronic sounds, and gorgeous contemporary dance.
SOURCE: Backstage at 05:26AMChoreographed by Wang Yuanyuan, this ultimately unsatisfying 70-minute contemporary ballet piece is danced on a spongy mat and proves mesmerizing, beautiful, and fun for the first half-hou…
SOURCE: Backstage at 05:48AMJenn Colella achieves the impossible with her magical portrayal of a four-year-old in this smart new musical.
SOURCE: Backstage at 04:00AMIn September, Pace University, in Lower Manhattan, kicked off a new degree program: a Bachelor of Arts in theater arts with a specialized track in commercial dance.
SOURCE: Backstage at 09:00AMDancers interested in earning a college degree often struggle with the decision to give up four of their prime performing years to academic studies.
SOURCE: Backstage at 09:00AMIt's not every day that someone invents a new genre of theatrical performance, yet that's essentially what happens in this clever one-man show that's driven by ingeniously designed, transf…
SOURCE: Backstage at 04:43AMThough its composer and librettist, Paul McCartney, was the biggest celebrity in the house at the premiere, the real star of this simplistically choreographed ballet is costume designer St…
SOURCE: Backstage at 06:30AMA gripping history lesson comprising reconstructions of three of the earliest Bill T. Jones/Arnie Zane works, this two-hour program offers an illuminating rearview mirror.
SOURCE: Backstage at 06:01AMDespite its exemplary precision Irish dance routines, this naive show is marred by its creators' lack of imagination and inability to capture an audience's interest.
SOURCE: Backstage at 08:00AMShort on plot and long on preachy monologues, this play by Jackie Ruggiero Jacobson is nonetheless a provocative, intelligent work, rich in thoughtful feminist commentary on current politi…
SOURCE: Backstage at 09:11AMThis prosaically choreographed work by Regina Nejman is performed by four lackluster dancers and set to a forgettable hodgepodge of music interspersed with idiotic text.
SOURCE: Backstage at 03:46AMPowerfully choreographed by Berlin native Nejla Y. Yatkin, this thrilling, fiercely performed contemporary dance piece explores the personal emotions and political issues surrounding the B…
SOURCE: Backstage at 04:09AMThis top-notch San Francisco–based contemporary dance troupe is presenting a stimulating program that shows the opposite choreographic strengths of its artistic directors, Brenda Way…
SOURCE: Backstage at 05:43AMDespite a few entertaining ensemble numbers, some solid solo singing by Katy Blake, and a delightfully animated performance by Marvin Riggins Jr., this original musical is a bomb.
SOURCE: Backstage at 07:06AMThis ravishing ballet, based on the Tolstoy novel, is ingeniously choreographed by Alexei Ratmansky and tells its tragic tale through efficient choreography, colorful music, and stunning s…
SOURCE: Backstage at 05:10AMThis earnest production of Euripides' tragedy about the effects of war on women is too unskillfully acted to achieve director Kristin Skye Hoffman's intended comment on the timelessness of…
SOURCE: Backstage at 05:39AMChoreographer John Byrne's ambitious contemporary dance fable purports to express the idea of the transcending soul but doesn't find compelling ways to physically illustrate its weighty id…
SOURCE: Backstage at 06:40AMAppearing in New York for the first time in nearly a decade, Ballet Nacional de Cuba is offering a rousingly entertaining sampler of excerpts from six famous ballets.
SOURCE: Backstage at 03:22AMAlessandra Prosperi and company artistic director Martin Løfsnes are exhilarating dancers, but unfortunately their choreography fails to reach the same high level of accomplishment.
SOURCE: Backstage at 05:15AMIn an ambitious mixed bill, American Ballet Theatre is presenting an enlightening display of masterful choreography that demonstrates why the creators are considered great dance makers.
SOURCE: Backstage at 02:25AMLynne Taylor-Corbett's "The Seven Deadly Sins," featuring Patti LuPone, is musically and visually stunning, but choreographically it's less eventful than expected.
SOURCE: Backstage at 06:56AMFred Newman and David Truskinoff's hokey, underdeveloped 50-minute musical only skims the surface in its exploration of cultural clashing at a dance camp for city kids in the Hamptons.
SOURCE: Backstage at 07:30AMExcept in Kyle Abraham's fine "The Corner," the dancers far outshine their material in this latest offering from Alvin Ailey American Dance Theater's junior company.
SOURCE: Backstage at 04:34AMThis is a largely commendable script-in-hand staging of the 1945 Broadway musical, which is driven by glorious Sigmund Romberg music and set against the backdrop of Tammany Hall politics.
SOURCE: Backstage at 12:06PM