All stories by ELISABETH VINCENTELLI on BroadwayStars

Sunday, March 8, 2015

Helen Mirren rules Broadway in ‘The Audience’ by Elisabeth Vincentelli

To the surprise of exactly no one, Helen Mirren is absolutely terrific as Queen Elizabeth II in “The Audience,” which opened on Broadway Sunday night. Admittedly, Mirren had practice, ha…

SOURCE: The New York Post at 10:01PM
Thursday, March 5, 2015

Larry David delivers Larry David-ness in Broadway debut, ‘Fish in the Dark’ by Elisabeth Vincentelli

Larry David has no understudy in “Fish in the Dark,” because he is the only reason you’d want to see this new comedy. If he’s out, there’s no show. Fans...

SOURCE: The New York Post at 10:01PM

Why ‘Beautiful’ star Jessie Mueller first didn’t recognize Carole King by Elisabeth Vincentelli

After 18 months on Broadway — and 496 renditions of “I Feel the Earth Move” — Jessie Mueller ends her run Friday night in “Beautiful,” the hit biomusical about Carole...

SOURCE: The New York Post at 07:15PM

Chilina Kennedy follows Jessie Mueller as Carole King in ‘Beautiful’ by Elisabeth Vincentelli

Starting Saturday, the woman behind the piano at “Beautiful” will be . . . Chilina Kennedy? Even if the name doesn’t ring a bell, the Canadian actress (inset) is a musical-theater …

SOURCE: The New York Post at 07:12PM
Monday, March 2, 2015

Diane Lane and Tony Shalhoub almost rescue contrived ‘Mystery of Love & Sex’ by Elisabeth Vincentelli

“The Mystery of Love & Sex” takes on so much that it could have been titled “The Mystery of Love, Sex, Racism, Sexism, Religion, Confused Romantic Feelings & Dealing With...

SOURCE: The New York Post at 10:01PM

France’s super-sized Paradiski resort is a super bargain by Elisabeth Vincentelli

Here are some scary ski figures: A single-day, walk-up-window adult ticket now costs $159 at Vail. Hunter Mountain charges up to $76 for the privilege of jostling with aggro New...

SOURCE: The New York Post at 08:53PM
Thursday, February 26, 2015

‘Octaroon’ daringly revisits slavery via stage razzle-dazzle by Elisabeth Vincentelli

“The whole point of this thing was to make you feel something,” a character tells us in “An Octoroon.” No argument there: This brilliant, daring, demented show takes you on...

SOURCE: The New York Post at 10:00PM

‘Bright Half Life’ shakes up a good love story by Elisabeth Vincentelli

On one of their early dates, Erica and Vicky ride a Ferris wheel, which may be a terrible idea since Erica is afraid of heights. No matter: Next thing we...

SOURCE: The New York Post at 05:58PM
Wednesday, February 25, 2015

Dylan Baker on his eighth ‘Wife’ (episode) as creepy Colin Sweeney by Elisabeth Vincentelli

It’s been a long winter for fans of “The Good Wife”: a seemingly endless holiday hiatus, two episodes in January and then another break. The CBS series returns on Sunday...

SOURCE: The New York Post at 10:40PM

Superhero musical ‘Brooklynite’ flexes a strong comic muscle by Elisabeth Vincentelli

If you think Brooklyn’s overhyped, “Brooklynite” may make you break into a rash. This new musical takes borough fandom to heights that would make megabooster Marty Markowitz blush. Tha…

SOURCE: The New York Post at 10:00PM

David Ives’ wit spins its wheels in ‘Lives of the Saints’ by Elisabeth Vincentelli

Few playwrights have David Ives’ wit or way with words. From “Venus in Fur” to “The School for Lies,” Ives has enlivened the stage with cracking exchanges. Which is why...

SOURCE: The New York Post at 03:15PM
Tuesday, February 24, 2015

‘The Nether’ tackles pedophilia and virtual reality by Elisabeth Vincentelli

“The Nether” gets under your skin — and not in a pleasant way. Not only does it deal with pedophilia, but there’s an actual kid in it. And while nothing...

SOURCE: The New York Post at 10:00PM
Monday, February 23, 2015

A wedding goes horribly, bloodily astray in ‘Big Love,’ an adaptation of a Greek tragedy by Elisabeth Vincentelli

As bad as weddings can get on “Bridezillas,” they’re way worse in Charles Mee’s play “Big Love.” We’re talking showers of blood. We’re talking a woman pulverizing something i…

SOURCE: The New York Post at 10:00PM

7 times Nile Rodgers saved some of his best work for lesser lights by Elisabeth Vincentelli

It’s obvious what the secret sauce is in Daft Punk’s mega-hit “Get Lucky”: Nile Rodgers’ fantastically infectious guitar riff. The masked Frenchmen know it, too, and they’re retu…

SOURCE: The New York Post at 04:30PM
Saturday, February 21, 2015

Why banning pet store sales of rabbits is a great idea by Elisabeth Vincentelli

When people ask me if I have a pet, I say yes. When they inevitably ask whether it’s a cat or a dog, I proudly answer, “Neither — it’s a...

SOURCE: The New York Post at 06:00AM
Wednesday, February 18, 2015

Anna Camp almost saves new play ‘Verité’ from its convoluted premise by Elisabeth Vincentelli

The new comedy “Verité” has a lot going for it, like an appealingly weird vibe and a very funny lead performance by Anna Camp (late of “Fever Pitch” and “True...

SOURCE: The New York Post at 10:00PM
Tuesday, February 17, 2015

Lin-Manuel Miranda creates an ambitious musical portrait with ‘Hamilton’ by Elisabeth Vincentelli

For months now, a deafening buzz has surrounded “Hamilton.” Rumor had it that creator and star Lin-Manuel Miranda — a Tony winner for “In the Heights” — would apply his...

SOURCE: The New York Post at 10:01PM
Friday, February 13, 2015

‘The Events’ investigates the emotional aftermath of a mass shooting by Elisabeth Vincentelli

Mass shootings have become tragically common over the past decade, but that doesn’t make them any easier to understand. Claire (Neve McIntosh), a Protestant minister and the lead character…

SOURCE: The New York Post at 02:21PM
Thursday, February 12, 2015

Nathan Lane is a revelation in drinking drama ‘Iceman Cometh’ by Elisabeth Vincentelli

Sometimes you don’t realize an unlikely combination will work until you try it. Chocolate and salt: Who knew? Same goes for the casting of Nathan Lane — one of his...

SOURCE: The New York Post at 10:00PM
Wednesday, February 11, 2015

Cynthia Nixon directs workplace war in ‘Rasheeda Speaking’ by Elisabeth Vincentelli

Pray you never get embroiled in an office war — stuck in a room with your foe, day after day, trying to figure out how to defeat them before they...

SOURCE: The New York Post at 10:01PM

Black comedy gets a new lease in ‘Between Riverside and Crazy’ by Elisabeth Vincentelli

There’s the shabby-chic hipster New York we see on cable TV — and then there’s Stephen Adly Guirgis’ New York, the gritty place where the playwright grew up. The city...

SOURCE: The New York Post at 10:01PM
Tuesday, February 10, 2015

Christina Bianco’s talent is wasted in middling comedy ‘Application Pending’ by Elisabeth Vincentelli

Casting the perky, versatile Christina Bianco in the middling comedy “Application Pending” is like driving a Porsche around the block at 20 mph. What a waste of resources! While theaterg…

SOURCE: The New York Post at 10:01PM
Sunday, February 8, 2015

‘Pretty Filthy’ is a surprisingly wholesome musical about the porn industry by Elisabeth Vincentelli

The most wholesome musical in town happens to be about porn. Despite its explicit language (not to mention catchy ditties about things like “Waiting for Wood”), “Pretty Filthy” is wi…

SOURCE: The New York Post at 06:00AM
Friday, February 6, 2015

Lillias White and Scott Wakefield lift otherwise flat ‘Texas in Paris’ by Elisabeth Vincentelli

“Texas in Paris” is described as a play with music, but the balance between the two parts is lopsided. The musical bits are strong — unsurprisingly, since one of the...

SOURCE: The New York Post at 02:45PM
Thursday, February 5, 2015

Revival of Gershwin chestnut ‘Lady, Be Good’ boasts unlikely guest star Tommy Tune by Elisabeth Vincentelli

The Encores! series is famous for bringing back musical chestnuts that often haven’t roasted on a New York stage in decades. Lo and behold, here comes Tommy Tune! While he’s...

SOURCE: The New York Post at 05:38PM
Tuesday, February 3, 2015

‘Shesh Yak’ fails to evoke emotion about war-torn Syria by Elisabeth Vincentelli

The title of this new play is a Syrian expression for a perfect dice roll in backgammon. The reference may be meant to suggest a taut battle between opponents going...

SOURCE: The New York Post at 06:48PM
Monday, February 2, 2015

American remakes of foreign series usually tank, but they keep on coming by Elisabeth Vincentelli

For every “The Office,” there are five cases of “Gracepoint,” or an American remake of a successful foreign show that inevitably goes down in flames. Actually, it usually goes down...

SOURCE: The New York Post at 03:50PM

Opening for Taylor Swift concerts isn’t an automatic ticket to glory by Elisabeth Vincentelli

Every other year, Taylor Swift takes her magic wand and anoints the acts who will open her new tour. Now she’s just announced that Haim, the LA rock band featuring...

SOURCE: The New York Post at 02:50PM
Sunday, January 25, 2015

Poe musical ‘Nevermore’ looks great but overstays its welcome by Elisabeth Vincentelli

More than its plot or score, what you’ll remember from the Poe musical “Nevermore” is its look. Bretta Gerecke’s costumes, makeup and props are part Edward Gorey, part Tim Burton...

SOURCE: The New York Post at 10:00PM
Friday, January 23, 2015

‘Veep’ star Anna Chlumsky joins the funniest show on Broadway by Elisabeth Vincentelli

As soon as it opened back in September, “You Can’t Take It With You” became the funniest show on Broadway. The wildly talented ensemble took hold of Kaufman and Hart’s...

SOURCE: The New York Post at 05:43PM
Thursday, January 22, 2015

Pared-down ‘Into the Woods’ doesn’t fix show’s structural problems by Elisabeth Vincentelli

There’s no way you’d confuse off-Broadway’s new “Into the Woods” revival with the movie version. The latter boasts big-name stars like Meryl Streep and Anna Kendrick, swelling …

SOURCE: The New York Post at 10:00PM

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