Wednesday, April 14, 2021
Friday, April 9, 2021
Casel’s joyful and generous spirit is as vivid as ever in a new virtual presentation by the Joyce Theater.
Linked From The New York Times Subscription at 12:30PMWednesday, April 7, 2021
The Brooklyn Academy of Music presented its first live performance in more than a year: Le Patin Libre, a contemporary skating company.
Linked From The New York Times Subscription at 02:13PMWednesday, March 24, 2021
Alexei Ratmansky returns to the stage with a playful Bernstein ballet, while Netta Yerushalmy revives a darker moment in time.
Linked From The New York Times Subscription at 02:14PMThursday, March 18, 2021
“American Masters: Twyla Moves,” a new PBS documentary, is also a portrait of a singular dancer over time.
Linked From The New York Times Subscription at 10:00AMWednesday, March 10, 2021
An elite male principal. A veteran ballerina. A rising apprentice. Three dancers talk about life and work during the pandemic.
Linked From The New York Times Subscription at 11:08AMMonday, March 8, 2021
Friday, March 5, 2021
Friday, January 15, 2021
Why is it so hard to show the dance world as it is? This Netflix series about students at a ballet school is yet another cartoonish depiction.
Linked From The New York Times Subscription at 11:44AMTuesday, December 15, 2020
Discipline and abandon gave the dancer an ingrained elegance, an internal organization of the body that you sense even when it’s not pronounced.
Linked From The New York Times Subscription at 01:04PMThursday, April 9, 2020
Heather Lang and Ebony Williams of “Jagged Little Pill,” talk about their work on Broadway and dealing with life on pause.
Linked From The New York Times Subscription at 10:32AMMonday, February 24, 2020
Anne Teresa De Keersmaeker’s dances for the Broadway revival swarm and sweep, but Robbins’s choreography was something more central: the libretto.
Linked From The New York Times Subscription at 03:06PMWednesday, November 20, 2019
Alexandria Wailes deftly weaves choreography and American Sign Language in Ntozake Shange’s “For Colored Girls.”
Linked From The New York Times Subscription at 01:54PMTuesday, November 5, 2019
Ephrat Asherie collaborates with her jazz pianist brother to place Ernesto Nazareth’s music in a world of breaking, house, hip-hop and vogue.
Linked From The New York Times Subscription at 01:03PMFriday, September 20, 2019
In Elizabeth Streb and Anne Bogart’s “Falling & Loving,” dancers and actors share the stage with the Guck Machine, which emits a waterfall of food andother objects.
Linked From The New York Times Subscription at 03:03PMThursday, July 25, 2019
Tuesday, June 11, 2019
Raja Feather Kelly, who has left his mark on several Off Broadway shows, specializes in what he calls “virtuosic behavior.”
Linked From The New York Times Subscription at 12:06PMWednesday, May 29, 2019
Standard or (worse yet) slight fare gets nominated for best choreography while quality work — “Oklahoma!,”“The Prom” — goes unrecognized. An exception: Camille A. Brown’s dance…
Linked From The New York Times Subscription at 08:06AMTuesday, May 14, 2019
The choreographer and performance artist Ann Liv Young is using her Bushwick apartment — and her daughters and animals — in her version of “Antigone.”
Linked From The New York Times Subscription at 01:54PMTuesday, April 16, 2019
The choreographer John Heginbotham and the director Daniel Fish want the dance to “change the way we experience the show.”
Linked From The New York Times Subscription at 12:39PMTuesday, March 19, 2019
The wife-and-husband team of Sara Mearns and Joshua Bergasse talk about working together on “I Married an Angel” for Encores! Reader, she Lindy Hops.
Linked From The New York Times Subscription at 12:47PMSunday, March 17, 2019
Gaspar Noé’s “Climax” is the latest movie to push the ecstatic, frightening qualities of dance into horror. A body holds plenty of space for terror.
Linked From The New York Times Subscription at 11:40AMWednesday, February 13, 2019
The choreographer Camille A. Brown deftly uses the tradition of step to add “a heartbeat to the story” of Tarell Alvin McCraney’s musical play, now on Broadway.
Linked From The New York Times Subscription at 12:24PMTuesday, December 18, 2018
A talk with the director and choreographer Casey Nicholaw: “The world has gotten so serious. It’s time to be on a dance floor together.”
Linked From The New York Times Subscription at 12:18PMTuesday, August 21, 2018
Amar Ramasar, Brittany Pollack and Craig Salstein get a chance to stretch on Broadway. With Justin Peck, they talk about the challenges and rewards.
Linked From The New York Times Subscription at 01:18PMThursday, June 21, 2018
Using intricate choreography and cues, the Angel Shadows — dancers and puppeteers — propel the Angel into the air and operate her heavy wings.
Linked From The New York Times Subscription at 10:18AMWednesday, October 25, 2017
They tried early spring, late spring and Harvey Weinstein. But the Rockettes have yet to create a warm-weather franchise to rival their Christmas show.
Linked From The New York Times Subscription at 02:18PMTuesday, December 13, 2016
The choreographer Mandy Moore worked on Damien Chazelle’s movie musical. Among her jobs: teaching Emma Stone and Ryan Gosling how to dance.
Linked From The New York Times Subscription at 11:35AMTuesday, August 2, 2016
Ms. Pazcoguin, a soloist with the New York City Ballet, plays the elegant Victoria in the current revival of “Cats” on Broadway.
Linked From The New York Times Subscription at 10:37AMSunday, July 31, 2016
Christopher Wheeldon’s adaptation of this Shakespearean romance, performed by the National Ballet of Canada, is part of the Lincoln Center Festival.
Linked From The New York Times Subscription at 12:22PMWednesday, February 17, 2016
The choreographer Christopher Gattelli’s “No Dames!” number in the film offered Mr. Tatum a showcase and took him out of his comfort zone.
Linked From The New York Times Subscription at 06:10PM 
