In a haunting new digital work, “Whale Fall,” Mayfield Brooks mourns Black bodies.
Linked From The New York Times Subscription at 09:23AMCasel’s joyful and generous spirit is as vivid as ever in a new virtual presentation by the Joyce Theater.
Linked From The New York Times Subscription at 12:30PMThe Brooklyn Academy of Music presented its first live performance in more than a year: Le Patin Libre, a contemporary skating company.
Linked From The New York Times Subscription at 02:13PMAlexei Ratmansky returns to the stage with a playful Bernstein ballet, while Netta Yerushalmy revives a darker moment in time.
Linked From The New York Times Subscription at 02:14PM“American Masters: Twyla Moves,” a new PBS documentary, is also a portrait of a singular dancer over time.
Linked From The New York Times Subscription at 10:00AMAn elite male principal. A veteran ballerina. A rising apprentice. Three dancers talk about life and work during the pandemic.
Linked From The New York Times Subscription at 11:08AMLauren Lovette, the New York City Ballet principal, is retiring from the company but not from dance.
Linked From The New York Times Subscription at 01:53PMWith performances on pause, many dancers are rethinking their relationship to weight.
Linked From The New York Times Subscription at 03:03PMWhy is it so hard to show the dance world as it is? This Netflix series about students at a ballet school is yet another cartoonish depiction.
Linked From The New York Times Subscription at 11:44AMDiscipline and abandon gave the dancer an ingrained elegance, an internal organization of the body that you sense even when it’s not pronounced.
Linked From The New York Times Subscription at 01:04PMHeather Lang and Ebony Williams of “Jagged Little Pill,” talk about their work on Broadway and dealing with life on pause.
Linked From The New York Times Subscription at 10:32AMAnne Teresa De Keersmaeker’s dances for the Broadway revival swarm and sweep, but Robbins’s choreography was something more central: the libretto.
Linked From The New York Times Subscription at 03:06PMAlexandria Wailes deftly weaves choreography and American Sign Language in Ntozake Shange’s “For Colored Girls.”
Linked From The New York Times Subscription at 01:54PMEphrat Asherie collaborates with her jazz pianist brother to place Ernesto Nazareth’s music in a world of breaking, house, hip-hop and vogue.
Linked From The New York Times Subscription at 01:03PMIn Elizabeth Streb and Anne Bogart’s “Falling & Loving,” dancers and actors share the stage with the Guck Machine, which emits a waterfall of food andother objects.
Linked From The New York Times Subscription at 03:03PMIn Al Blackstone’s show, the songs are what set the characters on their journey, not the steps.
Linked From The New York Times Subscription at 03:06PMRaja Feather Kelly, who has left his mark on several Off Broadway shows, specializes in what he calls “virtuosic behavior.”
Linked From The New York Times Subscription at 12:06PMStandard or (worse yet) slight fare gets nominated for best choreography while quality work — “Oklahoma!,”“The Prom” — goes unrecognized. An exception: Camille A. Brown’s dance…
Linked From The New York Times Subscription at 08:06AMThe choreographer and performance artist Ann Liv Young is using her Bushwick apartment — and her daughters and animals — in her version of “Antigone.”
Linked From The New York Times Subscription at 01:54PMThe choreographer John Heginbotham and the director Daniel Fish want the dance to “change the way we experience the show.”
Linked From The New York Times Subscription at 12:39PMThe wife-and-husband team of Sara Mearns and Joshua Bergasse talk about working together on “I Married an Angel” for Encores! Reader, she Lindy Hops.
Linked From The New York Times Subscription at 12:47PMGaspar Noé’s “Climax” is the latest movie to push the ecstatic, frightening qualities of dance into horror. A body holds plenty of space for terror.
Linked From The New York Times Subscription at 11:40AMThe choreographer Camille A. Brown deftly uses the tradition of step to add “a heartbeat to the story” of Tarell Alvin McCraney’s musical play, now on Broadway.
Linked From The New York Times Subscription at 12:24PMA talk with the director and choreographer Casey Nicholaw: “The world has gotten so serious. It’s time to be on a dance floor together.”
Linked From The New York Times Subscription at 12:18PMAmar Ramasar, Brittany Pollack and Craig Salstein get a chance to stretch on Broadway. With Justin Peck, they talk about the challenges and rewards.
Linked From The New York Times Subscription at 01:18PMUsing intricate choreography and cues, the Angel Shadows — dancers and puppeteers — propel the Angel into the air and operate her heavy wings.
Linked From The New York Times Subscription at 10:18AMThey tried early spring, late spring and Harvey Weinstein. But the Rockettes have yet to create a warm-weather franchise to rival their Christmas show.
Linked From The New York Times Subscription at 02:18PMThe choreographer Mandy Moore worked on Damien Chazelle’s movie musical. Among her jobs: teaching Emma Stone and Ryan Gosling how to dance.
Linked From The New York Times Subscription at 11:35AMMs. Pazcoguin, a soloist with the New York City Ballet, plays the elegant Victoria in the current revival of “Cats” on Broadway.
Linked From The New York Times Subscription at 10:37AMChristopher Wheeldon’s adaptation of this Shakespearean romance, performed by the National Ballet of Canada, is part of the Lincoln Center Festival.
Linked From The New York Times Subscription at 12:22PMThe choreographer Christopher Gattelli’s “No Dames!” number in the film offered Mr. Tatum a showcase and took him out of his comfort zone.
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