Since her breakout in the 1960s, she’s been able to convince the world around her to listen — not by chasing trends but by remaining always and fully herself.
SOURCE: The New York Times Subscription at 05:18AMAyad Akhtar’s play portrays the financial excesses of the 1980s — part of what he calls “a collapse of a collective vision” of America — in ways that evoke unsettling new thoughts.
SOURCE: The New York Times Subscription at 11:18AMDynamic pricing has come to air travel, hotel rooms and sports events, so why not a $1,450 theater seat? But (spoiler alert!) you can still come out ahead.
SOURCE: The New York Times Subscription at 10:18AMOn February 26, 2014, Peter Gelb, the general manager of the Metropolitan Opera, entered the Met’s boardroom to address a group that included a nine-member committee of the Met orchestra, …
SOURCE: The New Yorker Subscription at 12:00AMA fundamental premise of successful investing is “sell high, buy low.” So what explains the New York City Opera board’s decision to do the opposite?
SOURCE: The New York Times Subscription at 08:33PM