All stories by KEN JAWOROWSKI on BroadwayStars

Monday, May 21, 2018

Review: ‘There’s Blood at the Wedding’ Keeps Outrage Alive Onstage by Ken Jaworowski

The play, created and directed by Theodora Skipitares, intertwines Lorca’s “Blood Wedding” with the stories of Eric Garner and others killed by the police.

SOURCE: The New York Times Subscription at 01:32PM
Tuesday, September 12, 2017

Review: In ‘Wrestling Jerusalem,’ One Man Gives Voice to Many by Ken Jaworowski

In a movie adapted from his play, the writer and actor Aaron Davidman portrays more than a dozen people affected by the Mideast conflict.

SOURCE: The New York Times Subscription at 01:33PM
Thursday, July 20, 2017

Review: ‘Romeo Is Bleeding,’ and Shakespeare Is Relevant by Ken Jaworowski

A documentary finds a group of young people in violence-plagued Richmond, Calif., staging their own version of Romeo and Juliet’s romantic tragedy.

SOURCE: The New York Times Subscription at 05:36PM
Thursday, July 6, 2017

Review: Falling Hard for a Master Manipulator in ‘Of Human Bondage’ by Ken Jaworowski

The Soulpepper production, adapted by Vern Thiessen from W. Somerset Maugham’s novel, tells a beautifully bittersweet tale.

SOURCE: The New York Times Subscription at 10:36PM
Tuesday, March 14, 2017

Review: In ‘The Gravedigger’s Lullaby,’ Death Is His Living by Ken Jaworowski

This Jeff Talbott play tells of the exhaustion a cemetery laborer encounters as he navigates his relationships at work and at home.

SOURCE: The New York Times Subscription at 05:18PM
Tuesday, February 21, 2017

Review: ‘Leah, the Forsaken’ is an 1862 Drama With Modern Resonance by Ken Jaworowski

In 1700s Austria, a man loves a traveler who can’t stay in his village because she is Jewish. This play’s parallels with current concerns ring clear.

SOURCE: The New York Times Subscription at 06:03PM
Thursday, December 15, 2016

Review: ‘Mother Africa: My Home’ Melds Acrobatics and Drumming by Ken Jaworowski

Circus der Sinne, based in Tanzania, deploys performers who leap, juggle and perform myriad other feats at the New Victory Theater, backed by a live band.

SOURCE: The New York Times Subscription at 06:04PM
Monday, November 21, 2016

Review: ‘My Name Is Gideon: I’m Probably Going to Die, Eventually’ by Ken Jaworowski

Gideon Irving, who has performed in hundreds of homes in six countries, brings his one-man show of songs, jokes and surprises to Rattlestick Playwrights Theater.

SOURCE: The New York Times Subscription at 09:02PM
Sunday, November 20, 2016

Review: Innocuous Remarks Double as Cutting Commentary in ‘Abigail’s Party’ by Ken Jaworowski

This deft revival of a Mike Leigh play, set at a drunken suburban soiree, lays bare the disappointment behind seemingly self-satisfied guests.

SOURCE: The New York Times Subscription at 07:02PM
Sunday, October 16, 2016

Review: A Dynamic Actor Redeems ‘Orwell in America’ by Ken Jaworowski

Jamie Horton gives a strong performance as George Orwell in an otherwise standard play at 59E59 Theaters that imagines Orwell promoting “Animal Farm” in the United States.

SOURCE: The New York Times Subscription at 06:02PM
Sunday, October 2, 2016

Review: A Minor Brian Friel Play, With 2 Major Performances by Ken Jaworowski

“Afterplay,” in its New York debut, could seem slight were it not for the superb pairing of Dermot Crowley and Dearbhla Molloy.

SOURCE: The New York Times Subscription at 10:01PM
Thursday, August 25, 2016

Review: ‘Floyd Norman: An Animated Life’: He Broke Barriers at Disney by Ken Jaworowski

Mr. Norman, the first African-American animator on Disney’s staff, hand-drew scenes for classics including “The Jungle Book” and “Sleeping Beauty.”

SOURCE: The New York Times Subscription at 06:06PM
Thursday, July 28, 2016

Review: Yes, It’s the Civil War. But ‘Butler’ Has Some Humor. by Ken Jaworowski

This play is part comedy, part historical drama and part biography, as Major General Butler, a Union officer, weighs the fate of escaped slaves.

SOURCE: The New York Times Subscription at 09:20AM
Friday, July 8, 2016

Arts | New Jersey: Review: ‘Struck’ at the New Jersey Repertory Company by Ken Jaworowski

Sandy Rustin’s play, having its world premiere in Long Branch, is a comedy that wrestles with chance and coincidence.

SOURCE: The New York Times Subscription at 05:51PM
Friday, June 17, 2016

Theater | New Jersey: Review: ‘I Remember Mama’ at Two River Theater Profits From Creative Casting by Ken Jaworowski

Older actresses, dressed in everyday clothes instead of period costumes, inhabit a range of roles and excite the imagination.

SOURCE: The New York Times Subscription at 05:10PM
Friday, June 10, 2016

Review: Stories Eugene O’Neill Told When He Was Very Young by Ken Jaworowski

In the century-old “Recklessness” and “Now I Ask You,” revived at the Metropolitan Playhouse, O’Neill deals with a scandalous affair and bohemianism.

SOURCE: The New York Times Subscription at 10:26PM
Tuesday, June 7, 2016

Review: ‘The Death of a Black Man (a Walk By)’ Takes On the Issue of Gun Violence by Ken Jaworowski

This play makes its case by placing its actors amid the audience members as they enact a crime scene, a protest and a funeral.

SOURCE: The New York Times Subscription at 05:42PM
Sunday, May 1, 2016

Arts | New Jersey: Review: ‘The Outgoing Tide’ by the Dreamcatcher Repertory Theater by Ken Jaworowski

Bruce Graham’s play, which is having its New Jersey debut, employs a passionate anger while tackling the tough, emotional subjects of aging, memory loss and dementia.

SOURCE: The New York Times Subscription at 12:32PM
Thursday, March 17, 2016

Arts | New Jersey: Review: Flirting With Insights in ‘Sex With Strangers’ at George Street Playhouse by Ken Jaworowski

In the play, written by Laura Eason, two writers at a bed-and-breakfast have chemistry, but the most intriguing moments take place after the sex.

SOURCE: The New York Times Subscription at 09:14PM

Review: Sugar Ray Robinson’s Bouts and Biography, With a Bite Thrown In by Ken Jaworowski

The boxer, this one-man show’s subject, had his share of money woes, but the actor playing him, Reginald L. Wilson, is an upbeat presence.

SOURCE: The New York Times Subscription at 04:16PM
Tuesday, March 1, 2016

Review: In ‘Dead Dog Park,’ a Police Chase, a Young Death and Countering Theories by Ken Jaworowski

The story begins soon after a black teenager has fallen to his death while being pursued by a white officer, raising questions over whether he was pushed.

SOURCE: The New York Times Subscription at 05:45PM
Thursday, February 18, 2016

Arts | New Jersey: Two Reunions, Bittersweet and Foreboding, in ‘The Brothers Size’ by Ken Jaworowski

The production, poetic yet unpretentious, explores the friction between siblings and a former prison mate near a Louisiana bayou.

SOURCE: The New York Times Subscription at 07:18PM
Tuesday, January 26, 2016

Arts | New Jersey: In ‘The Piano Lesson,’ a Family Fight Over an Heirloom Rooted in Slavery by Ken Jaworowski

The production of August Wilson’s play, at the McCarter Theater Center in Princeton, N.J., tells the story of an African-American family in 1936.

SOURCE: The New York Times Subscription at 04:36PM
Monday, January 25, 2016

Review: ‘The Burial at Thebes,’ a Vicious but Poetic Tale Retold by Ken Jaworowski

Seamus Heaney’s adaptation of Sophocles’ “Antigone,” at the Irish Repertory Theater, was written in response to the American invasion of Iraq.

SOURCE: The New York Times Subscription at 06:07PM
Friday, December 18, 2015

Theater | New Jersey: Review: ‘The Merry Wives of Windsor’ Goes for High Jinks and Low Comedy by Ken Jaworowski

The Shakespeare Theater of New Jersey takes a restrained approach to the bard’s play, in which the rascal Falstaff tries to seduce and swindle two wealthy wives.

SOURCE: The New York Times Subscription at 06:56PM
Tuesday, November 17, 2015

Review: ‘Captive Audience,’ Seven Plays by David Ives by New York Deaf Theater by Ken Jaworowski

This production features a cast of four deaf and four hearing actors, using both spoken English and American Sign Language.

SOURCE: The New York Times Subscription at 09:03PM
Thursday, November 12, 2015

Theater | New Jersey: Review: The Family of Anne Frank, Made Real by Silence by Ken Jaworowski

“The Diary of Anne Frank” reminds us that the Franks weren’t just hallowed historical names but something far more complex: human beings.

SOURCE: The New York Times Subscription at 09:16PM
Friday, October 23, 2015

Review: In ‘Hard Love,’ a Couple Divided by Religion and Big Questions by Ken Jaworowski

In Motti Lerner’s sober drama, a divorced couple meet after 20 years, stirring up divisive issues of faith and individual choice.

SOURCE: The New York Times Subscription at 01:45PM
Wednesday, September 30, 2015

‘The Gray Man,’ a Tale of Spooky Disappearances by Ken Jaworowski

Andrew Farmer’s play at the Walker Space raises the specter of a boogeyman who preys on children in 1910 New York.

SOURCE: The New York Times Subscription at 03:36PM
Thursday, September 10, 2015

Theater | New Jersey: Review: ‘The People Before the Park,’ a Family Clash Rich in New York History by Ken Jaworowski

A new drama set in a mostly African-American village soon to be razed for Central Park will debut at Kean University.

SOURCE: The New York Times Subscription at 07:30PM
Monday, July 13, 2015

Review: An ‘As You Like It’ on Asphalt, From Shakespeare in the Parking Lot by Ken Jaworowski

After losing its old “stage” to redevelopment, the group presents its first play of the summer at a lot nearby.

SOURCE: The New York Times Subscription at 05:30PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic