All stories by John Byrne on BroadwayStars

Wednesday, June 27, 2018

NYT digital associate Ben Carlin: ‘When used well in theatre, digital tech is magic’ by John Byrne

How did you start off in theatre? Growing up in Cornwall, I was introduced to fantastic companies such as Kneehigh Theatre, O-region

SOURCE: The Stage Registration at 05:00AM

Director Paula Paz: ‘My first job taught me to be ready to say yes to opportunities’ by John Byrne

I was a 16-year-old dancer at Maria Gimenez Ballet in Spain – the youngest of the company and very shy. I was

SOURCE: The Stage Registration at 05:00AM
Wednesday, June 20, 2018

Careers Clinic: How can I move my career to the UK? by John Byrne

I hope you won’t mind giving some advice on UK theatre careers to somebody living on the other side of the world.

SOURCE: The Stage Registration at 07:00AM
Tuesday, June 19, 2018

Actor and coach Nicky Raby: ‘Make people-watching your number one hobby’ by John Byrne

How did you start off in theatre? School plays, a local dance school and youth theatre, and then National Youth Music Theatre.

SOURCE: The Stage Registration at 05:00AM

Burlesque performer Tempest Rose: ‘I had to learn how to entertain people sitting around me with my just my personality’ by John Byrne

My first burlesque job was in Kitten Club Burlesque Cabaret at underground burlesque club Volupte. I trained in musical theatre and had

SOURCE: The Stage Registration at 05:00AM
Tuesday, June 12, 2018

MTA principal Annemarie Lewis Thomas: ‘I don’t want my college to be some elitist institution’ by John Byrne

How did you start off in theatre?  I trained as a ballet accompanist back home in Swansea and then did a BA

SOURCE: The Stage Registration at 05:00AM

Radio presenter Angie Greaves: ‘Enjoy yourself and your audience will as well’ by John Byrne

My first presenting job was with Spectrum Radio. At the time I was working as a producer at Capital Radio. It was

SOURCE: The Stage Registration at 05:00AM
Tuesday, June 5, 2018

Writer Ade Solanke: ‘My first play taught me that fortune favours the brave’ by John Byrne

My first play was Pandora’s Box at the Arcola Theatre in London, produced by my own company Spora Stories. A planned production

SOURCE: The Stage Registration at 05:00AM

Performing arts technical tutor Tracy Thompson: ‘Be honest about what you know. It saves embarrassment and reduces risk’ by John Byrne

How did you start off in theatre? While studying psychology I joined the drama society. I then did a foundation degree in

SOURCE: The Stage Registration at 05:00AM
Tuesday, May 29, 2018

Actor James Hurn: ‘Nothing is ever handed to you. Never sit and wait for the phone to ring’ by John Byrne

My first job was at London’s Royal Court in a play called Clubbed Out. It was a three-hander directed by Rufus Norris.

SOURCE: The Stage Registration at 05:00AM

RADA joint head of video and digital design Nina Dunn: ‘Collaboration and innovation are key’ by John Byrne

How did you start in theatre? I translated my skills from broadcast design (TV and film) into the world of spatial video

SOURCE: The Stage Registration at 05:00AM
Wednesday, May 23, 2018

Careers Clinic: How do I tell my mum she’s not my manager? by John Byrne

My mum was a professional musical theatre actor back in the 1980s, and inspired me to go to stage school. Over the

SOURCE: The Stage Registration at 07:00AM
Tuesday, May 22, 2018

Improvisation tutor Luke Sorba: ‘Don’t focus on getting it right – focus on getting it done’ by John Byrne

How did you start off in theatre?  I started off at school, working on plays as an actor and writer. Then I

SOURCE: The Stage Registration at 05:00AM

Actor Hayley Tamaddon: ‘Since my first audition, I’ve always tried to be off book’ by John Byrne

My first professional job was Fame the Musical in 1997. It was for the UK tour with a West End transfer. I

SOURCE: The Stage Registration at 05:00AM
Monday, May 21, 2018

Offstage stars: careers in theatre behind the scenes by John Byrne

Many people looking to break into the industry are not aware of the great variety of skilled roles available. John Byrne talks

SOURCE: The Stage Registration at 08:00AM
Wednesday, May 16, 2018

Careers Clinic: What is good ‘follow-up’ etiquette for a theatre project? by John Byrne

In a recent Careers Clinic you responded to an actor who had what they thought was a positive agent meeting but then

SOURCE: The Stage Registration at 07:00AM
Tuesday, May 15, 2018

Royal Academy of Dance’s Michelle Groves: ‘Success never comes without hard work and effort’ by John Byrne

How did you start off in dance? As a four-year-old, I begged my parents to let me take dance classes after seeing

SOURCE: The Stage Registration at 05:00AM

Teunkie van der Sluijs: ‘You can break all the rules if your voice is authentic and message heartfelt’ by John Byrne

My first job was self-started. I directed Yasser, about a Palestinian actor playing Shylock and questioning identity and diasporic backgrounds. I raised

SOURCE: The Stage Registration at 05:00AM
Wednesday, May 9, 2018

Careers Clinic: Should I honour my Edinburgh Festival Fringe contract? by John Byrne

Since leaving drama school, I have done one commercial and some very small stage jobs. I don’t have an agent yet, but

SOURCE: The Stage Registration at 07:00AM
Tuesday, May 8, 2018

Scratch nights: helping emerging writers develop their craft by John Byrne

Faced with a dearth of opportunities to showcase their work, young theatremakers are taking matters into their own hands. They tell John

SOURCE: The Stage Registration at 08:00AM

Stage manager Phil Parrett: ‘Be kind and everything will be fine’ by John Byrne

My first job was in 2016 as stage manager, lighting and sound operator for In/Out (A Feeling) at the Hope Theatre in

SOURCE: The Stage Registration at 05:00AM

Royal Opera House stage technician Henry Desmond: ‘There’s pride in helping to make memories’ by John Byrne

How did you start off in theatre? I applied for the technical theatre apprenticeship at the Royal Opera House. I had looked

SOURCE: The Stage Registration at 05:00AM
Wednesday, May 2, 2018

Careers Clinic: Why did a prospective agent ‘ghost’ me? by John Byrne

I have been looking for a new agent and have had a few meetings over the last two weeks that all seemed

SOURCE: The Stage Registration at 07:00AM
Tuesday, May 1, 2018

Guildhall vice principal Ben Sumner: ‘There are lots of good jobs out there for people interested in backstage careers’ by John Byrne

How did you start off in theatre? A two-year diploma in stage management at Central School of Speech and Drama, then into

SOURCE: The Stage Registration at 05:00AM

Director Tinuke Craig: ‘As an assistant director, you’re the only person in rehearsals not doing the job you want to end up doing’ by John Byrne

My first professional theatre job was as assistant director to Lisa Spirling on Lou Ramsden’s play Hundreds and Thousands at Soho Theatre

SOURCE: The Stage Registration at 05:00AM
Wednesday, April 25, 2018

Careers Clinic: Which theatre course is right for me? by John Byrne

I’m looking at my options for studying theatre when I leave school. My interests cover acting and backstage work, so I am

SOURCE: The Stage Registration at 07:00AM
Tuesday, April 24, 2018

Sophie Eleni: ‘I got the job when I stopped caring what people thought’ by John Byrne

I was 10 when I got my first professional acting job. I’d been at a local stage school and some producers came

SOURCE: The Stage Registration at 05:00AM

Designer and lecturer Tina Bicat: ‘Design students need practical, technical skills to support their creative work’ by John Byrne

How did you start off in theatre? In the National Youth Theatre run by Michael Croft – a wonderful introduction to life

SOURCE: The Stage Registration at 05:00AM
Wednesday, April 18, 2018

Careers clinic: ‘Will they cast a star name over me?’ by John Byrne

After almost eight months since my last casting, I was starting to feel quite despondent, although it hasn’t been for a lack

SOURCE: The Stage Registration at 07:00AM
Tuesday, April 17, 2018

Director Paulette Randall: ‘My first job taught me to absorb as many experiences as possible’ by John Byrne

My first job came about because in my final year at drama school I wrote a play called Fishing. I hadn’t set

SOURCE: The Stage Registration at 05:00AM

Old Vic young person’s programme manager Naomi Lawson: ‘Kids need tenacity to succeed in theatre’ by John Byrne

How did you first get involved in theatre? I did an MA in playwriting and found myself becoming very interested in outreach.

SOURCE: The Stage Registration at 05:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic