The chips fall into place by the end of A Black and White Cookie, perhaps a bit too smoothly, but the path to the ending is well constructed and fascinating. Morgenstein has caught the nuanc…
SOURCE: www.theaterscene.net at 04:00PMIt may be a bit unfair, but there’s no escaping comparing "Notre Dame De Paris," currently exploding on the stage of the David H. Koch Theater at Lincoln Center, with its immensely popular…
SOURCE: www.theaterscene.net at 05:17PMPendleton, in a program note, assures us that "Alice" is not a retelling of Carroll’s book. Rather, he used some of the events and characters from the book, dividing the evening-length w…
SOURCE: www.theaterscene.net at 04:21PMIf you ever lived through the angst of an unrequited love, a romance impossible for one reason or another, then Billy Hipkins’ "Prince Charming, You’re Late" will hit the spot. Directe…
SOURCE: www.theaterscene.net at 10:00PM"The Rise and Fall, then Brief and Modest Rise Followed by a Relative Fall of…Jean Claude Van Damme as Gleaned by a Single Reading of His Wikipedia Page Months Earlier" is the brobdinagian…
SOURCE: www.theaterscene.net at 12:33PMFor the company’s director, Peter Boal, this short season was a homecoming of sorts. He was a principal dancer in the New York City Ballet which calls the David H. Koch its artistic home…
SOURCE: www.theaterscene.net at 04:46PMRomy Nordlinger has written and is performing the monodrama, "Garden of Alla: The Alla Nazimova Story," at the TheaterLab. Directed by Lorca Peress, "Garden of Alla" gives us this eccentri…
SOURCE: www.theaterscene.net at 02:03PMThe new work on the program, a world premiere, was “Hope Is the Thing with Feathers” by Michelle Manzanales, choreographed to John Lennon & Paul McCartney, Bob Marley, Harry Woods an…
SOURCE: www.theaterscene.net at 05:13PMKaliski attempts a clever conceit marrying "The Oresteia" characters to the modern tragic story of the homeless hordes. Does "The Oresteia" provide an effective jumping off point to explore …
SOURCE: www.theaterscene.net at 11:42PMDiriwachter is particularly skilled in writing working class vernacular. The Father and Tim speak the same language and he catches all the subtleties of decades of ups and downs. He also…
SOURCE: www.theaterscene.net at 03:59PMOrigin Theatre Company’s stark production of Kees Roorda’s A Kid Like Rishi is a totally involving Rashomon-like take on a real-life tragedy: In November of 2012, 17-year-old Rishi Cha…
SOURCE: www.theaterscene.net at 01:09PMTakiff is a skilled performer who never loses the audience no matter how angry or sardonic he gets. He is helped by the mood setting lighting of Elizabeth M. Stewart and the sound and vide…
SOURCE: www.theaterscene.net at 11:14AMAlison Leiby’s "Oh God, A Show About Abortion" is probably the most level-headed work about that much debated subject, perhaps too level-headed. While the United States is going through …
SOURCE: www.theaterscene.net at 03:45PMDeliriously and explicitly profane, Michael R. Jackson’s Pulitzer Prize winning musical, "A Strange Loop" has—unbelievably—made it to Broadway, produced by Playwrights Horizons, Page 7…
SOURCE: www.theaterscene.net at 10:36PMThis Broadway production, a godchild of a recent 2019 production at The Public Theater (directed by Leah C. Gardiner), is directed and choreographed by modern dance luminary Camille A. Brown…
SOURCE: www.theaterscene.net at 03:03PMThe final work was the world premiere of “Only One Will Rise,” a work by a new choreographer Olivier Tarpaga to a colorful score he co-wrote with Tim Motzer who was one of the three on s…
SOURCE: www.theaterscene.net at 11:46AMThe ubiquitous Billy Porter was given command of the most recent New York City Center Encores! presentation, the 1997 musical "The Life." His direction and re-interpretation of this tawdry…
SOURCE: www.theaterscene.net at 04:14PMDominique Morisseau’s "Confederates," her second play of her Signature Theatre Residency 5, is a clever, but overly talky dissertation on race, power and family. She offers the audience …
SOURCE: www.theaterscene.net at 02:02PMWho knew that Marshall McLuhan was such a nut? "The Medium," a dance-theater work conceived and directed by Anne Bogart puts McLuhan through her particular way of combining dance and words…
SOURCE: www.theaterscene.net at 12:04PMSongwriter Steve Earle, a three-time Grammy Award winner, returns providing homey, twangy music and acting as an understanding host/narrator. With charm that belies the depth of Coal Count…
SOURCE: www.theaterscene.net at 11:57PMWhether or not Tracy Weller’s "Hart Island" directly harkens back to Masters, it certainly has similarities, most particularly in its poetically rendered revelations of the underbelly of l…
SOURCE: www.theaterscene.net at 11:48PMBy far, the audience favorite was the world premiere “Time Spell,” an entertaining attempt at a hybrid of tap dancing (choreographed by Michelle Dorrance and Jillian Meyers) and ballet (…
SOURCE: www.theaterscene.net at 05:22PMA plea for understanding the pain of being Muslin-American, Sevan’s First Down at the 59E59 Theaters focuses on the plight of an adored football player who decides to kneel and pray during…
SOURCE: www.theaterscene.net at 02:27PMIn her selection of the movements and structure of "Four Quartets," Tamowitz chose to ignore the depth and imagery of the poems, producing a cool Merce Cunningham-like ballet that glided alo…
SOURCE: www.theaterscene.net at 10:27AMWheeldon and Pulitzer Award-winning playwright Lynn Nottage make every effort to hide the fact that MJ is a jukebox musical, despite the fact that the first notes of every song elicited loud…
SOURCE: www.theaterscene.net at 03:59PMWho knew that SPAM has figured so importantly in Korean and Korean-American cuisines? Jaime Sunwoo’s "Specially Processed American Me" tells that story and much more. "Specially Processe…
SOURCE: www.theaterscene.net at 12:55AMLet’s start with the best: The great Joshua Henry’s 11 o’clock number, “William’s Song,” a gut-wrenching revelatory song sung by the title character’s emotionally distant fat…
SOURCE: www.theaterscene.net at 04:31PMThe New Yiddish Rep’s (David Mandelbaum, artistic director) production of the Yiddish language "Di Froyen (The Women)" is a bittersweet, anger-inducing portrait of modern day Chasid women …
SOURCE: www.theaterscene.net at 08:23PMTurning the plight of New York City’s homeless into a game is an iffy proposition to say the least. At best, the audience for the theatrical effort, "Addressless: A Walk in Our Shoes," l…
SOURCE: www.theaterscene.net at 10:18AMHe used the gimmick of preparing to perform the very show he was performing for his audience in the Cabaret Theater of the Theater for the New City; but by the end of his fascinating and gru…
SOURCE: www.theaterscene.net at 01:45PMParsons’ first work on the program was the tour de force solo “Balance of Power” performed by the phenomenal Zoey Anderson. Clad in Barbara Erin Delo’s brilliantly colored tight co…
SOURCE: www.theaterscene.net at 02:40PM