Wednesday, July 2, 2025
Christopher Wheeldon’s lengthy “The Winter’s Tale,” a ballet based on the Shakespeare play, is filled with bad behavior but also love and forgiveness.
SOURCE: The New York Times Subscription at 12:31PMWednesday, June 25, 2025
The Russian ballerina Olga Smirnova lit up the start of the company’s six-week summer season. She wasn’t alone.
SOURCE: The New York Times Subscription at 05:01AMMonday, June 16, 2025
Garcia, a former principal at New York City Ballet and San Francisco Ballet, takes over as Miami City celebrates its 40th anniversary.
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Our critics picked 10 performances that have offered a robust alternative to the here and now with a tonic of beauty, rage and wisdom.
SOURCE: The New York Times Subscription at 05:00AMFriday, June 13, 2025
Lexee Smith, who works closely with Addison Rae, is an outlier: a commercial dance artist with an experimental bent.
SOURCE: The New York Times Subscription at 05:00AMWednesday, June 11, 2025
In “The Life of Chuck,” the actor known for spontaneous eruptions of joyful movement, lets loose with a feast of footwork.
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The Taylor company revives “Churchyard,” a forgotten gem from 1969 that shifts from angelic to ferocious as it cycles from life to death.
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Copeland, the first Black female principal at American Ballet Theater, has announced she’s retiring. She made history, and then made it count.
SOURCE: The New York Times Subscription at 05:01AMThursday, June 5, 2025
The spring season of New York City Ballet didn’t seem to warrant much excitement — until it did, with a rush of dynamic debuts.
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The tap choreographer and dancer returns to the Joyce Theater with “The Remix,” a glorious gathering of artists, sound and soul.
SOURCE: The New York Times Subscription at 12:09PMWednesday, May 28, 2025
It could be that the youngest dancers are the real stars of “A Midsummer Night’s Dream” at New York City Ballet.
SOURCE: The New York Times Subscription at 11:00AMMonday, May 26, 2025
Amy Sherman-Palladino’s new series, created with her husband, takes ballet somewhere it doesn’t usually go: the world of comedy.
SOURCE: The New York Times Subscription at 05:02AMFriday, May 23, 2025
The New York City Ballet principal Andrew Veyette is retiring after 25 years: “My path had a lot of peaks and valleys. Some very deep and some very high.”
SOURCE: The New York Times Subscription at 05:00AMTuesday, May 13, 2025
In “Lunch Dances,” which tells fictional stories of regular people pursuing personal research, Monica Bill Barnes and Company invades the New York Public Library.
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Gibney Company brings an uneven trio of new works to the Joyce: a deft premiere by Childs and dances by Roy Assaf and Peter Chu.
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A member of Merce Cunningham’s final company, Toogood brings to the job years of experience as a dancer and educator.
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“There’s a time for everything,” said Farrell, who has returned to New York City Ballet to teach a new and eager generation of dancers.
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Roman Mejia, a New York City Ballet principal, shows how bravura and subtlety can exist side by side in a season that includes a sparkling “Apollo” debut.
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The choreographer Reggie Wilson premieres his latest, “The Reclamation,” a stark, formal dance for seven, at NYU Skirball.
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Two of the art form’s best join forces in a program curated by Mearns at City Center that features a new work by Roberts, “Dance Is a Mother.”
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As part of its 50th anniversary, the East Village institution presents reimagined dances by Ishmael Houston-Jones and Fred Holland, Donna Uchizono and Bebe Miller.
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Jenifer Ringer, the celebrated New York City Ballet principal, is back at the School of American Ballet in a new role: teacher and guiding light.
SOURCE: The New York Times Subscription at 05:02AMTuesday, March 11, 2025
Tharp celebrates her 60th anniversary as a dance maker with a program pairing the monumental “Diabelli” (1998) and the new “Slacktide.”
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It was a busy winter: Ashley Bouder bid farewell, Mira Nadon dazzled in “Swan Lake,” Maria Tallchief was honored and Alexei Ratmansky had another winner.
SOURCE: The New York Times Subscription at 05:00AMFriday, February 28, 2025
The Academy Award-nominated actress discovers her inner dancer in “Emilia Pérez” with the help of the choreographer Damien Jalet.
SOURCE: The New York Times Subscription at 05:01AMTuesday, February 25, 2025
Miriam Miller, newly promoted to principal at New York City Ballet, is set to make her debut in “Swan Lake.”
SOURCE: The New York Times Subscription at 05:01AMFriday, February 14, 2025
The performance portion of “Edges of Ailey” at the Whitney Museum of American Art was best when it stepped away from tradition.
SOURCE: The New York Times Subscription at 11:00AMWednesday, February 12, 2025
Ashley Bouder, the longtime New York City Ballet principal, is leaving with a final performance in “Firebird.”
SOURCE: The New York Times Subscription at 05:02AMFriday, February 7, 2025
Alexei Ratmansky creates a joyful new “Paquita” for New York City Ballet, giving the dancers a classical frame in which to find new versions of themselves.
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Florentina Holzinger, the daring Austrian choreographer, is back with “Tanz,” a rendering of ballet horror featuring the 83-year-old dancer Beatrice Cordua.
SOURCE: The New York Times Subscription at 05:00AMTuesday, January 14, 2025
Highlights so far of the 2025 contemporary dance festival, spread across New York City, are Symara Sarai and Leslie Cuyjet’s outstanding dances.
SOURCE: The New York Times Subscription at 11:57AM 
