All stories by Jonathan Blumhofer on BroadwayStars

Monday, February 6, 2017

Classical CD Reviews: Kozhukhin plays Brahms and Emmanuelle Bertrand’s Saint-Saens by Jonathan Blumhofer

Pianist Denis Kozhukhin does right by Brahms and an all-Saint-Saens disc that, at its best, is a winner.

SOURCE: The Arts Fuse at 12:06PM
Sunday, February 5, 2017

Classical CD Reviews: Vienna Philharmonic’s 2017 New Year’s Concert and Previn plays Previn by Jonathan Blumhofer

Gustavo Dudamel takes over the reins of the Vienna Philhamronic's annual New Year's concert; a disc of chamber music by Andre Previn.

SOURCE: The Arts Fuse at 06:42PM
Saturday, February 4, 2017

Classical CD Reviews: Boston Modern Orchestra Project plays Steven Stucky and Johannes Moser plays Elgar by Jonathan Blumhofer

BMOP releases a fitting, moving tribute to a giant of contemporary music; Johannes Moser turns in a sweeping performance of Elgar's Cello Concerto.

SOURCE: The Arts Fuse at 09:48AM
Tuesday, January 24, 2017

CD Reviews: Mascagni’s “Zanetto” and Thomson’s “Four Saints in Three Acts” by Jonathan Blumhofer

Odyssey Opera’s first commercially-released album is a fun showcase; BMOP delivers an excellent performance of Four Saints in Three Acts.

SOURCE: The Arts Fuse at 10:24AM
Monday, January 23, 2017

CD Reviews: Ken Thomson’s “Restless” and Alberto Ginastera’s “One Hundred” by Jonathan Blumhofer

Ken Thomson's Restless doesn't hide from dark places or things; Oberlin Orchestra does right by Argentinian composer Alberto Ginastera.

SOURCE: The Arts Fuse at 11:06AM
Sunday, January 22, 2017

CD Reviews: Jerusalem Quartet plays Bartók and Heath Quartet plays Tchaikovsky by Jonathan Blumhofer

Jerusalem Quartet's Bartók is more elegant than hard-edged; Heath Quartet's Tchaikovsky is vigorous and sweeping.

SOURCE: The Arts Fuse at 04:06PM
Friday, January 20, 2017

Music Preview: Interview with Composer Adam Schoenberg by Jonathan Blumhofer

Adam Schoenberg is also one of the most widely-performed living composers of orchestral music; in fact, he’s among the top-ten in that category.

SOURCE: The Arts Fuse at 10:04AM
Saturday, January 14, 2017

Concert Review: Cameron Carpenter at Symphony Hall by Jonathan Blumhofer

Cameron Carpenter played the Terry Riley composition commandingly.

SOURCE: The Arts Fuse at 11:33AM
Tuesday, December 20, 2016

CD Reviews: Lara Downes’ “America Again,” Gerstein’s Liszt, and Melnikov plays Prokofiev by Jonathan Blumhofer

Lara Downes' America Again is a great album, and one with multiple layers of meaning.

SOURCE: The Arts Fuse at 10:04AM
Monday, December 19, 2016

CD Reviews: Berio’s “Sinfonia,” Joshua Bell’s Brahms, and Yevgeny Kutik’s “Words Fail” by Jonathan Blumhofer

Three CD reviews, including a disc featuring Joshua Bell, Steven Isserlis, and Jeremy Denk teaming up to play less-than-barn-burning favorites by Brahms.

SOURCE: The Arts Fuse at 10:04AM
Friday, December 16, 2016

Commentary: Best Classical Performances of 2016 by Jonathan Blumhofer

Picks for the top live classical performances of 2016. Feel free to agree, disagree, add to them, come up with your own list, etc.

SOURCE: The Arts Fuse at 09:18AM

CD Reviews: Orchestral Music by Mason Bates — A Welcome Addition to the Canon. by Jonathan Blumhofer

Mason Bates' music isn’t afraid to smile. If it doesn’t always run deep, it’s at least always engaging and pleasant to encounter.

SOURCE: The Arts Fuse at 08:12AM
Thursday, December 15, 2016

Classical CD Reviews: Mitsuko Uchida plays Mozart, Seong-Jin Cho plays Chopin, and Hans Gal’s Piano Concerto by Jonathan Blumhofer

Among the three CDs reviewed is a particular treat -- a new recording that really, truly matters.

SOURCE: The Arts Fuse at 12:18PM
Monday, November 14, 2016

Arts Commentary: Music for Times of Trouble by Jonathan Blumhofer

I’ve been most impressed by the manner in which these composers, in these works, took strong moral and/or political stands.

SOURCE: The Arts Fuse at 09:06AM
Sunday, November 13, 2016

Concert Review: Berlin Philharmonic Orchestra at Symphony Hall by Jonathan Blumhofer

The biggest musical takeaway was the sheer brilliance of the Berlin Philharmonic Orchestra's playing, which is the gold standard.

SOURCE: The Arts Fuse at 05:48PM
Monday, November 7, 2016

Concert Review: Thomas Adès conducts Britten, Sibelius, and Adès by Jonathan Blumhofer

These BSO concerts, conducted by Thomas Adès, were the culminating event in his impressive first season.

SOURCE: The Arts Fuse at 12:03PM

Concert Review: Grand Harmonie’s Gods and Mortals by Jonathan Blumhofer

GH's best playing of the day was edgy: a little rough around the edges, yes, but still punchy and vibrant.

SOURCE: The Arts Fuse at 09:54AM
Friday, November 4, 2016

Concert Preview: Grand Harmonie’s “Gods and Mortals” by Jonathan Blumhofer

"Playing these standard pieces on period instruments is a little bit like reading a novel or poem in its original language."

SOURCE: The Arts Fuse at 06:06PM
Wednesday, October 26, 2016

CD Reviews: Tchaikovsky’s Symphony no. 1 and Mozart Violin Concertos plus Wagner Overtures & Preludes by Jonathan Blumhofer

For recorded sound, for brilliance of orchestral execution, and for interpretive concept, Janowski is one of the 21st century’s best Wagnerians.

SOURCE: The Arts Fuse at 02:04PM
Monday, October 24, 2016

Concert Review: Boston Philharmonic plays Auerbach, Rachmaninoff, and Tchaikovsky by Jonathan Blumhofer

Conductor Benjamin Zander and his band were at their collective best performing Tchaikovsky’s Symphony no. 6.

SOURCE: The Arts Fuse at 10:25AM
Wednesday, October 12, 2016

Book Review: The Joy and Glory of Virgil Thomson’s “The State of Music & Other Writings” by Jonathan Blumhofer

The Library of America volumes of Virgil Thomson’s writings will help reestablish him as one of the 20th century’s preeminent musical scribes.

SOURCE: The Arts Fuse at 11:55AM
Tuesday, October 11, 2016

Concert Review: Boston Modern Orchestra Project’s “American Masters” by Jonathan Blumhofer

The BMOP's opening concert featured the group succeeding at an important part of its mission: to perform unfairly overlooked American music.

SOURCE: The Arts Fuse at 01:31PM
Friday, October 7, 2016

Concert Review: Boston Symphony plays Widmann and Brahms at Symphony Hall by Jonathan Blumhofer

The intellectual and emotional intelligence of the docket stands as a conspicuous example of exemplary programmatic creativity.

SOURCE: The Arts Fuse at 01:56PM
Tuesday, October 4, 2016

Rethinking the Repertoire #10 — Mark-Anthony Turnage’s “Frieze” by Jonathan Blumhofer

Mark-Anthony Turnage's Frieze is, without a doubt, one of the major symphonic scores of our century.

SOURCE: The Arts Fuse at 11:20AM
Monday, October 3, 2016

Preview/Interview: Jörg Widmann’s “Trauermarsch” — An Idea of Paradise by Jonathan Blumhofer

To speak with Jörg Widmann is to encounter a mind furiously at work and aware of his craft as viewed through the lens of Western history.

SOURCE: The Arts Fuse at 09:46AM
Sunday, October 2, 2016

Classical Music CD Reviews: Hrůša’s Dvorák, “The Lost Songs of St. Kilda,” and Steve Richman’s Gershwin by Jonathan Blumhofer

The Lost Songs of St. Kilda is a disc that’s simple but profound, beautiful and enduring.

SOURCE: The Arts Fuse at 01:31PM
Wednesday, September 28, 2016

Fuse Opera Review: Boston Lyric Opera’s “Carmen” by Jonathan Blumhofer

Calixto Bieito’s vision – even if it’s not quite as racy as advertised – comes off better than any new canonical production of the BLO's I've seen recently.

SOURCE: The Arts Fuse at 08:32AM
Tuesday, September 27, 2016

Fuse CD Review: Radius Ensemble’s Refreshing “Fresh Paint” by Jonathan Blumhofer

The disc offers a rewarding look at the work of four local composers and also showcases the members of Radius Ensemble in a warm, winning light.

SOURCE: The Arts Fuse at 12:22PM
Monday, September 19, 2016

Fuse Concert Review: Odyssey Opera’s Inspired Production of Dvořák’s “Dimitrij” by Jonathan Blumhofer

For my money, the biggest star on Friday night turned out to be none other than Antonin Dvořák.

SOURCE: The Arts Fuse at 08:20AM
Wednesday, September 14, 2016

Fuse Commentary/Preview: 2016 Fall Orchestral Season Overview by Jonathan Blumhofer

In the six years I’ve now been reviewing for the Fuse, I can honestly say that the 2016-17 season looks to be one of the liveliest in recent memory.

SOURCE: The Arts Fuse at 09:13AM
Friday, September 9, 2016

Fuse Music Interview: Preview/Interview with Gil Rose on Odyssey Opera’s “Dmitrij” by Jonathan Blumhofer

"Would I love to do these big operas in Symphony Hall? Yes. When I feel like I’ve got two-thousand people to attend, I’ll move over to Symphony Hall."

SOURCE: The Arts Fuse at 10:14AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic