Shortly before the Metropolitan Opera opened its new production of Così fan tutte, the battle between the company and its disgraced former demigod reached a second-act climax. The Met…
SOURCE: Vulture at 03:14PMLast fall, the strands of singer Rhiannon Giddens’s life and the hybrid tapestry of American music wound together in one evening-long whirl. At 5 p.m. she joined Eric Church to sing the co…
SOURCE: Vulture at 12:00PMThe idea of turning Oscar Wilde’s meringue-like comedy The Importance of Being Earnest into an opera is the sort of thunderclap that comes to you late at night over a bottle of bourbon and…
SOURCE: Vulture at 08:01PMThe Metropolitan Opera has been James Levine’s house for so long that it’s hard to know which group is smaller: those who remember the Met before Jimmy, or those who can imagine it witho…
SOURCE: Vulture at 10:54PMA skeletal statue with a nasty-looking scythe presides over an opera that begins with a capital crime and ends with an execution. From the opening ax-chop chords and doleful answer in the ov…
SOURCE: Vulture at 08:07PMThe beauty of certain sturdy operas is that they can survive just about any directorial manhandling if the singing is good enough. The Met’s new production of Manon Lescaut, directed by Ri…
SOURCE: Vulture at 09:59PMThis a banner year for Donizetti at the Metropolitan Opera, propelled by soprano Sondra Radvanovsky’s ambition to perform all three of his Tudor queens (Anne Boleyn; Mary, Queen of Scots; …
SOURCE: Vulture at 08:53PMMaybe I shouldn’t make too much of this, but New York City Opera is attempting to resurrect itself with an opera about a botched resurrection. NYCO Renaissance, an entity created by the he…
SOURCE: Vulture at 01:59PMThe opera Dog Days opens with a family, “not unlike your own, sit[ting] in a house, watching a TV that isn’t on.” Now, I don’t know your family — mine does not include two perpetua…
SOURCE: Vulture at 02:27PMAt a time when college campuses are roiled by fights over insensitive Halloween costumes, ersatz sushi, and the cultural plunder of yoga, it’s almost a relief to come across an example of …
SOURCE: Vulture at 11:41PMIf the Metropolitan Opera decided to concentrate its entire mission into a single night, that show might look a lot William Kentridge’s production of Lulu. Berg’s 80-year-old opera is bo…
SOURCE: Vulture at 08:14PMThree years after its world premiere, George Benjamin’s Written on Skin has already tattooed itself indelibly onto the story of opera. In a saner world, a piece this good would make its Am…
SOURCE: Vulture at 09:38PMAgainst physical odds, Steven Blier coaches deep emotions from New York's greatest singers.
SOURCE: New York Magazine at 05:58PMHaving hauled The Rake’s Progress out of deep storage, the Metropolitan Opera is doing the showbiz equivalent of blinding your math teacher by bouncing sunlight off a watch face. A few qui…
SOURCE: Vulture at 01:11PMMascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci, that classic diptych of tuneful weepies, has returned to the Metropolitan Opera in a lopsided new production. One piece is bl…
SOURCE: Vulture at 01:04PMLet’s stipulate that there is no rational reason for two sumo wrestlers the size of young hippos to collide center stage during a Handel opera. Let’s further acknowledge that Semele, an …
SOURCE: Vulture at 08:13AMJoyce DiDonato belongs to that elite club of performing artists who get ovations simply for stepping onstage, before they’ve even uttered a sound. Then she proceeds to earn the applause. W…
SOURCE: Vulture at 08:00AMAlan Gilbert will step down as music director of the New York Philharmonic when his contract expires in 2017, leaving the orchestra to navigate a turbulent patch that is likely to last for s…
SOURCE: Vulture at 12:00PMIt takes so long for the Metropolitan Opera’s new production of The Merry Widow to warm up that it barely reaches the temperature of day-old bathwater before the final dose of foam. H…
SOURCE: Vulture at 05:20PMWagner’s Die Meistersinger von Nürnberg lingers on the moment when one era rolls into the next, when nostalgia is vaporized by innovation, decorum trumped by joy. It’s an opera abou…
SOURCE: Vulture at 09:40AMDoes the Metropolitan Opera not know when it has a winner? Graham Vick’s 1994 production of Lady Macbeth of Mtsensk, one of the 20th century’s greatest operas, has spent the past 20 year…
SOURCE: Vulture at 06:00PMCan you measure the vigor of an art form by its ability to stir up loathing? Last night’s Metropolitan Opera premiere of John Adams’s The Death of Klinghoffer suggested that audiences st…
SOURCE: Vulture at 10:45AMObserved from afar, the opera world looks like a strange, turbulent planet populated by tantrum-throwing, bouquet-catching, window-shattering creatures called divas. Zoom in closer, though, …
SOURCE: Vulture at 02:05PMWill an opera about terrorists ever not be timely? Can The Death of Klinghoffer ever stop incandescing? John Adams’s work had its premiere in 1991, when the events it was based on—the 19…
SOURCE: Vulture at 09:00PMThe Met’s labor crisis is over; the spiritual crisis goes on. There’s a lot to be thankful for in the way contract negotiations unfolded. All through a treacherous summer, rehearsals nev…
SOURCE: Vulture at 03:15PMTwo couples, a pleasant house, plenty of wine, and some arcing sexual current: Could there be a theatrical vehicle with a more interchangeable set of parts? Theresa Rebeck keeps squirting dr…
SOURCE: Vulture at 08:00PMMusical? Opera? Rapture? Travesty? Two critics on the remade Porgy and Bess.
SOURCE: New York Magazine at 09:41PM
