All stories by Frank Scheck on BroadwayStars

Tuesday, June 21, 2011

Review: Side Effects by Frank Scheck

The latest in a seemingly endless series of plays about crumbling marriages, Michael Weller’s Side Effects never manages to transcend its formulaic aspects. This companion piece to the…

SOURCE: Scheck on the Arts at 05:32AM
Sunday, June 19, 2011

'Quartered' isn't very well-drawn by Frank Scheck

The beat of a conga drum greets you as you enter the Intar Theatre. Its hard, insistent beats underscore all of "Drawn and Quartered," Maggie Bofill's new play about an estranged couple's st…

SOURCE: The New York Post Subscription at 10:46PM
Friday, June 17, 2011

Review: Drama At Inish at the Shaw Festival by Frank Scheck

A quick visit to the Shaw Festival at picturesque Niagara-on-the-Lake, Ontario yielded an unexpected delight in the form of Drama at Inish. This 1933 little-known work by Irish playwright Le…

SOURCE: Scheck on the Arts at 05:50AM
Wednesday, June 15, 2011

Review: Spider-Man Turn Off the Dark by Frank Scheck

After several delayed openings, endless technical problems and myriad cast injuries, Spider-Man: Turn Off the Dark has finally landed on Broadway, officially at least. The much maligned, rep…

SOURCE: Scheck on the Arts at 05:34AM
Monday, June 13, 2011

Grave old show gets a bury odd setting: a cemetery by Frank Scheck

They'll be coming back from the dead at Green-Wood Cemetery tomorrow, and they're not happy. No need to call Ghostbusters -- they're merely actors in "The Spoon River Project." Tom Andolo…

SOURCE: The New York Post Subscription at 11:41PM

Review: One Arm by Frank Scheck

Tennessee Williams apparently had a bottomless drawer filled with forgotten plays and scripts, so it’s no surprise that in recent years they have begun to pop up with regularity. The l…

SOURCE: Scheck on the Arts at 06:06AM
Friday, June 10, 2011

One-acts feel incomplete by Frank Scheck

A good one-act play should feel complete unto itself. Unfortunately, as the offerings in the Ensemble Studio Theatre's "Marathon 2011: Series B" too often demonstrate, contemporary playwrigh…

SOURCE: The New York Post Subscription at 11:00PM
Thursday, June 9, 2011

Review: The Shaggs: Philosophy of the World by Frank Scheck

A fascinating footnote to pop music history is explored to probing effect in the new musical The Shaggs: Philosophy of the World. Music geeks will recall that the band was composed of three …

SOURCE: Scheck on the Arts at 05:40AM
Wednesday, June 8, 2011

So 'Desperate,' it needs rewrite by Frank Scheck

The title of "Desperate Writers" refers to its central characters, but it might just as well describe the playwrights themselves. Joshua Grenrock and Catherine Schreiber's hopelessly unfunny…

SOURCE: The New York Post Subscription at 10:59PM

A rail good show by Frank Scheck

It may be titled "A Little Journey," but Rachel Crothers' 1918 play takes on big themes: feminism, religion and class. A finalist for the first Pulitzer Prize for drama, it sometimes feels b…

SOURCE: The New York Post Subscription at 10:58PM

Review: Lea Salonga: New York In June by Frank Scheck

The Tony Award winner's new cabaret show at the Cafe Carlyle showcases her crystalline voice and engaging personality.

SOURCE: TheaterMania at 10:00AM
Tuesday, June 7, 2011

Review: Through a Glass Darkly by Frank Scheck

Through a Glass Darkly, the theatrical adaptation of Ingmar Bergman’s 1961 film being presented by the Atlantic Theater Company, demonstrates how much his work depended on the brillian…

SOURCE: Scheck on the Arts at 04:29AM
Monday, June 6, 2011

Review: Lysistrata Jones by Frank Scheck

The award-winning Transport Group has lately been living up to its name, presenting site-specific revival of such works as The Boys in the Band and Hello Again in lofts in Chelsea and Soho r…

SOURCE: Scheck on the Arts at 06:16AM
Sunday, June 5, 2011

Optimal 'Illusion' is well worth seeing by Frank Scheck

A wide-eyed wonder at the magic of the ater and a jaundiced view of romance form one of the intriguing contradictions at the heart of "The Illusion." Written by Tony Kushner in the late '…

SOURCE: The New York Post Subscription at 11:12PM
Friday, June 3, 2011

Review: The Best Is Yet to Come: The Music of Cy Coleman by Frank Scheck

The Best is Yet to Come: The Music of Cy Coleman, the new musical revue inspired by the famed composer of such Broadway hits as Sweet Charity, Barnum, City of Angels and many others, raises …

SOURCE: Scheck on the Arts at 05:52AM
Thursday, June 2, 2011

Norbert Leo Butz, starring in Broadway's 'Catch Me If You Can,' may win a Tony - NYPOST.com by FRANK SCHECK

For much of "Catch Me If You Can," Norbert Leo Butz plays a paunchy, arthritic FBI agent -- until he morphs into a singing, dancing dynamo. That showstopper, "Don't Break the Rules," may we…

SOURCE: The New York Post Subscription at 10:21PM
Wednesday, June 1, 2011

He catches hold of something good by Frank Scheck

For much of "Catch Me If You Can," Norbert Leo Butz plays a paunchy, arthritic FBI agent -- until he morphs into a singing, dancing dynamo. That showstopper, "Don't Break the Rules," may …

SOURCE: The New York Post Subscription at 11:24PM

Wild West musical is a barely OK chorale by Frank Scheck

The legendary gunfight at the O.K. Corral reportedly lasted 30 seconds. "I Married Wyatt Earp" goes on 2½ hours longer. Thomas Edward West and Sheilah Rae's new musical has an intriguing…

SOURCE: The New York Post Subscription at 12:45AM
Thursday, May 26, 2011

Reviews: Knickerbocker & Cradle and All by Frank Scheck

Two new Off-Broadway comedies demonstrate that the current crop of playwrights is clearly grappling with parenthood issues. Both Jonathan Marc Sherman’s Knickerbocker and Daniel Goldfa…

SOURCE: Scheck on the Arts at 12:07AM
Wednesday, May 25, 2011

Review: It's Maye In May! by Frank Scheck

Marilyn Maye's not-to-be-missed new show at Feinstein's at Loews Regency shows off her vibrancy, youthfulness, and emotional range.

SOURCE: TheaterMania at 10:00AM
Tuesday, May 24, 2011

Not a 'shore' thing by Frank Scheck

Like the naughty activ ity for which it's named, "Sex on the Beach" can be fun, but can also cause irritation. That's certainly true of this one-man show depicting the lives of three sex …

SOURCE: The New York Post Subscription at 11:07PM
Monday, May 23, 2011

Hard one-acts to follow (not in a good way) by Frank Scheck

It's a depressing sign of the times that the only affecting work in the Ensemble Studio Theatre's "Marathon 2011: Series A" was written more than three decades ago. In a fitting tribute t…

SOURCE: The New York Post Subscription at 10:49PM

Review: By the Way, Meet Vera Stark by Frank Scheck

Lynn Nottage’s new comedy couldn’t be more different from her last effort, the Pulitzer Prize winning, Rwanda-set Ruined. A satirical portrait of the subservient roles assigned t…

SOURCE: Scheck on the Arts at 05:56AM
Friday, May 20, 2011

Review: A Minister's Wife by Frank Scheck

A little show called My Fair Lady provides ample demonstration that the works of George Bernard Shaw are certainly ripe for musical treatment. But the latest attempt, A Minister’s Wife…

SOURCE: Scheck on the Arts at 03:15AM
Thursday, May 19, 2011

11th plague of Egypt by Frank Scheck

'Prepare yourself for a modern classic," says a soothsayer at the start of "The Sphinx Winx," before adding: "Eat your heart out, Shakespeare." The Bard has nothing to worry about. Neithe…

SOURCE: The New York Post Subscription at 12:33AM
Tuesday, May 17, 2011

Play grounds by Frank Scheck

Even if you’re not usually moved by Shakespeare, you will be this summer — literally. From July 6 to 24, the New York Classical Theatre will shuttle theatergoers between England and Fra…

SOURCE: The New York Post Subscription at 01:30AM

Melodramatic script goes over the top by Frank Scheck

'Tearing Down the Walls" is the latest work from Daniel Beaty, who has enjoyed considerable success with such solo plays as "Emergence-See!" and "Through the Night." But this musical about t…

SOURCE: The New York Post Subscription at 12:45AM
Sunday, May 15, 2011

The chance he's been 'weight'-ing for by Frank Scheck

Ryan O'Connor eats his feelings. And judging by his size, he has a lot of feelings, as he is the first to admit. The 29-year-old performer has used his lifelong addiction to food to launc…

SOURCE: The New York Post Subscription at 11:00PM
Friday, May 13, 2011

Study in media-crity by Frank Scheck

You feel as if you've stumbled onto a rave when you enter the theater for the Irondale Ensemble's "Murrow's Boys." The young cast members are dancing happily to techno music, and invite you …

SOURCE: The New York Post Subscription at 11:32PM
Wednesday, May 11, 2011

Fails to go forth and Prospero by Frank Scheck

One of the most pow erful moments in all of Shakespeare's plays occurs at the conclusion of "The Tempest," when the aging magician Prospero renounces his otherworldly powers. But it only wor…

SOURCE: The New York Post Subscription at 10:50PM

Review: Lena: A Lovesome Thing by Frank Scheck

Nnenna Frelon's new tribute show at Feinstein's at Loews Regency showcase her goregous voice and emotional expressiveness.

SOURCE: TheaterMania at 10:30AM

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