All stories by Jan Simpson on BroadwayStars

Wednesday, December 7, 2011

This "Cherry Orchard" Needs Some Weeding by Jan Simpson

 Repertory companies were once mainstays of the theater but, with rare exceptions like Britain’s Royal Shakespeare Company, they’re become rarities nowadays. It’s just too expensi…

SOURCE: Broadway & Me at 06:59AM
Saturday, December 3, 2011

"Private Lives" is Just Lively Enough by Jan Simpson

Like every exclusive society, the world of theater lovers has its unspoken rules.  For starters, we’re all supposed to genuflect to everything by Shakespeare, mostly everything by Che…

SOURCE: Broadway & Me at 11:59AM
Wednesday, November 30, 2011

"Maple and Vine" Needs Some Pruning by Jan Simpson

photo by Joan Marcus Everybody knows that theater is a collaborative art, with its elements—the acting, the directing, the design, lighting and the play itself—all leaning on one anothe…

SOURCE: Broadway & Me at 10:59AM
Saturday, November 26, 2011

Why "Blood and Gifts" Is a Sure-Fire Keeper by Jan Simpson

You gotta love the folks at Lincoln Center Theater.  Or at least I do.  Artistic director André Bishop and executive producer Bernard Gersten do what too few of their not-for-prof…

SOURCE: Broadway & Me at 08:59AM
Wednesday, November 23, 2011

Is "Wild Animals You Should Know" Too Tame? by Jan Simpson

Theater doesn’t exist in a vacuum.  A show like The Agony and the Ecstasy of Steve Jobs took on a different meaning after the Apple co-founder’s death.  And Wild Animals You Sh…

SOURCE: Broadway & Me at 11:59AM
Saturday, November 19, 2011

A Love Affair with "Venus in Fur" by Jan Simpson

My husband K is in love with the actress Nina Arianda.  Which is OK with me because—like every other true theater lover in New York right now—I, too, am in love with Arianda, the st…

SOURCE: Broadway & Me at 12:59PM
Wednesday, November 16, 2011

"The Mountaintop" is More of a Molehill by Jan Simpson

Katori Hall became the first African-American woman to win the Olivier Award for Best New Play when The Mountaintop, her meditation on the last night in Martin Luther King Jr.’s life, play…

SOURCE: Broadway & Me at 10:59AM
Saturday, November 12, 2011

This "King Lear" is Listless by Jan Simpson

There’s not much scenery on the stage at The Public Theater’s Newman theater space where a new production of King Lear opened this week but that doesn’t stop nearly everyone on stage f…

SOURCE: Broadway & Me at 09:52AM
Wednesday, November 9, 2011

"Queen of the Mist" Has Moments of Greatness by Jan Simpson

No matter how talented they are, ample-bodied and strong-featured actresses like Mary Testa usually play the funny best friend or the sassy sidekick instead of the leading lady.  And so…

SOURCE: Broadway & Me at 08:59AM
Saturday, November 5, 2011

"Asuncion" Offers Too Many Glib Assumptions by Jan Simpson

Maybe I’m the wrong demographic for Asuncion, the new play by Jesse Eisenberg that just opened in a Rattlestick Playwrights Theater production at the venerable Cherry Lane Theatre.  O…

SOURCE: Broadway & Me at 08:59AM
Wednesday, November 2, 2011

"Relatively Speaking" Has Nothing New to Say by Jan Simpson

Lots of people seem almost angry that they don’t like Relatively Speaking, the trio of one-act comedies now playing at the Brooks Atkinson Theatre. It averaged a  D+ on StageGrade, wh…

SOURCE: Broadway & Me at 06:59AM
Saturday, October 29, 2011

"The Agony and the Ecstasy of Steve Jobs" isn't as Agonizing nor Ecstatic as it Aims to Be by Jan Simpson

Cynics have long said that dying young can be a career boost in show business.  But I doubt that even the most sardonic of them meant that the good fortune would redound on someone othe…

SOURCE: Broadway & Me at 09:40AM
Wednesday, October 26, 2011

"Milk Like Sugar" is a Bittersweet Treat by Jan Simpson

There’s an audience for Milk Like Sugar, the new play by Kirstin Greenidge that’s currently playing at Playwrights Horizons. But it's clearly not for everyone. About half way through thi…

SOURCE: Broadway & Me at 09:58AM
Saturday, October 22, 2011

Singing Hallelujah for "Sons of the Prophet" by Jan Simpson

The New York Times critic Charles Isherwood has declared that Stephen Karam’s new play Sons of the Prophet is “the first important new play of the fall season.” That’s quite a compli…

SOURCE: Broadway & Me at 09:00AM
Wednesday, October 19, 2011

"We Are Here" Ends Up Nowhere by Jan Simpson

It’s not every young playwright who makes her New York debut at the Manhattan Theatre Club.  Or who has that play directed by the hot- director-of-the-moment Sam Gold. Or designed by …

SOURCE: Broadway & Me at 08:59AM
Saturday, October 15, 2011

"Man and Boy" Isn't Ballsy Enough by Jan Simpson

There are at least three obvious reasons that may have prompted the Roundabout Theatre Company to revive Man and Boy, the 1963 drama by the British playwright Terence Rattigan, which opened …

SOURCE: Broadway & Me at 04:30PM
Wednesday, October 12, 2011

"The Lyons" Can't Roar Cause It's Toothless by Jan Simpson

People see plays for all kinds of reasons.  I was excited about The Lyons because I wanted to see what made Linda Lavin turn down chances to reprise her terrific performances in two hig…

SOURCE: Broadway & Me at 07:59AM
Saturday, October 8, 2011

Autumn, The Algonquin and Other Reveries by Jan Simpson

Not much seen this week—at least not that I can yet write about since I try to keep the opening night embargo that shows ask reviewers to observe.  Besides, it’s promising to be a b…

SOURCE: Broadway & Me at 09:03AM
Wednesday, October 5, 2011

Why "Dreams of Flying Dreams of Falling" Flies by Jan Simpson

I’m going to be honest with you.  I had no idea what to make of Dreams of Flying Dreams of Falling, the new Adam Rapp play that the Atlantic Theater Company, its own facilities under …

SOURCE: Broadway & Me at 08:59AM
Saturday, October 1, 2011

A "Lemon Sky" That isn't Vivid Enough by Jan Simpson

Playwrights usually write memory plays at the beginning of their careers, as Tennessee Williams did with The Glass Menagerie and Dylan Thomas with Under Milk Wood. But Lanford Wilson already…

SOURCE: Broadway & Me at 08:59AM
Wednesday, September 28, 2011

"The Submission": Sound and Fury About Race by Jan Simpson

The producers of The Submission initially attempted to stir up buzz by suggesting that one character’s identity should be kept secret until people saw the play.  But they didn’t nee…

SOURCE: Broadway & Me at 08:57AM
Saturday, September 24, 2011

A "Follies" That Actually Earns Its Applause by Jan Simpson

Sweeney Todd may be Stephen Sondheim’s masterpiece but Follies is his most beloved show. There have been at least a dozen major productions since this highly conceptual musical first debut…

SOURCE: Broadway & Me at 08:58AM
Saturday, September 17, 2011

Why "Sweet and Sad" Left Me Feeling Sour by Jan Simpson

They say that all politics is local.  But that doesn’t mean it has to be banal.  And, alas, the latter turns out to be the case with Sweet and Sad, the new play by Richard Nelson…

SOURCE: Broadway & Me at 11:43AM
Wednesday, September 14, 2011

"The Select" is Too Eclectic for Its Own Good by Jan Simpson

Cleverness can be its own curse.  Elevator Repair Service became a critics’ darling with Gatz, the experimental company’s dramatized reading of the full text of F. Scott Fitzgerald�…

SOURCE: Broadway & Me at 07:58AM
Saturday, September 10, 2011

My Annual Idiosyncratic Fall Theater Preview by Jan Simpson

This time of year is always bittersweet.  Labor Day has come and gone, which means that while summer doesn’t end until Sept. 23, the golden days of my favorite season are fast dwindli…

SOURCE: Broadway & Me at 07:58AM
Wednesday, September 7, 2011

"Completeness" is Chock Full of Smart Stuff by Jan Simpson

Everyone has their biases.  Mine is against what I’ve taken to calling yuppie tragedy: plays in which really great looking, really smart and usually really well-off people with really…

SOURCE: Broadway & Me at 07:57AM
Saturday, September 3, 2011

A Labor Day Ovation for All the Real Bit Players by Jan Simpson

My Labor Day weekend post is usually a salute to the people who work hard to make the shows we all love.  Past tributes have been to struggling playwrights and blue-collar actors. …

SOURCE: Broadway & Me at 07:59AM
Saturday, August 27, 2011

Rent Needs More of a Renovation by Jan Simpson

Michael Greif is one of the reigning architects of new musicals. He helped to create Grey Gardens and Next to Normal. And, of course, he did the original production of Rent.  Still, I wish …

SOURCE: Broadway & Me at 04:40PM

"Olive and the Bitter Herbs" isn't Tart Enough by Jan Simpson

Is there a perfect time to see a show?  Professional critics go to special press nights before a show opens so that they can tell the rest of us if it’s worth checking out. Those of u…

SOURCE: Broadway & Me at 07:58AM
Wednesday, August 24, 2011

"Chasing Heaven" Falls a Little Short of its Goal by Jan Simpson

Talent counts in the theater but luck matters too. There are nearly 200 shows in this summer’s  New York International Fringe Festival and the challenge for their creators is to find …

SOURCE: Broadway & Me at 08:59AM
Saturday, August 20, 2011

"Death Takes a Holiday" Isn't Much Fun by Jan Simpson

Death was indeed on a holiday the first time I tried to see the new chamber musical Death Takes a Holiday that has been playing this summer at the Roundabout Theatre Company’s Laura Pels T…

SOURCE: Broadway & Me at 10:58AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic