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From the archives: The Iceman Cometh by Eugene O'Neill by George Hunka

The salesman has been a central character of post-war American drama from Death of a Salesman to Glengarry Glen Ross. He has been treated somewhat impertinently, of course: deluded and destined for failure, but somehow emblematic of the Protestant ethic … Continue reading →

SOURCE: Superfluities Redux at 08:50AM on June 6, 2012

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