Sunday, July 16, 2017
Friday, July 14, 2017
The Classical Theater of Harlem’s staging of the Alexandre Dumas novel emphasizes the comic action — and turns D’Artagnan into Mademoiselle D’Artagnan.
SOURCE: The New York Times Subscription at 06:36PMThursday, July 6, 2017
In just under 10 years, Cole Escola, who is 30 but looks much younger, has become a ubiquitous presence on the downtown alt-cabaret circuit.
SOURCE: The New York Times Subscription at 04:54PMSunday, July 2, 2017
Why aren’t there more American productions of Canadian plays? Judging from a Toronto theater company’s offerings, the quality of the work isn’t the obstacle.
SOURCE: The New York Times Subscription at 05:48PMMonday, June 26, 2017
This ragged but high-spirited musical adaptation of Henry Fielding’s “Tom Jones” stars Evan Ruggiero, who lost most of his right leg to cancer.
SOURCE: The New York Times Subscription at 06:04PMA strangely entrancing new work explores a mysterious audio recording, and recreates a moment in the life of a 1950s Long Island family.
SOURCE: The New York Times Subscription at 05:12PMFriday, June 23, 2017
En Garde Arts’ new production is an immersive work about immigration and making the best of difficult situations. Like those acoustics.
SOURCE: The New York Times Subscription at 03:04PMMonday, June 19, 2017
Zakiyyah Alexander’s ambitious play leaves the viewer wanting more, but several other works register as contrived or wan.
SOURCE: The New York Times Subscription at 04:06PMFriday, June 16, 2017
Cynthia Hopkins’s new show explores how she found the strength to rebuild her life after the home and studio she shared with her husband went up in flames.
SOURCE: The New York Times Subscription at 04:32PMTuesday, June 13, 2017
Monday, June 12, 2017
This Theater Breaking Through Barriers revival of Charles Ludlam’s 1986 comedy is never quite nutty enough.
SOURCE: The New York Times Subscription at 04:42PMSunday, May 28, 2017
Amina Henry’s new play at Jack is about a greedy but not particularly bright entrepreneur and four determined dancers who compete in Pittsburgh.
SOURCE: The New York Times Subscription at 06:12PMThursday, May 25, 2017
Jon Brittain’s play explores the fallout when Fiona announces to her girlfriend that she wants to transition and be called Adrian.
SOURCE: The New York Times Subscription at 06:06PMThursday, May 18, 2017
Mr. Urie, the frontman of the band Panic! at the Disco, is taking over the role of Charlie Price on Broadway.
SOURCE: The New York Times Subscription at 01:12PMFriday, May 5, 2017
In this new play, devised by the ensemble Piehole, we spend time with a group of friends who relive past adventures.
SOURCE: The New York Times Subscription at 03:36PMSunday, April 30, 2017
This production is a hybrid of concert and theater, a combination that has become the signature of the Ensemble for the Romantic Century.
SOURCE: The New York Times Subscription at 01:36PMWednesday, April 19, 2017
Just a few years out of Juilliard, Mr. Hawkins stars in “24: Legacy” on TV and “Six Degrees of Separation” on Broadway
SOURCE: The New York Times Subscription at 05:18AMWednesday, April 12, 2017
Les 7 Doigts (The 7 Fingers) present “Cuisine & Confessions,” in which this Montreal company’s members boil, pan-fry, back-flip and somersault.
SOURCE: The New York Times Subscription at 06:48PMMonday, April 10, 2017
The Grammy-winning musician thought he was just writing the score for “Samara.” Then the playwright Richard Maxwell asked him to take a role, too.
SOURCE: The New York Times Subscription at 05:48PMWednesday, April 5, 2017
Harvey Fierstein stars in Martin Sherman’s poignant new play about the relationship between a young Londoner and an American expat.
SOURCE: The New York Times Subscription at 10:31PMThursday, March 30, 2017
The 1950s plays “Picnic” and “Come Back, Little Sheba,” in repertory revivals at the Gym at Judson, capture the playwright’s gift for understatement.
SOURCE: The New York Times Subscription at 06:02PMTuesday, March 28, 2017
The SITI Company’s opaque, mystifying play is built entirely from the composer’s quotations, arranged into an exploration of the artistic process.
SOURCE: The New York Times Subscription at 06:02PMTuesday, March 21, 2017
Wednesday, March 15, 2017
The murdered Algerian remained anonymous in Albert Camus’s “The Stranger,” but this new play by Betty Shamieh reframes the point of view.
SOURCE: The New York Times Subscription at 10:31PMThe Australian composer and performer on his career and the music and lyrics he wrote for “Groundhog Day.”
SOURCE: The New York Times Subscription at 05:36AMTuesday, March 7, 2017
Max Vernon’s new musical sends a contemporary man back to 1973 and the UpStairs, a real New Orleans gay bar destroyed by arson.
SOURCE: The New York Times Subscription at 05:36PMThursday, February 9, 2017
The siblings in James Lecesne’s new play, directed by Tony Speciale, continue to disagree about some rather important aspects of their upbringing.
SOURCE: The New York Times Subscription at 10:32PMSunday, January 29, 2017
Thursday, January 26, 2017
Presented by Pan Asian Repertory, this play by Damon Chua, set during World War II, is steeped in the traditions of film noir as well as several other genres.
SOURCE: The New York Times Subscription at 11:04PMWednesday, January 11, 2017
The British actress plays Prospero in an all-female “The Tempest,” her latest gender-switched Shakespeare production, set in a penitentiary.
SOURCE: The New York Times Subscription at 04:06PMMonday, January 9, 2017
While “Top Secret International (State 1)” traffics in tech and disembodied narrators, “Real Magic” involves a clairvoyance game.
SOURCE: The New York Times Subscription at 06:33PM 
