All stories by David Benedict on BroadwayStars

Wednesday, May 22, 2019

David Benedict: What makes a good musical? The book, the book, the book by David Benedict

Musical theatre quiz: hands up who knows the names and jobs of Roger Allers and Irene Mecchi. Hint: their work has been

Linked From The Stage Registration at 02:00AM
Wednesday, May 15, 2019

David Benedict: Did Arthur Miller’s Jewish identity inform many of his plays? by David Benedict

“I do not at any point, in any way whatsoever, think of myself as a Jewish writer, except that I happen to

Linked From The Stage Registration at 02:00AM
Wednesday, May 8, 2019

David Benedict: Musicals need great singers far more than they need stars by David Benedict

I’m guessing that not many of you know the name Ervin Drake, but he wrote Frank Sinatra’s regretful hit It Was a

Linked From The Stage Registration at 02:00AM
Wednesday, May 1, 2019

David Benedict: Did Three Sisters suffer from the critical hangover effect? by David Benedict

I’ve always considered it a shame that although one can emerge from the theatre disappointed, in the opposite circumstance one cannot say:

Linked From The Stage Registration at 02:00AM
Wednesday, April 24, 2019

David Benedict: Theatre should tune into BBC Proms for ways to boost accessibility by David Benedict

I was 11 years old, terrified in a strange building and I blame Antony Hopkins. No, not the one who played Hannibal

Linked From The Stage Registration at 02:00AM
Wednesday, April 17, 2019

David Benedict: Form matters as much as content by David Benedict

Nominated for the 1991 Booker prize, Reading Turgenev by the late, great Irish novelist William Trevor lost out to Ben Okri’s The

Linked From The Stage Registration at 02:00AM
Tuesday, April 9, 2019

David Benedict: Why is the Oliviers judging process so opaque? by David Benedict

“Who are the judges?” At least three high-profile nominees at Sunday’s Olivier awards asked me that question. They weren’t asking it out

Linked From The Stage Registration at 06:50AM
Thursday, April 4, 2019

Top Girls review at National Theatre, London – ‘underpowered revival of Caryl Churchill’s masterpiece’ by David Benedict

“I think the Eighties are going to be stupendous.” That’s the moment when the capital P political dimension of Caryl Churchill’s most

Linked From The Stage Registration at 06:20AM
Wednesday, April 3, 2019

David Benedict – ‘I’m with Sondheim – Why can’t they do the last night first?’ by David Benedict

Having caught the Lucinda Coxon adaptation of Harriet Lane’s novel Alys, Always during its final week at London’s Bridge Theatre – reader,

Linked From The Stage Registration at 02:00AM
Wednesday, March 27, 2019

David Benedict: Great musicals like Mamma Mia! confound the haters by David Benedict

“I hate musicals, I hate ’em.” So said Richard Hawley in an interview quoted last week on BBC Radio 4’s Front Row.

Linked From The Stage Registration at 03:00AM
Wednesday, August 29, 2018

Caryl Churchill at 80 – celebrating UK theatre’s ‘ultimate playwright’ by David Benedict

Leading theatremakers including Vicky Featherstone, Rufus Norris, Dominic Cooke and Maxine Peake tell David Benedict about the writer’s influence on their work

Linked From The Stage Registration at 06:08AM
Thursday, June 7, 2018

My Name is Lucy Barton, Bridge Theatre, review - Laura Linney is luminous in a flawless production by David Benedict

Stage adaptation of Elizabeth Strout's novel is a one-woman tour de forceIn Harold Pinter’s memory play Old Times, one of the women declares, “There are some things one remembers ev…

Linked From theartsdesk.com at 02:54AM
Wednesday, May 30, 2018

Consent, Harold Pinter Theatre review - exhilarating by David Benedict

The stakes are high in the West End transfer of Nina Raine's play about marriage, rape and the law Question: is Consent, transferred from the National to the West End, a sharp-tongued c…

Linked From theartsdesk.com at 04:12AM
Thursday, March 29, 2018

The Inheritance, Young Vic review - a long day’s journey into light by David Benedict

One part Angels in America to six parts Howards EndAbout a decade ago, theatre-makers started routinely describing themselves as being in the business of storytelling.

Linked From theartsdesk.com at 03:57AM
Sunday, February 11, 2018

'Why we understand each other': Peter Gill on The York Realist by David Benedict

The playwright-director reflects on his 1999 play, revived at the Donmar and Sheffield CrucibleFingers on buzzers… Question: What’s the connection between Days of Wine and Roses, Small C…

Linked From The Arts Desk at 09:00PM

'Why we understand each other': Peter Gill on The York Realist by David Benedict

'WHY WE UNDERSTAND EACH OTHER': Peter Gill on 'The York Realist'The playwright-director reflects on his 2001 play, revived at the Donmar and Sheffield CrucibleFingers on buzzers… Question:…

Linked From theartsdesk.com at 09:00PM
Tuesday, January 23, 2018

Lady Windermere's Fan, Vaudeville Theatre, review - Wilde abandoned by David Benedict

Jennifer Saunders gets laughs, but Kathy Burke's lamentable production misses the pointImagine, if you will, discovering a ninth-rate old melodrama about upper-class nonsense, hiring a …

Linked From The Arts Desk at 04:00AM
Friday, December 15, 2017

Pinocchio, National Theatre review - boy puppet lifts off, eventually by David Benedict

Look no strings: long-nosed cartoon character is humanised by a magical stagingFrom Nicholas Hytner and Alan Bennett’s wonderfully nostalgic version of The Wind in the Willows through Cora…

Linked From The Arts Desk at 04:54AM
Monday, July 3, 2017

10 Questions for actress Tracy-Ann Oberman: 'it's made me pretty fearless' by David Benedict

The TV and theatre star charts her route from 'EastEnders' and 'Toast of London' to 'Fiddler on the Roof'What do you call a woman who murdered Dirty Den, is the…

Linked From The Arts Desk at 05:18AM
Thursday, June 29, 2017

The Wind in the Willows, London Palladium review - an effortful slog by David Benedict

Kenneth Grahame-inspired musical starring Rufus Hound is at once overly perky and dramatically weightlessAn enormous amount rides on a musical's opening number. Without explicitly expressing…

Linked From The Arts Desk at 10:24PM
Wednesday, May 31, 2017

On the Town review - triple threat Danny Mac and co are unmissable by David Benedict

Glorious reimagining of Broadway rarity at Regent's Park Open Air TheatreOn 8 April 1952, screenwriters Betty Comden and Adolph Green were chatting to Charlie Chaplin at a party when he…

Linked From The Arts Desk at 07:24PM
Wednesday, April 12, 2017

Carousel, London Coliseum review - 'Katherine Jenkins is game, Boe out-acted by wig' by David Benedict

Star power isn't the reason to catch ENO's Rodgers and Hammerstein pricey co-production “Then I’ll kiss her so she’ll know.” At the sound of his ringing voice, the girls pa…

Linked From The Arts Desk at 02:12AM
Friday, December 9, 2016

Maria Friedman: side by side with Sondheim by David Benedict

She made a huge hit of Stephen Sondheim's most-famous flop – not bad for a girl who dropped out of school when she was 15 and was rejected as a theme-pub singer. Maria Friedman talks …

Linked From The Guardian at 05:36PM
Monday, May 25, 2015

Finishing the Hat: The Collected Lyrics of Stephen Sondheim by Stephen Sondheim - review by David Benedict

In this treasure chest of lyrics and essays, Stephen Sondheim appraises his own work with eye‑widening honesty

Linked From The Guardian at 05:58PM
Friday, July 18, 2014

'Gimme a vodka and a floorplan': Elaine Stritch remembered by David Benedict

My (very) small haul of autographs collected as a schoolboy ran the gamut from Peter Pears to Linda McCartney but even back then I knew the classiest signature I bagged was that of Elaine St…

Linked From The Arts Desk at 01:27AM
Thursday, January 16, 2014

Putting It Together, St James Theatre by David Benedict

“God,” wrote Stephen Sondheim, “is in the details.” Of course, he didn’t actually coin the phrase but throughout his published collections of lyrics he cites it as one of his three…

Linked From The Arts Desk at 06:46AM
Monday, December 2, 2013

Candide, Menier Chocolate Factory by David Benedict

How do you solve a problem like...no, not Maria, Candide? Musicals are loved for their scores – and Leonard Bernstein’s one for this really is a cracker – but they’re held together b…

Linked From The Arts Desk at 07:45PM
Thursday, October 3, 2013

Ghosts, Almeida Theatre by David Benedict

In a moment of scalding intensity at the climax of of Ghosts, terrified Oswald sees the sun. Throughout the rest of Ibsen’s celebrated drama about the sins of the past, light is fairly abs…

Linked From The Arts Desk at 07:10PM
Tuesday, April 16, 2013

Children of the Sun, National Theatre by David Benedict

They’re back, and this time it’s Gorky.read more

Linked From The Arts Desk at 09:33PM
Wednesday, April 10, 2013

Once, Phoenix Theatre by David Benedict

People sneer at musicals for endless reasons: they hate Broadway brashness, non-naturalistic lurches in and out of song, the sentimentality. One of the least acknowledged reasons, however, i…

Linked From The Arts Desk at 07:54PM
Friday, March 29, 2013

Before the Party, Almeida Theatre by David Benedict

Faced with an unfamiliar play, it’s usually hard to spot exactly where the writer stopped and the director started. Not here. This is one of those occasions where a director’s voice is c…

Linked From The Arts Desk at 04:10AM

All that Chat

2018-2019 BROADWAY SEASON