Thursday, May 17, 2012
The comedy “Miracle on South Division Street” at St. Luke’s Theater finds a family holding on tight to its secrets.
SOURCE: The New York Times Subscription at 05:51PMMonday, April 9, 2012
In “Just Sex” at Theater for the New City, a little dabbling in online pornography leads to dabbling in an open marriage.
SOURCE: The New York Times Subscription at 04:45PMWednesday, March 28, 2012
“Court-Martial at Fort Devens,” a play by Jeffrey Sweet at the Castillo Theater, revisits racial injustice within the military during World War II.
SOURCE: The New York Times Subscription at 06:24PMThursday, March 1, 2012
In his one-man show, “Be Careful! The Sharks Will Eat You!,” Jay Alvarez recounts his escape from Castro’s Cuba, summoning up at least half a dozen characters.
SOURCE: The New York Times Subscription at 07:47PMThursday, February 9, 2012
Couples’ therapy is usually intended for two, but in “Psycho Therapy” the relationship in question is a moving target.
SOURCE: The New York Times Subscription at 05:33PMTuesday, January 31, 2012
“The Philanderer,” a drawing-room farce by George Bernard Shaw about “advanced” relationships, is worth seeing, if only because of Shaw’s admission that the cad was something of a …
SOURCE: The New York Times Subscription at 05:21PMMonday, December 12, 2011
The Bread and Puppet shows “Attica” and “Man of Flesh & Cardboard” use papier-mâché heads and intricate masks and costumes to offer the outrage and satire of street theater.
SOURCE: The New York Times Subscription at 05:23PMTuesday, November 8, 2011
A. R. Gurney’s depiction of upper-crust privilege in its death throes is revived by the Actors Company Theater in “Children,” a family drama at the Beckett Theater.
SOURCE: The New York Times Subscription at 05:19PMMonday, October 17, 2011
Monday, August 15, 2011
Josh Koenigsberg’s dark new comedy, “Herman Kline’s Midlife Crisis,” shows that angst is not age-specific.
SOURCE: The New York Times Subscription at 05:33PMWednesday, March 30, 2011
“Cool Blues” is based on the last days of the jazz great Charlie Parker at the Fifth Avenue home of a faithful supporter and friend.
SOURCE: The New York Times Subscription at 05:23PMSunday, March 13, 2011
“The Great Divide,” an obscure 1906 melodrama written by William Vaughn Moody, provides clichéd characters who, at their best, are intriguing reflections of a changing nation.
SOURCE: The New York Times Subscription at 06:40PMMonday, February 7, 2011
“Starry Messenger,” a one-act play by Ira Hauptman, revolves around Galileo’s trial in 1633 and the clash between science and religion.
SOURCE: The New York Times Subscription at 07:13PMTuesday, January 11, 2011
