All stories by John Byrne on BroadwayStars

Wednesday, January 24, 2018

Careers Clinic: Does online actor training work? by John Byrne

I hope you and your readers won’t think this is a silly or disrespectful question. I have always wanted to be an

SOURCE: The Stage Registration at 07:00AM
Tuesday, January 23, 2018

Impropera’s David Pearl: ‘My first job was a soloist at the Royal Opera. I was nine’ by John Byrne

My first job was as a soloist at the Royal Opera House, aged nine. That’s why people often tell me I started

SOURCE: The Stage Registration at 05:00AM

Diversity School Initiative’s Mumba Dodwell: ‘We need more forum theatre in today’s political climate’ by John Byrne

How did you start off in theatre? I moved to England just before I turned eight and always wanted to be an

SOURCE: The Stage Registration at 05:00AM
Tuesday, January 16, 2018

Actor Adele Oni: my first job taught me to ‘celebrate every audition, not be crippled by them’ by John Byrne

My first job was playing Barbara in an international theatre tour of the farce No Sex Please, We’re British. We toured Singapore

SOURCE: The Stage Registration at 06:23AM

Director Lucy Curtis: ‘There’s nothing more challenging or rewarding than making your own work’ by John Byrne

Where do you teach? Fourth Monkey Actor Training and a variety of other venues throughout the year. How did you start off

SOURCE: The Stage Registration at 06:12AM
Wednesday, January 10, 2018

Careers Clinic: How do I get my career back on track? by John Byrne

Like a lot of actors, I’m using the beginning of the year to review what has happened over the past 12 months

SOURCE: The Stage Registration at 07:44AM
Tuesday, January 9, 2018

Actor Sam Benjamin – ‘My first job taught me to stay playful, in rehearsals and on stage’ by John Byrne

My first job was in September 2009 playing a character called Toby in a piece of new writing called Glasshouse at the

SOURCE: The Stage Registration at 06:12AM

Actor Alexander Jeremy: ‘Improvisers are valued more in the US, but that might change’ by John Byrne

How did you start off in theatre? As many of us do: in school plays. I did a lot of shows at

SOURCE: The Stage Registration at 05:54AM
Wednesday, December 13, 2017

Careers Clinic: What should I do when I stop dancing? by John Byrne

I’ll be seeing yet another new year in as a dancer on a cruise ship somewhere in the Caribbean. I know that

SOURCE: The Stage Registration at 07:00AM
Tuesday, December 12, 2017

Cruise control: backstage opportunities at sea by John Byrne

Budding technicians tell John Byrne how honing their skills on the high seas has proved just as fruitful a career choice as

SOURCE: The Stage Registration at 10:05AM

Theatremaker Milly Rolle: ‘Chickenshed taught me to bring something of yourself to every project’ by John Byrne

My first job working in theatre was with Chickenshed. I began volunteering mid-2015 when I graduated from the University of East Anglia.

SOURCE: The Stage Registration at 05:00AM

LAMDA’s head of voice Judith Phillips: ‘All actors should be willing to transform’ by John Byrne

How did you start off in theatre? As an actor. What’s your best advice for acting students? Keep going, have faith, keep

SOURCE: The Stage Registration at 05:00AM
Wednesday, December 6, 2017

Careers Clinic: How can I make my festive show shine? by John Byrne

I started off as an all-singing, all-dancing stage school kid. At drama school, my interests developed in a somewhat different direction: towards

SOURCE: The Stage Registration at 07:00AM
Tuesday, December 5, 2017

Elif Knight’s first job – ‘Sometimes you are thrown in the deep, you have to be ready for anything’ by John Byrne

My first audition was when I was nine so good luck trying to get me to remember! I was going to Saturday

SOURCE: The Stage Registration at 06:05AM

Elizabeth Talbot, professor of movement: ‘Own your body, there’s a myth it belongs to others’ by John Byrne

How did you start off in theatre? I remember at eight being spellbound by the movement in a production of A Midsummer

SOURCE: The Stage Registration at 05:39AM
Wednesday, November 29, 2017

Careers Clinic: How can I benefit from a ‘small job’? by John Byrne

A press officer gave a guest talk at our drama school just before graduation. She told us the best time to start

SOURCE: The Stage Registration at 08:30AM

Robyn Grant: ‘Just before I went into my first audition, a pot of glitter exploded in my bag’ by John Byrne

My first audition came a few months after graduating. It had been quiet and suddenly I was self-taping for a big musical

SOURCE: The Stage Registration at 07:30AM

Robert Gordon: ‘In musical theatre, sing as part of an ongoing drama, not to show technical virtuosity’ by John Byrne

How did you start teaching musical theatre? I seized an opportunity in 2003 to introduce an MA in musical theatre that filled

SOURCE: The Stage Registration at 07:30AM

Not just for Christmas: theatre charities supporting the industry by John Byrne

Although this time of year is most associated with giving, numerous charitable organisations operate all year round. John Byrne explains how their

SOURCE: The Stage Registration at 05:12AM
Wednesday, November 22, 2017

Careers Clinic: How should I prepare as an understudy? by John Byrne

Over a longish career, I have never quite seen myself in the understudy role, but that’s exactly where I am at the

SOURCE: The Stage Registration at 07:00AM
Tuesday, November 21, 2017

My First Job: Actor Martin Delaney – ‘I learned what kindness looked like, and what it didn’t’ by John Byrne

My first ever job was in a musical theatre production of Peter Pan at the Cambridge Theatre, Covent Garden. It was my

SOURCE: The Stage Registration at 06:41AM

ALRA’s Dylan Stafford: ‘Embrace your uniqueness and it will get you that perfect acting job’ by John Byrne

How did you start off in theatre? I was involved in youth groups and studied a BA in performance at Northumbria. I

SOURCE: The Stage Registration at 06:36AM
Wednesday, November 15, 2017

My first job: Joan Iyiola – ‘I learnt the value of asking for help when I need it’ by John Byrne

My first job was in the 2012/13 winter season at the Royal Shakespeare Company. The shows were Boris Godunov, The Orphan of

SOURCE: The Stage Registration at 08:02AM

Vocal teacher Rosie Williamson: ‘My guru of musical theatre perfection is Julie Andrews’ by John Byrne

Rosie Williamson teaches at Arts Educational Schools London, the Sing Space and in her private vocal practice. She tells John Byrne about

SOURCE: The Stage Registration at 07:51AM
Tuesday, November 7, 2017

My First Job: Will Alder – ‘Don’t be afraid to put yourself out of your comfort zone’ by John Byrne

My first job was as sound designer and production manager for Bred in Heaven. It was for the Welsh company Frapetsus, directed

SOURCE: The Stage Registration at 12:49PM

Theatremaker and teacher John Wright: ‘Let playfulness become a discipline’ by John Byrne

The associate of Told by an Idiot and visiting director at the Royal Central School of Speech and Drama tells John Byrne

SOURCE: The Stage Registration at 12:36PM
Tuesday, October 31, 2017

My first job: Sukh Ojla – ‘Workshop auditions terrify me to this day’ by John Byrne

My first job was working for CragRats, doing a tour of schools in Milton Keynes and the surrounding areas with a play

SOURCE: The Stage Registration at 11:00AM

Theatre director, actor and coach Jeremy Stockwell – ‘Teachers need to encourage pro-activism and self-sufficiency by John Byrne

Jeremy Stockwell is an associate teacher at RADA. He tells John Byrne about his work… How did you start off in theatre?

SOURCE: The Stage Registration at 11:00AM
Monday, October 23, 2017

Movement director Polly Bennett: ‘We asked our friends to donate a play – the library now has 3,000’ by John Byrne

Polly Bennett co-founded support organisation the Mono Box. She tells John Byrne about her work… How did the Mono Box start? My

SOURCE: The Stage Registration at 10:00AM

Careers Clinic: Should I do a ‘scripted reality’ TV show? by John Byrne

Since starting work as an actor, I have come across new acting heroes. They might be less well known than the big

SOURCE: The Stage Registration at 09:11AM
Tuesday, October 17, 2017

James Issitt: ‘We need to develop the offer to students so that more northern and working-class actors can train’ by John Byrne

James Issitt is a senior lecturer in drama at the University of Cumbria. He tells John Byrne about his work… How did

SOURCE: The Stage Registration at 01:13PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic