Today is Sunday, December 22, 2024 Broadway Baby Birthdays: Ralph Fiennes Andrew Lippa
The composer’s vision for a summer of Off-Broadway musicals Putting together a three-show summer season is ambitious enough, let alone when it’s being done by a musical theatre c…
SOURCE: TDF at 02:36PMYou won’t find the reality shows “Rehabilitation” and “Nobody Loves You” on the upper reaches of your dial. And it’s because playwrights snagged those titles first. &n…
SOURCE: The New York Times Subscription at 09:48AMCast members from stage shows about reality TV weigh in on the guilty pleasures that have filled their down time between jobs.
SOURCE: The New York Times Subscription at 09:42AMA Kid Like Jake tackles the anxiety of New York parenting — Kids say and do the darnedest things. Which is fine unless those kids are being judged on an absurdly rigorous basis and in …
SOURCE: TDF at 07:29AMJenny Schwartz writes and rewrites by making unusually heavy use of theater workshops, and “Somewhere Fun” is only her second play from the last decade.
SOURCE: The New York Times Subscription at 12:10PMGood Television scours the ethics of reality TV — Call it a case of biting the hand that feeds his wife. “My wife works in reality television,” says the longtime actor and …
SOURCE: TDF at 11:26AMHamish Linklater and Jesse Tyler Ferguson take on two roles each in “The Comedy of Errors” at the Delacorte Theater.
SOURCE: The New York Times Subscription at 10:00AMA chat with Wrenn Schmidt, who will play the young muse Hilde in a production of Ibsen’s “Master Builder” at the Harvey Theater at the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 02:19PMHow Colm Tóibín wrote Broadway’s The Testament of Mary The Master, perhaps Colm Tóibín’s best-known novel, looked at a rare artistic misstep in the life of Henry James—…
SOURCE: TDF at 04:14PMIn a drag-heavy Broadway musical, Stark Sands brings the straight man (ahem) to life — Welcome to Building Character, TDF Stages’ ongoing series about actors and how they create …
SOURCE: TDF at 04:22PMTrey Anastasio of the band Phish prepares for the opening of his Broadway musical, “Hands on a Hardbody.”
SOURCE: The New York Times Subscription at 10:00AMNellie McKay adds zip to Bill Irwin’s “Old Hats” Nellie McKay’s limbs might not be as nimble as those of Bill Irwin and David Shiner. (Whose are?) But her ukulele-str…
SOURCE: TDF at 12:10PMSeth Rudetsky, whom Audra McDonald calls “the mayor of Broadway,” will spend the next month putting on multiple shows a day.
SOURCE: The New York Times Subscription at 12:38PMThe lead actress and executive story editor of “Nurse Jackie” are joining forces onstage.
SOURCE: The New York Times Subscription at 10:00AMSome of the more active female directors identify their influences and their aspirations.
SOURCE: The New York Times Subscription at 11:15AMA writer takes Broadway and Off Broadway at the same time After more than 30 years of West Coast sun and valet parking, playwright Lyle Kessler would be forgiven for slowly re-enterin…
SOURCE: TDF at 11:27AMJames DeVita charts his career during “In Acting Shakespeare” at the Pearl Theater, a play adapted from Ian McKellen’s “Acting Shakespeare.”
SOURCE: The New York Times Subscription at 02:42PMIn “2 Dimensional Life of Her” the Australian performance artist Fleur Elise Noble has brought puppets (without visible handlers) to the Under the Radar Festival.
SOURCE: The New York Times Subscription at 05:01PM“Hollow Roots,” Christina Anderson’s play starring April Matthis, attempts to stoke a postracial discussion.
SOURCE: The New York Times Subscription at 05:18PMLaurie Metcalf is back on Broadway with a familiar show, “The Other Place” (she did it off Broadway); a familiar director (Joe Mantello); and a familiar co-star (her daughter, Zoe Perry).
SOURCE: The New York Times Subscription at 10:00AMInside this year’s festival of cutting-edge theatre How do you prefer your cutting-edge theatre? As a 30-minute Hamlet adaptation in Farsi? As an 11-hour exploration of an ordinary lif…
SOURCE: TDF at 12:24PMBartlett Sher’s vision for his Broadway revival When Bartlett Sher first floated the idea of directing Golden Boy for Lincoln Center Theatre, he proposed doing it in repertory with Ham…
SOURCE: TDF at 02:23PMIn “Trojan Women (After Euripides)” the pathos have been dialed back, with emotional clarity being emphasized more than cathartic tumult.
SOURCE: The New York Times Subscription at 05:29PMThe playwright on his new show “Vanya and Sonia and Masha and Spike“ Baseball fans with extra-disposable incomes are familiar with the idea of fantasy camp. A big paycheck earns …
SOURCE: TDF at 12:07PMHow Cusi Cram created her nuclear play “Radiance” The pair of watering holes in Cusi Cram’s new play Radiance will look familiar to fans of Labyrinth Theater Company. These…
SOURCE: TDF at 03:42PMSamuel Hunter tackles “The Whale” Samuel D. Hunter is well aware of how audiences will react to the first image in his new play The Whale: As soon as the show begins, we see a 60…
SOURCE: TDF at 10:15AMAt the heart of “Dispatches From (A)mended America” are interviews with Southerners on the eve of the Obama era.
SOURCE: The New York Times Subscription at 05:51PMPlaywrights labor long and hard over the first words we hear; here they share how and why they begin the way they do.
SOURCE: The New York Times Subscription at 01:13PMHow Tolstoy’s novel became a kicky new musical Say you’re faced with a literary tome and an itch to put it on stage. Do you find a way to dramatize every word? After all, that…
SOURCE: TDF at 12:15PMA production featuring refugees from the Democratic Republic of Congo is part of the Undesirable Elements series at LaMaMa in which nonactors from marginalized groups tell their stories.
SOURCE: The New York Times Subscription at 07:03PMTheater notables who saw the 1962 production of “Who’s Afraid of Virginia Woolf?” share their recollections, reservations and realizations.
SOURCE: The New York Times Subscription at 12:29PM
