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Thursday, April 24, 2014

The Ballad of _______ B: Interactive Script Online, and Images from Rehearsal by Francisco Fernando Granados

by Francisco-Fernando Granados With only 3 days until our public presentation, things are busy, but coming together. The interactive script is live online as a Google Form that can be filled…

SOURCE: praxistheatre.com at 02:04PM
Tuesday, April 15, 2014

The Making of Not-A-Play: All the Stage is a World by Francisco Fernando Granados

by Francisco-Fernando Granados If the difference between performance and any other medium is the folding together of the time of the making of the work with that of its showing, the differen…

SOURCE: praxistheatre.com at 07:54AM
Friday, April 11, 2014

Concept Images and Other Sketches for _____ B by Francisco Fernando Granados

hand hatch for an interview with Harbourfront Centre if letters were lovers Catherine of Aragon and Anne Boleyn portrait comparison salsa lights except from a collaboration with Nathalie Lo…

SOURCE: praxistheatre.com at 09:38AM
Friday, April 4, 2014

The Making of Not-A-Play: Performance Art and Social Media by Francisco Fernando Granados

  by Francisco-Fernando Granados In performance art, the time and the place of the creation of the work is always the same as that of the presentation of the work. This characteristic i…

SOURCE: praxistheatre.com at 09:32AM
Tuesday, March 25, 2014

Between Appropriation and Entrapment, the Refugee and the Ruin: Notes on the Uncanny and the Cartography of Absence in The Ballad of _______ B by Francisco Fernando Granados

by Ricky Varghese Another description – a reductive signature, as such – for the term “appropriation”, and the terms of engagement and dis-engagement by which the term itself seems …

SOURCE: praxistheatre.com at 09:49AM
Tuesday, March 18, 2014

Randomized Readymade Scripts by Francisco Fernando Granados

By Francisco-Fernando Granados In the last two posts I’ve explored some of the personal and political issues driving The Ballad of _____ B. Here, I’d like to focus on some of the formal …

SOURCE: praxistheatre.com at 12:02PM
Thursday, March 13, 2014

Why a Ballad? – Refugee Politics, Poetics, and the Need for Re-distribution by Francisco Fernando Granados

by Francisco Fernando Granados Last week, I began to talk about the move towards narrative in my work in relationship to two strategies: spacing and redistribution. Today’s post focuses on…

SOURCE: praxistheatre.com at 10:18AM
Wednesday, March 5, 2014

Why _____ B? – Notes on Context by Francisco Fernando Granados

by Francisco Fernando Granados The The Ballad of _____ B is site specific performance for the stage that will be presented as part of HATCH 2014 at the Harbourfront Centre Studio Theatre on …

SOURCE: praxistheatre.com at 08:08AM
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