All stories by Elisabeth Vincentelli on BroadwayStars

Wednesday, November 27, 2013

Disney’s Broadway history of hits and misses by Elisabeth Vincentelli

It didn’t take long for theater lovers to suggest that Disney’s “Frozen” — with its Kristen Anderson-Lopez and Robert Lopez score — was a natural for the stage. The Disney...

SOURCE: The New York Post at 04:49PM
Tuesday, November 26, 2013

Terrence McNally’s love letter to the theater by Elisabeth Vincentelli

Terrence McNally loves peeking behind the scenes, and he’s made arcane subjects widely accessible. His best-known play, 1995’s “Master Class,” is about the prickly relationship betwe…

SOURCE: The New York Post at 11:38PM
Monday, November 25, 2013

Apple family cycle concludes with dull ‘Regular Singing’ by Elisabeth Vincentelli

When a family gathering gets boring, you can either turn on the TV or split. Not so at the intermissionless “Regular Singing,” which unfolds as members of the Apple clan...

SOURCE: The New York Post at 08:39PM

Ian McKellan dominates aside best bud Patrick Stewart by Elisabeth Vincentelli

Right now Broadway exists in an alternate reality where bleak existentialism is trending. But there’s a simple explanation for Pinter’s “No Man’s Land” and Beckett’s “Waiting f…

SOURCE: The New York Post at 05:03AM
Saturday, November 23, 2013

Soldiers’ story a lost cause by Elisabeth Vincentelli

‘Why am I a hero if I die, and a nuisance if I live?” It’s a question that haunts many veterans. In Charles Fuller’s heavy-handed new drama, “One Night . . . ,”...

SOURCE: The New York Post at 02:11AM
Friday, November 22, 2013

Sarah Jessica Parker, Blythe Danner’s talents wasted in ‘Commons of Pensacola’ by Elisabeth Vincentelli

Does Amanda Peet have something on Manhattan Theatre Club? It’s hard to imagine why else this powerful nonprofit put up the actress’ feeble first play, “The Commons of Pensacola” —…

SOURCE: The New York Post at 09:10AM

Ethan Hawke underwhelming in ‘Macbeth’ by Elisabeth Vincentelli

Ethan Hawke has picked the worst possible time to show restraint. In this new “Macbeth,” the star famous for throwing himself into every role with full-throttle enthusiasm mysteriously r…

SOURCE: The New York Post at 08:33AM
Thursday, November 21, 2013

‘Small Engine Repair’ is tawdry and fun by Elisabeth Vincentelli

The new comic thriller “Small Engine Repair” isn’t subtle, but it more than makes up for it by being tawdry, nasty and fun. It’s proud pulp fiction, something we don’t...

SOURCE: The New York Post at 06:42AM
Monday, November 18, 2013

No love for ‘Murder’ by Elisabeth Vincentelli

The big hook of the new musical “A Gentleman’s Guide to Love & Murder” is Jefferson Mays. He doesn’t just give a performance — he gives eight of them, impersonating...

SOURCE: The New York Post at 03:53AM
Thursday, November 14, 2013

‘Little Miss Sunshine’ musical mistakes sucrose for sweetness by Elisabeth Vincentelli

Most of the beloved movie “Little Miss Sunshine” takes place during a road trip: The hapless Hoover family drives from New Mexico to California so daughter Olive can compete in...

SOURCE: The New York Post at 10:26PM

Bernadette Peters rescues ‘A Bed and a Chair’ by Elisabeth Vincentelli

And the Sondheim shows keep on coming! Given the endless stream of revues and full-on revivals, you’d think he was the only Broadway composer worth paying attention to. There’s a...

SOURCE: The New York Post at 05:54PM

Billy Crystal tells a good story in ’700 Sundays’ by Elisabeth Vincentelli

The autobiographical solo show has been done to death. Doesn’t matter if it’s a celebrity or an unknown — everybody wants to talk about themselves. But you have to hand...

SOURCE: The New York Post at 06:58AM
Sunday, November 10, 2013

Mark Rylance leads all-male casts in new Shakespeare shows by Elisabeth Vincentelli

No argument about who’s the king of Broadway right now: It’s William Shakespeare. The guy’s got four shows on the Great White Way — the first time since 1987 that...

SOURCE: The New York Post at 10:06PM
Friday, November 8, 2013

When mean gals become best pals by Elisabeth Vincentelli

Buddies have a wide range of options: They can launch NASA programs, torch Vegas rooms, and everything in between. Girlfriends, on the other hand, have two basic choices. They can...

SOURCE: The New York Post at 03:03AM
Thursday, November 7, 2013

Life heads South in ‘The Jacksonian’ by Elisabeth Vincentelli

What a weird play “The Jacksonian” is. It’s not great — at times it’s not even good — but Beth Henley’s new drama sure sticks in your head. And that’s...

SOURCE: The New York Post at 10:20PM
Tuesday, November 5, 2013

Musical ‘Disaster!’ is anything but as it pays tribute to 1970s flicks by Elisabeth Vincentelli

After being burned by years of low-rent movie-spoofing musicals — many of them from the Fringe — you can’t be blamed for dreading “Disaster!” This new show takes on 1970s...

SOURCE: The New York Post at 04:07PM

War of the sexes goes nuclear in ‘Domesticated’ by Elisabeth Vincentelli

Few playwrights love to scratch an itch more than Bruce Norris. “Clybourne Park,” his Tony- and Pulitzer-winning hit, took on race relations and gentrification with acid wit. For his new…

SOURCE: The New York Post at 06:40AM
Sunday, November 3, 2013

Julie Taymor storms back with ‘A Midsummer Night’s Dream’ by Elisabeth Vincentelli

Since the “Spider-Man: Turn Off the Dark” debacle, Julie Taymor’s been keeping a low profile. She licked her wounds, and moved on to a new directing project — a production of...

SOURCE: The New York Post at 08:28PM

‘After Midnight’ brings class back to Broadway by Elisabeth Vincentelli

Jukebox musicals have had a horrible reputation lately, and with reason: For every “Jersey Boys,” there are twice as many cheeseballs muddling the material they’re meant to honor — R…

SOURCE: The New York Post at 08:03PM
Wednesday, October 30, 2013

‘Good Person of Szechwan’ full of heart, ingenuity by Elisabeth Vincentelli

Done badly, a Brecht play is a preachy, cartoonish embarrassment. Done right, as in this new revival of “The Good Person of Szechwan,” it entertains even as it makes you...

SOURCE: The New York Post at 04:51PM
Tuesday, October 29, 2013

Freudian fairy tales take center stage by Elisabeth Vincentelli

As bizarre scenes go, it’s hard to top the one in “Grasses of a Thousand Colors” where a character gets a paw job from a fluffy white cat. That seduction...

SOURCE: The New York Post at 10:39AM
Sunday, October 27, 2013

Cheaters prosper in ‘Betrayal’ by Elisabeth Vincentelli

With its flashy pedigree — stars Daniel “007” Craig and his real-life wife, Rachel Weisz, plus powerhouse director Mike Nichols — Broadway’s new revival of “Betrayal” was a hot…

SOURCE: The New York Post at 11:42PM
Saturday, October 26, 2013

Actors bring fiends to life at NYC’s scariest haunted house by Elisabeth Vincentelli

Like a murderer coming back to the scene of the crime, the “Nightmare” haunted house has returned to the Lower East Side. Now in its 10th year, the Nightmare franchise...

SOURCE: The New York Post at 09:41PM
Friday, October 25, 2013

Something satisfying about ‘Snow Geese’ by Elisabeth Vincentelli

After her “Hedda Gabler” was unfairly savaged in 2009, Mary-Louise Parker took a few years to lick her wounds and focus on her Showtime series, “Weeds.” Now the raven-tressed, porcel…

SOURCE: The New York Post at 06:31AM
Wednesday, October 23, 2013

‘The Landing’ fails to make an impact by Elisabeth Vincentelli

Sitting through the dull musical “The Landing,” you wish John Kander had quit while he was ahead. The composer and his longtime partner, lyricist Fred Ebb, are responsible for all-time...

SOURCE: The New York Post at 09:59PM

‘Fun Home’ is affecting but also frustrating by Elisabeth Vincentelli

After two decades in the alternative-press trenches, cartoonist Alison Bechdel burst into the mainstream with the 2006 autobiographical graphic novel “Fun Home.” The book was a critical …

SOURCE: The New York Post at 04:37AM
Monday, October 21, 2013

‘A Time to Kill’ is adequate but bland by Elisabeth Vincentelli

A lot happens in John Grisham’s legal thriller “A Time to Kill,” in which small-town lawyer Jake Brigance takes on a seemingly doomed client. Jake overcomes one obstacle after another.…

SOURCE: The New York Post at 12:20AM

Cast, production carry ‘Marie Antoinette’ by Elisabeth Vincentelli

Marie Antoinette’s tragic story reads like the 18th-century version of “Lifestyles of the Rich and Famous and Decapitated.” Mind-blowing luxury and entitlement followed by a gory comeu…

SOURCE: The New York Post at 12:13AM
Friday, October 18, 2013

‘Downton’ fans should eat up ‘The Winslow Boy’ by Elisabeth Vincentelli

A legal drama drives the story but Rattigan also throws in a subplot about a love that dare not express itself between feisty suffragette Catherine Winslow and arrogant barrister Sir...

SOURCE: The New York Post at 05:56PM
Thursday, October 17, 2013

Legal drama ‘The Winslow Boy’ goes a-courtin’ by Elisabeth Vincentelli

Broadway’s answer to Masterpiece Theater has just arrived in the form of “The Winslow Boy,” Terence Rattigan’s 1946 drama. The last Rattigan play by the Roundabout, “Man and Bo…

SOURCE: The New York Post at 11:19PM
Wednesday, October 16, 2013

‘Romeo,’ art thou kidding us? by Elisabeth Vincentelli

OMG, R&J! Last week St. Ann’s Warehouse gave us a “Julius Caesar” that’s purportedly being put on by inmates in a women’s prison. Now comes a Classic Stage Company production...

SOURCE: The New York Post at 07:54PM