All stories by Lauren Whalen on BroadwayStars

Wednesday, July 26, 2017

Review: They’re Playing Our Song (Brown Paper Box Co.) by Lauren Whalen

How you feel about They’re Playing Our Song will depend on how you feel about Neil Simon and the 1970s. Simon wrote the 1970s-set script, Marvin Hamlisch the music. Luckily, Brown Paper Bo…

SOURCE: Chicago Theater Beat at 05:36PM

Review: Madagascar–A Musical Adventure (Chicago Shakespeare Theater) by Lauren Whalen

Thanks to excellent direction and choreography from one of Chicago’s best, Rachel Rockwell, as well as stunning production values and a great cast, this flashy production at Navy Pier will…

SOURCE: Chicago Theater Beat at 12:48AM
Monday, July 24, 2017

Review: Triassic Parq (Circle Theatre) by Lauren Whalen

In a nutshell, the musical Triassic Parq is *Jurassic Park* from the perspective of the dinosaurs who eventually escape their quarters and turn a dream theme park into a disaster. What ensu…

SOURCE: Chicago Theater Beat at 09:42PM
Thursday, July 20, 2017

Review: Lela & Co. (Steep Theatre) by Lauren Whalen

Steep Theatre's Lela & Co. is a difficult but vital watch. The title character presents her life story through the eyes of the men in her life as compared with what she actually experie…

SOURCE: Chicago Theater Beat at 07:54PM

Review: Megastasis (Eclipse Theatre) by Lauren Whalen

Eclipse Theatre's mission of *one playwright one season* allows the audience to delve into a specific playwright's body of work. With the world premiere of Megastasis, playwright Kia Corthro…

SOURCE: Chicago Theater Beat at 12:36AM
Tuesday, July 18, 2017

Review: Jacques Brel’s Lonesome Losers of the Night (Theo Ubique Cabaret Theatre, 2017) by Lauren Whalen

Step into a lonely Amsterdam bar in 1959. What will you find? If you are the team behind Jacques Brel’s Lonesome Losers of the Night, the answer is: an openhearted bartender, two winsome s…

SOURCE: Chicago Theater Beat at 10:36PM
Thursday, July 13, 2017

Review: The Bridges of Madison County (Marriott Theatre) by Lauren Whalen

The Bridges of Madison County is well worth the jaunt outside of Chicago. The story is simple, the direction stellar, the music hauntingly beautiful and the actors stunning. Bridges is an in…

SOURCE: Chicago Theater Beat at 07:04PM
Tuesday, July 11, 2017

Review: Hamlet (Midsommer Flight) by Lauren Whalen

Now in its sixth season of presenting free Shakespeare in Chicago parks, Midsommer Flight both keeps Hamlet simple and dives into the complexities of mental illness, violence and the consequ…

SOURCE: Chicago Theater Beat at 01:18AM
Sunday, July 9, 2017

Review: The Nance (Pride Films and Plays) by Lauren Whalen

Douglas Carter Beane’s The Nance, a play exploring the gay-stereotypes used in 1930's New York vaudeville, premiered on Broadway in 2013 starring Nathan Lane – an actor who himself has p…

SOURCE: Chicago Theater Beat at 08:36PM
Tuesday, July 4, 2017

Review: Changes – A Science Fiction Tap Opera to the Music of David Bowie (Chicago Tap Theatre) by Lauren Whalen

Chicago Tap Theatre first staged Changes, its sci-fi tap tribute to David Bowie, 11 years ago in the company’s infancy, and re-staged it 5 years later. Despite *Changes* being their most r…

SOURCE: Chicago Theater Beat at 03:32PM
Wednesday, June 28, 2017

Review: Hitler on the Roof (Akvavit Theatre) by Lauren Whalen

Akvavit Theatre's Hitler on the Roof creates a stunning mural of physical theater where the action is darkly beautiful and the stage picture constantly changing. Taking place in a basement p…

SOURCE: Chicago Theater Beat at 08:06PM
Wednesday, June 21, 2017

Review: Her Majesty’s Will (Lifeline Theatre) by Lauren Whalen

Beautifully adapted by Jeff Award-winner Robert Kauzlaric, Her Majesty’s Will, based on the novel by David Blixt, imagines Shakespeare’s early years as a swashbuckling adventure full of …

SOURCE: Chicago Theater Beat at 10:54PM
Tuesday, June 20, 2017

Review: The Night Season (Strawdog Theatre) by Lauren Whalen

With Strawdog Theatre's The Night Season, playwright and screenwriter Rebecca Lenkiewicz’s creates a fable of a dysfunctional Irish family and the English actor who finds himself smack in …

SOURCE: Chicago Theater Beat at 01:12AM
Thursday, June 8, 2017

Review: Johnny 10 Beers’ Daughter (Something Marvelous) by Lauren Whalen

Johnny 10 Beers’ Daughter, brought to us by Something Marvelous, profiles individuals in war zones – in this case a father and daughter – but instead of intelligent and unpredictable, …

SOURCE: Chicago Theater Beat at 12:42AM
Tuesday, May 30, 2017

Review: Time Stands Still (AstonRep Theatre) by Lauren Whalen

Thoughtfully penned, directed and acted, AstonRep Theatre’s Time Stands Still features a complex female lead, whose actions affect those around her in realistic and surprising ways. Highly…

SOURCE: Chicago Theater Beat at 11:06PM
Sunday, May 28, 2017

Review: Seminar (Spartan Theatre) by Lauren Whalen

Theresa Rebeck’s Seminar feels like a wannabe literary adaptation of “The Paper Chase." Instead of the law students, however, Seminar protaganists are wannabe novelists, living in New Yo…

SOURCE: Chicago Theater Beat at 04:36PM
Monday, May 8, 2017

Review: La Havana Madrid (Teatro Vista) by Lauren Whalen

La Havana Madrid clearly is a labor of love for Sandra Delgado and Teatro Vista, but is never self-indulgent. Rather, it’s a much-needed history lesson for some, a relatable reflection for…

SOURCE: Chicago Theater Beat at 02:24AM
Sunday, May 7, 2017

Review: My Name Is Annie King (Underscore Theatre) by Lauren Whalen

If phenomenal songs and excellent performances were enough to save a show, Underscore Theatre's world premiere My Name Is Annie King would have a higher rating from me. Unfortunately, the cu…

SOURCE: Chicago Theater Beat at 11:36PM

Review: Force Continuum (Eclipse Theatre) by Lauren Whalen

Director Michael Pogue is clearly emotionally invested, but overwhelmed starting with Kia Corthron's heavy, meaningful play. It’s unfortunate, because Eclipse Theatre's Force Continuum con…

SOURCE: Chicago Theater Beat at 03:54AM
Sunday, April 9, 2017

Review: In to America (Griffin Theatre) by Lauren Whalen

In To America is a stark, complex and emotional reminder of what truly makes America great, with stories ranging from heartbreaking to funny and everything in between: scrappy street urchins…

SOURCE: Chicago Theater Beat at 10:24PM
Sunday, April 2, 2017

Review: The Source (Route 66 Theatre) by Lauren Whalen

Over the course of 85 minutes, I was totally immersed in the action - when the characters jumped, I jumped. I gasped when a knock on the door signaled a turning point in their collective fat…

SOURCE: Chicago Theater Beat at 02:02AM
Sunday, March 26, 2017

Review: truth and reconciliation (Sideshow Theatre) by Lauren Whalen

Sideshow Theatre's truth and reconciliation isn’t perfect, but it is incredibly ambitious. On the whole it succeeds, exploring the nuance and humanity behind conflicts small and large. Wit…

SOURCE: Chicago Theater Beat at 10:36PM
Thursday, March 23, 2017

Review: Alvin Ailey American Dance Theater (Auditorium Theatre, 2017) by Lauren Whalen

Always teeming with enthusiastic and grateful fans, Alvin Ailey American Dance Theater is a belated Christmas gift to Chicago. Dancers who defy gravity, choreographers who make thoughtful an…

SOURCE: Chicago Theater Beat at 11:32PM

Review: Henry V (Babes With Blades Theatre) by Lauren Whalen

Shakespeare’s Henry V is one of the more beloved history plays, and Babes With Blades seeks to give the script a modern twist with an all-female cast and realistic stage violence, as Direc…

SOURCE: Chicago Theater Beat at 01:36PM
Sunday, March 19, 2017

Review: Phantom Pain (Organic Theater Company) by Lauren Whalen

Chicago playwright Barbara Lhota's world premiere Phantom Pain could have been a nuanced portrayal of friendship, race and privilege, but instead is unfortunately a thin one-dimensional ploy…

SOURCE: Chicago Theater Beat at 05:03PM

Review: Gentle (TUTA Theatre) by Lauren Whalen

Gentle doesn’t appear to have much of a point, nor does it dig especially deep into its antihero’s psyche. Thankfully, the material is elevated through stellar production values and firs…

SOURCE: Chicago Theater Beat at 04:03PM
Wednesday, March 15, 2017

Review: Squeeze My Cans (Greenhouse Theater) by Lauren Whalen

Despite trying to hard at times, Writer-Performer Cathy Schenkelberg is charismatic and winning, and the audience roots for her the entire fast-paced 80 minutes. Squeeze My Cans offers a rar…

SOURCE: Chicago Theater Beat at 01:18AM
Tuesday, March 14, 2017

Review: Consumed (Chicago Danztheatre Ensemble) by Lauren Whalen

"... the cast is phenomenal: a well-oiled machine who work together beautifully while also standing out in their own right...they are gorgeous to watch. Chicago Danztheatre Ensemble’s main…

SOURCE: Chicago Theater Beat at 07:42PM
Sunday, March 12, 2017

Review: Venus in Fur (Circle Theatre) by Lauren Whalen

Circle Theatre’s provocative and stunning Venus in Fur and its themes of domination, submission and performance are still with me in the days after the premiere. What could have been disas…

SOURCE: Chicago Theater Beat at 05:54PM
Friday, March 10, 2017

Review: Earthquakes in London (Steep Theatre) by Lauren Whalen

With a bloated running time of three hours, Mike Bartlett’s "Earthquakes in London" tries to present a gripping saga of family and natural phenomena. Instead, it’s dull, overly long and …

SOURCE: Chicago Theater Beat at 10:42PM
Wednesday, March 1, 2017

Review: The Book of Joseph (Chicago Shakespeare Theater) by Lauren Whalen

This world premiere play, based on one family's Holocaust story – equal parts frustrating, satisfying and full of unanswered questions – has compelling, inspiring roots and is beautifull…

SOURCE: Chicago Theater Beat at 06:06PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards