All stories by LEIGH WITCHEL on BroadwayStars

Monday, February 6, 2012

Worth Russian to the ballet by Leigh Witchel

To the list of Russian treasures — Fabergé eggs, caviar, Anna Netrebko — add “Russian Seasons,” Alexei Ratmansky’s beautiful ballet for New York City Ballet. Now going on 6 years …

SOURCE: The New York Post Subscription at 10:36PM
Wednesday, February 1, 2012

Timid tango by lady in red by Leigh Witchel

Some are born female; others achieve it. Jin Xing is one of the latter, in a tenacious odyssey from birth as a boy to her present life and dance career as a woman. Her “Shanghai Tango” h…

SOURCE: The New York Post Subscription at 10:28PM
Monday, January 30, 2012

Heel breaks loose but the show goes on by Leigh Witchel

The main event at New York City Ballet on Saturday night was supposed to be the first program entirely by Christopher Wheeldon — a triple bill with a premiere, an import and a mainstay. Bu…

SOURCE: The New York Post Subscription at 10:40PM
Thursday, January 26, 2012

Let this funky bunch take you even higher by Leigh Witchel

Downtown choreographer David Dorfman gets his groove on — with a lot of help from Sly and the Family Stone. “Prophets of Funk” is a trip back to Dorfman’s funk and disco roots, but i…

SOURCE: The New York Post Subscription at 12:09AM
Thursday, January 19, 2012

Elegant, fascinatin’ dancing starts with Mr. B by Leigh Witchel

‘who Cares?” You should, particularly if Tiler Peck is dancing the lead. New York City Ballet opened its winter repertory season Tuesday, and the company looked energized, dancing an all…

SOURCE: The New York Post Subscription at 10:15PM
Monday, January 16, 2012

Brief flight before the fall of ‘Angels’ by Leigh Witchel

I* “Questions About Angels,” Joseph Mills tries to depict heaven on a shoestring — and though he uses only flashlights, tulle and student dancers, he sometimes catches a glimpse. But a…

SOURCE: The New York Post Subscription at 10:27PM
Wednesday, January 11, 2012

A solid jump for Joyce by Leigh Witchel

David Parsons is a whiz at whipping up entertaining dances — with a thick, ingratiating layer of cheese. So it’s a pleasant surprise to see his current show is still entertaining, but wi…

SOURCE: The New York Post Subscription at 11:06PM
Sunday, January 8, 2012

Face it: masks make show by Leigh Witchel

The word Davis Freeman says best describes his piece “Too Shy To Stare” is “hyper-intimate.” And indeed it is. At times, you’re alone with performers who are close enough to you th…

SOURCE: The New York Post Subscription at 11:43PM
Thursday, January 5, 2012

Hip-hop hooray, though ‘Garden’ needs pruning by Leigh Witchel

The Focus Dance festival trains its sights on up-and-coming companies — eight in all. The first half of Wednesday’s double bill had laser focus — the second still had clarity, but noth…

SOURCE: The New York Post Subscription at 11:33PM
Thursday, December 29, 2011

Merce’s last dance by Leigh Witchel

A 58-year journey is coming to an end. From now through New Year’s Eve, the Merce Cunningham Dance Company will take its final bows — your last chance to see the modern-dance great’s w…

SOURCE: The New York Post Subscription at 12:09AM
Tuesday, December 27, 2011

Sweet & Grimm ‘Snow White’ by Leigh Witchel

Take a Grimm fairy tale and mix it with equal parts ballet, Baroque masque and circus act. Drop it all in a converted tow-truck warehouse in Carroll Gardens and — if you’re lucky — you…

SOURCE: The New York Post Subscription at 10:47PM
Thursday, December 22, 2011

‘Tree’ yourself right with show by Leigh Witchel

There’s something nostalgic about Suspended Cirque, the pint-sized local acrobatic troupe. Watching its performers, you think of a band of traveling players, once upon a time. It’s not a…

SOURCE: The New York Post Subscription at 11:38PM
Monday, December 19, 2011

A dance mix mess by Leigh Witchel

Momix is all about its bag of tricks, and its current show at the Joyce has plenty of them. The procession of nature-related sketches in its “Botanica” is a convenient pretense for the i…

SOURCE: The New York Post Subscription at 11:29PM

High-flying crash course in Extreme Action by Leigh Witchel

Everything about Elizabeth Streb’s “Kiss the Air!” is an exclamation point. She’s been on the scene a quarter-century, making pieces she calls PopAction — a bit of traditional danc…

SOURCE: The New York Post Subscription at 12:02AM
Wednesday, December 14, 2011

Ailey hits a ‘Home’ run by Leigh Witchel

The Alvin Ailey company isn’t just about “Revelations.” New artistic director Robert Battle put together a program Tuesday night of four varied works — from revivals to a recent comm…

SOURCE: The New York Post Subscription at 11:27PM
Thursday, December 1, 2011

Battle stations supersized ‘Revelations’ by Leigh Witchel

Wednesday’s gala opening for the Alvin Ailey company was less revelation than reassurance. Taking over from Judith Jamison, Robert Battle began his first season with an astute new acquisit…

SOURCE: The New York Post Subscription at 10:57PM
Wednesday, November 30, 2011

Religious dance/drama combo Shakers things up by Leigh Witchel

Spiritual longing battles carnal desire in “Angel Reapers,” the impressionistic, sometimes graphic dance/theater piece that opened Tuesday at The Joyce. Inspired by the Shakers, a commun…

SOURCE: The New York Post Subscription at 11:17PM
Sunday, November 27, 2011

The season’s ‘Cracker’-jack alternatives by Leigh Witchel

There are plenty of Nuts to crack this holiday season, from traditional to trendy. Here are a few of the most promising. * AMERICAN BALLET THEATRE: Alexei Ratmansky’s version, which premi…

SOURCE: The New York Post Subscription at 10:29PM

Nut’s as sweet as ever by Leigh Witchel

It’s hard to imagine a holiday season without Nuts — “The Nutcracker,” that is. New York City Ballet’s version, now almost 58 years old, has all the toppings — a growing Christma…

SOURCE: The New York Post Subscription at 10:29PM
Wednesday, November 16, 2011

Jive, and all that jazz by Leigh Witchel

Complexions is the kind of company audiences love and critics hate. Audiences love it because it delivers virtuosity and full-throttle razzmatazz every time. We hate it because there’s not…

SOURCE: The New York Post Subscription at 10:41PM
Sunday, November 13, 2011

A swirl of a time by Leigh Witchel

Lar Lubovitch works his strengths, and his biggest strength is his swirl. The choreographer -- who’s done everything from ice dancing to Broadway (“The Red Shoes”) -- set three dances …

SOURCE: The New York Post Subscription at 11:15PM
Wednesday, November 9, 2011

Tharp helps keep troupe sharp at gala by Leigh Witchel

There wasn’t a tutu in sight Tuesday night when American Ballet Theatre opened its City Center season with a gala with a contemporary accent -- a prelude to a week of Twyla Tharp, Merce Cu…

SOURCE: The New York Post Subscription at 10:15PM
Saturday, November 5, 2011

Coolest thing on ‘cable’ by Leigh Witchel

Never work with children, animals -- or sculpture. They’ll all steal the show. Case in point? “Connected,” by the Australian contemporary troupe Chunky Move. (None of the dancers is c…

SOURCE: The New York Post Subscription at 04:43AM
Wednesday, November 2, 2011

‘Fall’ over the place by Leigh Witchel

Tuesday was out-of-town night at Fall for Dance, a sampler of far-flung companies New Yorkers don’t often get to see. The Australian Ballet crossed the Pacific to perform Glen Tetley’s …

SOURCE: The New York Post Subscription at 11:29PM
Friday, October 28, 2011

Wildly different works fall together well by Leigh Witchel

New Yorkers love culture, and we love a bargain even more. Combine them and you get Fall for Dance: five programs, 20 groups and each ticket only 10 bucks. No wonder it always sells out. The…

SOURCE: The New York Post Subscription at 05:35PM
Saturday, October 22, 2011

Balanchine on a budget by Leigh Witchel

Does being a great muse make you a great director? Suzanne Farrell was one of choreographer George Balanchine’s inspirations and formed her own group dedicated to performing and preserving…

SOURCE: The New York Post Subscription at 04:12AM
Wednesday, October 12, 2011

Houston troupe doesn’t meet Tex-pectations by Leigh Witchel

Houston, we have a problem: Your ballet is the fourth largest in the country and its dancers are top-notch, but it rarely visits New York. And now it’s here -- but with only a fraction of …

SOURCE: The New York Post Subscription at 11:01PM
Monday, October 10, 2011

Changing of the Askegard by Leigh Witchel

The program billed it as “Charles Askegard’s farewell,” but to his friends—and, having worked with him, I’m one —he’s always been Chuck. Yesterday afternoon at Lincoln Center, …

SOURCE: The New York Post Subscription at 03:47AM
Wednesday, October 5, 2011

No stone is left unturned by Leigh Witchel

There’s a lot of personality onstage in “Jewels” -- some sparkling, some flawed. George Balanchine’s setting of three ballets matched to gemstones is the centerpiece of the final wee…

SOURCE: The New York Post Subscription at 11:47PM
Thursday, September 29, 2011

At the tapa their game by Leigh Witchel

Seeing “Noche Flamenca” at The Joyce, with the stage softly glowing and its brick walls exposed, is like seeing flamenco in an Andalusian tavern -- minus the paella. But top-notch perfor…

SOURCE: The New York Post Subscription at 12:44AM
Friday, September 23, 2011

McCartney dance adrift by Leigh Witchel

If you moved "West Side Story" even farther west -- all the way into the Hudson River -- would you end up with Paul McCartney's water ballet, "Ocean's Kingdom"? If only. The much-hyped colla…

SOURCE: The New York Post Subscription at 11:43PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre