All stories by George Hunka on BroadwayStars

Thursday, June 14, 2012

Here and there by George Hunka

Howard Sherman considers — then rejects — the idea of a US national theatre, not least because we already have one, he says. “Despite protestations to the contrary, America…

SOURCE: Superfluities Redux at 09:17AM
Wednesday, June 13, 2012

Howard Brenton on the Freedom Theatre by George Hunka

In the Guardian yesterday, British dramatist Howard Brenton urged readers to “stand up for the West Bank’s Freedom Theatre.” Brenton wrote: The Freedom Theatre began as a c…

SOURCE: Superfluities Redux at 02:26PM
Tuesday, June 12, 2012

The doofus documentarian by George Hunka

Perhaps because their European origins give them outsider status, Werner Herzog and Nick Broomfield are the most incisive, intriguing filmmakers producing documentaries about American life t…

SOURCE: Superfluities Redux at 09:11AM
Monday, June 11, 2012

Letters, he sent letters by George Hunka

While the biographies by the Gelbs and Louis Sheaffer are standard references in regard to the dramatist, I am spending some time of late paging through Travis Bogard and Jackson R. Bryer…

SOURCE: Superfluities Redux at 08:41AM
Sunday, June 10, 2012

Beyond the Horizon and the struggle towards Expressionism by George Hunka

Written 1918; first produced 3 February 1920 at the Morosco Theatre on Broadway; closed May 1920 after 111 performances. Directed by Homer Saint-Gaudens; produced by John D. Williams. With R…

SOURCE: Superfluities Redux at 12:13PM
Friday, June 8, 2012

A Tony-related post by George Hunka

In my only nod to this Sunday’s Tony awards, I pass along this quote from Jan Maxwell, who this year is nominated as lead actress in a musical for her performance in Follies. In this a…

SOURCE: Superfluities Redux at 02:29PM

Friday video: Art, truth, and politics by George Hunka

“Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit,” William Faulkner said …

SOURCE: Superfluities Redux at 08:31AM
Thursday, June 7, 2012

When political theatre is dangerous by George Hunka

I should note here, because I’ve been writing more than usual about political theatre recently, that in many parts of the world theatre can be dangerous indeed — even children…

SOURCE: Superfluities Redux at 11:16AM

Links here and there by George Hunka

From other shores … Howard Sherman is requesting your assistance in compiling a list — or, really, a list-of-lists — of the “Ten Most Important Contemporary Plays,…

SOURCE: Superfluities Redux at 09:02AM
Wednesday, June 6, 2012

From the archives: The Iceman Cometh by Eugene O’Neill by George Hunka

The salesman has been a central character of post-war American drama from Death of a Salesman to Glengarry Glen Ross. He has been treated somewhat impertinently, of course: deluded and desti…

SOURCE: Superfluities Redux at 08:50AM
Tuesday, June 5, 2012

The two theatres by George Hunka

I must say I never expected the names of the self-described feminist critic Jill Dolan of The Feminist Spectator and Howard Barker, often accused of misogyny, to be mentioned in the same bre…

SOURCE: Superfluities Redux at 12:08PM

Barker in Wales and in verse by George Hunka

Later this month the arts center Chapter in Cardiff, Wales, will present a mini-season of recent Howard Barker plays from both established and new independent companies. Opening on Tuesday 1…

SOURCE: Superfluities Redux at 08:25AM
Monday, June 4, 2012

The Two Gentlemen of Verona by George Hunka

Probably 1590–1. Text: The Two Gentlemen of Verona, edited by Roger Warren. Oxford and New York: Oxford University Press, 2008. The power of erotic desire to transform the self and undermi…

SOURCE: Superfluities Redux at 08:12AM
Friday, June 1, 2012

Wesker at 80 by George Hunka

Speaking of older playwrights, I’m not sure how NPR celebrates significant birthdays of American dramatists, though it may do so to the extent that American television, cable or broadc…

SOURCE: Superfluities Redux at 12:36PM

Old writers festival by George Hunka

The theatre is increasingly kind to the young, writes Michael Billington in a recent essay at the Guardian about young dramatists. Casting a cheerful and positive eye over the twenty-somethi…

SOURCE: Superfluities Redux at 06:25AM
Thursday, May 31, 2012

Scenes from an Execution at the National Theatre by George Hunka

The National Theatre in London has just announced further details about their upcoming production of Howard Barker’s Scenes from an Execution, which will open on 27 September in the NT…

SOURCE: Superfluities Redux at 05:36AM
Friday, May 25, 2012

From the archives: Crisis and melancholy by George Hunka

Originally filed in August 2011. In regard to the last paragraph, Mark Nixon’s excellent monograph Samuel Beckett’s German Diaries 1936–1937 was recently published by Continuum…

SOURCE: Superfluities Redux at 08:27AM
Wednesday, May 23, 2012

Across the pond by George Hunka

Fewer than half of my readers reside in the United States, say my statistics; most of them appear to be from Europe, first the UK followed by France, then Germany, then the lovely towns and …

SOURCE: Superfluities Redux at 12:05PM
Tuesday, May 22, 2012

In the mailbox by George Hunka

The ladies and gentlemen of the United States Postal Service dropped the new issue of PAJ: A Journal of Performance and Art in my mailbox yesterday, and Bonnie Marranca curates a fine collec…

SOURCE: Superfluities Redux at 08:48AM
Monday, May 21, 2012

Hell and Dr. House by George Hunka

A friendly correspondent writes me to take issue with my flippant, blanket dismissal of the Occupy movement at the bottom of a rather lengthier post yesterday. Unfortunately it’s Monda…

SOURCE: Superfluities Redux at 08:50AM
Sunday, May 20, 2012

One for the good guys by George Hunka

Good news comes along too rarely to let it go without comment, so here’s a bit. Last 31 December, President Barack Obama signed a piece of legislation to warm Home Secretary Orbison…

SOURCE: Superfluities Redux at 12:57PM
Friday, May 18, 2012

Dietrich Fischer-Dieskau (1925-2012) by George Hunka

This morning brings news of the death of Dietrich Fischer-Dieskau, who would have been 87 in just ten days. The Guardian has an obituary here; below, a YouTube video of the great lieder mast…

SOURCE: Superfluities Redux at 11:55AM

Upcoming: Steve Burns in Matt Freeman’s “Confess Your Bubble” by George Hunka

If you can manage it, you should take the hike out to Brooklyn’s Brick next month for Matthew Freeman‘s new show, Confess Your Bubble, a monologue written for the Brick’s s…

SOURCE: Superfluities Redux at 09:01AM
Thursday, May 17, 2012

From the archives: A comfortable night at the theatre with the New York Times by George Hunka

First published on 7 April 2011. From Ben Brantley’s “The Joys of Feel-Bad Drama,” in today’s New York Times: Still, more than three decades after it was written, [Wa…

SOURCE: Superfluities Redux at 03:25PM

Upcoming: “Serious Money” and “Monster” from PTP/NYC by George Hunka

It’s always a pleasure to welcome the annual summer visits of the Potomac Theatre Project to New York. This year, the company will offer Neal Bell’s Monster, an adaptation of the…

SOURCE: Superfluities Redux at 09:26AM
Wednesday, May 16, 2012

Political theatre and wasting time by George Hunka

Lyn Gardner pointed the way to Dennis Kelly’s speech “Why political theatre is a complete fucking waste of time” the other day, and despite that sensational title the speec…

SOURCE: Superfluities Redux at 09:16AM
Tuesday, May 15, 2012

Notes from here and there by George Hunka

British playwright Dennis Kelly, whose musical adaptation of the Roald Dahl novel Matilda is scheduled to land on Broadway next year following a triumphant run at the the Royal Shakespeare C…

SOURCE: Superfluities Redux at 12:31PM
Monday, May 14, 2012

Fifteen hours by George Hunka

There are now 15 hours left in the LuckyAnt fundraising drive to save the Living Theatre. The campaign seeks to raise $24,000, which would permit the group “to pay its rent, bring in a…

SOURCE: Superfluities Redux at 08:47AM
Friday, May 11, 2012

Friday video: Made by George Hunka

Howard Barker’s 1970 play No One Was Saved formed the basis of Made, a 1972 film directed by John Mackenzie and starring Roy Harper and Carol White; Barker himself wrote the screenplay…

SOURCE: Superfluities Redux at 08:24AM
Thursday, May 10, 2012

Howard Barker: Credentials of a Sympathiser (First produced in 1979) by George Hunka

Television play in 25 scenes. Unproduced in that medium; first performed in the season “Plays Television Would Not Do” at the RSC Warehouse Theatre, 21 February 1979. Directed by…

SOURCE: Superfluities Redux at 12:44PM
Wednesday, May 9, 2012

Political theatre in dark times by George Hunka

Two of the most critically and commercially successful theatre productions in the United States currently are the Broadway revival of Arthur Miller’s Death of a Salesman and the Goodma…

SOURCE: Superfluities Redux at 08:54AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic