All stories by Laura Cappelle on BroadwayStars

Thursday, March 11, 2021

Protesters Occupy French Theaters, Demanding Reopening by Laura Cappelle and Alex Marshall

The pandemic is still raging, but arts workers in France want to know when cultural life can restart.

SOURCE: The New York Times Subscription at 12:24PM
Thursday, February 25, 2021

With 'The Father,' Florian Zeller Pivots From Stage to Screen by Laura Cappelle

Florian Zeller has found success in the theater and as a novelist. Now, his first movie as a director is nominated for four Golden Globe Awards.

SOURCE: The New York Times Subscription at 11:18AM

When an Actor Calls With a Poem to Share by Laura Cappelle

A Paris playhouse has developed a program of one-on-one “consultations,” delivered by its artists while the theater is closed.

SOURCE: The New York Times Subscription at 03:36AM
Thursday, February 4, 2021

With French Theaters Closed, Puppetry Takes Center Stage by Laura Cappelle

The art form, usually on the fringes of French theatrical culture, finds itself at a sudden advantage: Puppet shows’ young audiences are still allowed to watch live performances.

SOURCE: The New York Times Subscription at 03:33AM
Tuesday, January 19, 2021

Basil Twist in Paris: When Puppets Meet Baroque Opera by Laura Cappelle

Before his directorial debut in France, with Mondonville’s “Titon et l’Aurore” at the Opéra Comique, the virtuoso puppeteer discussed the challenges of working in a pandemic.

SOURCE: The New York Times Subscription at 12:24PM
Thursday, January 14, 2021

Behind Closed Doors, Paris Theaters Carry On by Laura Cappelle

Rather than let finished productions go to waste in the locked-down city, exasperated artists are continuing with closed performances for others in the industry. If everyone’s “working,�…

SOURCE: The New York Times Subscription at 04:18AM
Thursday, December 10, 2020

With Paris Theaters Closed, Church Is the Only Show in Town by Laura Cappelle

Coronavirus restrictions have shut playhouses and concert halls. So our critic went to Mass to get her fix of music, choreography and drama.

SOURCE: The New York Times Subscription at 12:03PM
Thursday, November 19, 2020

Lockdowns Aren’t Funny. But You’ve Still Got to Laugh. by Laura Cappelle

In theaters before the second shutdown, and online once playhouses were closed, actors and comedians have tried to cheer up France.

SOURCE: The New York Times Subscription at 04:54AM
Friday, October 30, 2020

In Avignon, Snatching Theater From the Jaws of New Lockdowns by Laura Cappelle

Delayed from the summer, France’s biggest stage celebration was further curtailed as restrictions again hit the country. That made the moments of grace that were possible all the more powe…

SOURCE: The New York Times Subscription at 01:48AM
Thursday, October 8, 2020

In Paris, a Proust Adaptation for the Ages by Laura Cappelle

“The Guermantes Way” at the Comédie-Française sets contemporary concerns aside to carve out a place in the theater’s repertory.

SOURCE: The New York Times Subscription at 07:24AM
Monday, October 5, 2020

Jérôme Bel: 'Dance is going through drastic change – we must stay in sync' by Laura Cappelle

When the choreographer decided to stop flying, it raised eyebrows. But a year and a pandemic later he has become a master at virtual rehearsals Jérôme Bel may be the only choreographer who…

SOURCE: The Guardian at 02:03AM
Thursday, September 17, 2020

‘Hidden or Niche’ Productions Shine at Venice Theater Biennale by Laura Cappelle

This year’s edition of the festival, held under social distancing measures, is devoted to works made on a limited budget by under-the-radar Italian theater-makers.

SOURCE: The New York Times Subscription at 01:54PM
Thursday, September 3, 2020

The Joy of Just Good Enough Theater by Laura Cappelle

Most plays aren’t masterpieces. As audiences emerge from lockdown and return to normal, there’s comfort in seeing a show that may not be great, but isn’t bad, either.

SOURCE: The New York Times Subscription at 08:18AM
Tuesday, September 1, 2020

In Europe’s Theaters, Outsiders Tread a Tricky Path by Laura Cappelle

The firing of the British artistic director of one of Paris’s most famous venues exposes fault lines between globalization and local tradition.

SOURCE: The New York Times Subscription at 03:48PM
Thursday, August 20, 2020

In France, Live Theater Calls for Masked Actors and Creative Solutions by Laura Cappelle

The company Les Tréteaux de France has been meeting the challenges of social distancing with a variety of measures, including voice-overs and unusual settings.

SOURCE: The New York Times Subscription at 06:32AM
Thursday, July 16, 2020

Entering a Paris Theater, Warily, and Finding a Weight Lifted by Laura Cappelle

Audience members seemed to be asking one another, “Are we really doing this?” But the over-the-top physicality of “Ionesco Suite” was worth it.

SOURCE: The New York Times Subscription at 06:36AM
Thursday, June 25, 2020

Some of France’s Only Live Theater Right Now Is a Historical Affront by Laura Cappelle

A theme park’s whiz-bang performances are an odd mix of high-quality production values and one-dimensional storytelling. Historians have long disputed the narratives.

SOURCE: The New York Times Subscription at 05:36AM
Thursday, June 4, 2020

A Cabaret in a Nursing Home, While France’s Theaters Are Closed by Laura Cappelle

The first professional production in France since stages went dark in March was a back-to-basics affair, but more memorable than many slick Paris shows.

SOURCE: The New York Times Subscription at 04:36AM
Thursday, May 14, 2020

Ariane Mnouchkine: Half a Century Building Utopia by Laura Cappelle

Times have changed, but the revered French theater director has always stayed true to her beliefs.

SOURCE: The New York Times Subscription at 05:18AM
Thursday, April 23, 2020

A Lot Has Changed in 50 Years, Off Paris Stages and On by Laura Cappelle

Our Paris theater critic looked though a new online archive to discover what was on offer for French theatergoers in 1970.

SOURCE: The New York Times Subscription at 05:12AM
Thursday, April 2, 2020

As Stages Go Dark, Companies Stumble by Laura Cappelle

Several French theater companies, closed in the coronavirus outbreak, have rushed to put content online. Much of it is underwhelming.

SOURCE: The New York Times Subscription at 06:06AM
Tuesday, March 24, 2020

'I don't conform': backstage with the indomitable Isabelle Huppert by Laura Cappelle

The French star’s fearless performances – and work ethic – are the stuff of legend. In her dressing room, she talks about the pain of theatre, acting in English and #MeToo In 2005, day…

SOURCE: The Guardian at 03:54PM
Friday, March 6, 2020

With a 7-Hour Saga, Robert Lepage Returns to Safer Ground by Laura Cappelle

The Canadian director’s “The Seven Streams of the River Ota” is set for a world tour, after his most recent productions were embroiled in debates about cultural appropriation.

SOURCE: The New York Times Subscription at 06:24AM
Thursday, March 5, 2020

These Women-Led Works Are the Right Plays at the Right Time by Laura Cappelle

France’s movie business is consumed by debates about gender inequality. Onstage, female theatermakers are bringing women’s stories to the fore.

SOURCE: The New York Times Subscription at 05:24AM
Thursday, February 20, 2020

Star Directors Pull Back the Curtain on How They Work by Laura Cappelle

Peter Brook and Thomas Ostermeier are presenting unfinished shows in Paris, offering a rare chance to see how their productions come together.

SOURCE: The New York Times Subscription at 11:36AM
Thursday, February 6, 2020

A Hallowed French Company Takes on ‘Angels in America’ by Laura Cappelle

And elsewhere in Paris, smaller theaters take more radical cues from the L.G.B.T.Q. world.

SOURCE: The New York Times Subscription at 08:42AM
Monday, January 6, 2020

Trigger Warnings as a Provocateur Puts Suicide Onstage by Laura Cappelle

Milo Rau’s latest work is inspired by a French family whose members took their own lives.

SOURCE: The New York Times Subscription at 11:12AM

Arnaud Desplechin: 'Theatre is for the bourgeois. Film is the art of rascals!' by Laura Cappelle

The revered film director vowed never to touch theatre. So why is he staging the great Aids epic Angels in America? Apparently, it’s all a misunderstanding Arnaud Desplechin looks surprisi…

SOURCE: The Guardian at 05:06AM
Wednesday, December 18, 2019

It's derriere you! A French critic gives her take on three madcap pantos by Laura Cappelle

Do you have to be British to get panto? We sent a French critic to three shows full of cross-dressing dames and adults playing cows. Will she ever forget the experience? Oh no she won’t! S…

SOURCE: The Guardian at 02:36AM
Thursday, December 5, 2019

For Entertaining Musicals, Look No Further Than … Paris by Laura Cappelle

The genre has long been seen as minor in the French capital, but a string of English-language productions is creating a pleasingly upbeat dynamic.

SOURCE: The New York Times Subscription at 06:54AM
Thursday, November 14, 2019

Strange Plays for Strange Times by Laura Cappelle

Several French theater productions are putting dark spins on everyday events.

SOURCE: The New York Times Subscription at 05:36AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime