All stories by Clare Brennan on BroadwayStars

Saturday, May 4, 2013

The Kite Runner – review by Clare Brennan

Nottingham PlayhouseThis ponderous adaptation of Khaled Hosseini's 2003 novel is lightened by master musician Hanif Khan's on-stage tabla playing and by involving performances from its 10-st…

SOURCE: The Guardian at 07:05PM
Saturday, April 27, 2013

Sons Without Fathers – review by Clare Brennan

Belgrade theatre, CoventryYou know those football matches where, from that very first touch of the ball at kick-off, you can tell this is going to be a good one – and then it really is? Th…

SOURCE: The Guardian at 07:05PM

Queen of the Nile – review by Clare Brennan

Hull Truck, HullTim Fountain's new piece operates on two levels: romantic and political. As a romance it plays out a standard story of lovelorn westerners finding fulfilment in the east. Deb…

SOURCE: The Guardian at 07:05PM
Saturday, April 20, 2013

The Collected Works of Billy the Kid – review by Clare Brennan

Théâtre des Bouffes du Nord, ParisThe prose, poems, songs and reworkings of existing texts that make up Michael Ondaatje's 1970 meditation on the life of one of the United States's best-kn…

SOURCE: The Guardian at 07:05PM
Saturday, April 13, 2013

20 Tiny Plays About Sheffield – review by Clare Brennan

Crucible Studio, SheffieldSixty people on a studio stage, hemmed on three sides by audience – they surge, they pulse; they shimmer like a shoal of fish changing direction, shiver into cont…

SOURCE: The Guardian at 07:05PM

A Day in the Death of Joe Egg – review by Clare Brennan

Playhouse, LiverpoolAll creatures are mysterious. A child with the kind of brain that doesn't allow for co-ordinated movement or communicative speech or gesture is more mysterious than most.…

SOURCE: The Guardian at 07:04PM
Saturday, April 6, 2013

The Bloody Ballad – review by Clare Brennan

Studio, Old Vic, Bristol; and touringA magic dismemberment act in which a head appears to be removed from a body was once billed in a theatre programme as being "exceedingly amusing and in n…

SOURCE: The Guardian at 07:05PM
Saturday, March 30, 2013

Hamlet – review by Clare Brennan

RSC, Stratford-upon-AvonA set should not be so distracting. An arrangement of earth and skulls – clustered in threes – borders the wooden floorboards of an old-fashioned gymnasium, where…

SOURCE: The Guardian at 08:05PM

Hamlet review by Clare Brennan

RSC, Stratford-upon-Avon Continue reading...

SOURCE: The Guardian at 08:05PM
Saturday, March 23, 2013

Ignition – review by Clare Brennan

Brae Hall, ShetlandIt is night. We're sitting in cars facing darkly glittering water and a distant horizon. To our left, in the middle distance, flares flame: refinery burn-off, I guess…

SOURCE: The Guardian at 08:05PM
Saturday, March 16, 2013

The American Plan – review by Clare Brennan

Ustinov Studio, BathIt's a fragile thing, this drama by multi-award-winning US playwright Richard Greenberg, written in 1990 and here receiving its British premiere. The 1960s action takes p…

SOURCE: The Guardian at 08:05PM
Saturday, March 9, 2013

Longing – review by Clare Brennan

Hampstead, LondonWilliam Boyd is an award-winning novelist and screenwriter. Until now, though, he had never written a play. To get himself started, he decided, as he put it, to "stitch toge…

SOURCE: The Guardian at 07:05PM

Tull – review by Clare Brennan

Octagon, BoltonWalter Tull (1888-1918) was "the first black outfield footballer to play in the old First Division in England" and, later, a second lieutenant in the Special Reserve of office…

SOURCE: The Guardian at 07:05PM

Tull – review by Clare Brennan

Octagon, BoltonWalter Tull (1888-1918) was "the first black outfield footballer to play in the old First Division in England" and, later, a second lieutenant in the Special Reserve of office…

SOURCE: The Guardian at 07:05PM
Saturday, February 23, 2013

The Full Monty – review by Clare Brennan

Lyceum, SheffieldIt's not surprising that when it appeared in 1997 The Full Monty was instantly dubbed a "feelgood" film. Set in the late 1980s, it tells the story of a group of skilled men …

SOURCE: The Guardian at 07:04PM
Saturday, February 16, 2013

A Life of Galileo – review by Clare Brennan

Swan, Stratford-upon-AvonAt first, Ian McDiarmid's performance seems way too actorly – like a TV historian overly eager to communicate enthusiasm. Stripped to the waist to perform his morn…

SOURCE: The Guardian at 07:05PM
Saturday, February 9, 2013

The Captain of Köpenick; Pierrepoint: The Hangman's Tale – review by Clare Brennan

Olivier, London; Dukes, LancasterIn spite of Antony Sher's valiant efforts in the title role, it's hard to believe, watching this ponderous production, that Carl Zuckmayer's 1931 satire is c…

SOURCE: The Guardian at 07:05PM
Saturday, February 2, 2013

Of Mice and Men – review by Clare Brennan

Octagon, BoltonJohn Steinbeck's 1937 novel makes a great story but a long-winded drama (as well as, twice, a film). It turns around one unresolvable conflict – between (wo)man and the wide…

SOURCE: The Guardian at 07:04PM
Saturday, January 26, 2013

The Maids – review by Clare Brennan

Citizens, GlasgowDirector/designer Stewart Laing's production of The Maids is vividly theatrical (the stage curtain gets a round of applause). But its visual surprises and non-textual interv…

SOURCE: The Guardian at 07:04PM
Saturday, January 19, 2013

JB Shorts – review by Clare Brennan

The Studio at the Lowry, SalfordThe disadvantage of underground theatre (unsubsidised, popping up in pubs and other non-standard venues) is that productions usually run for only a few days. …

SOURCE: The Guardian at 07:06PM

Hand Stories – review by Clare Brennan

Barbican, London EC2The stage is almost entirely black. In the centre, a white oblong rises, a scroll about as tall and wide as an unfurled roll of wallpaper. Black and white smudges flow ov…

SOURCE: The Guardian at 07:01PM
Saturday, December 22, 2012

The Borrowers; The Mouse and His Child; Robin and His Merry Mam!; Dial M for Murgatroyd by Clare Brennan

Northern Stage, Newcastle; Royal Shakespeare theatre, Stratford-upon-Avon; York Theatre Royal; Sir John Mills theatre, IpswichThis is a fantastic time of year for a theatre reviewer – it's…

SOURCE: The Guardian at 07:04PM
Saturday, December 8, 2012

Cinderella – review by Clare Brennan

Stephen Joseph theatre, ScarboroughElla has a mark on her brow made by a falling cinder from a passing star. So says Woody Drift, her fanciful seafaring father, whose vivid imagination outst…

SOURCE: The Guardian at 07:06PM

Rats' Tales; Arabian Nights – review by Clare Brennan

Royal Exchange, Manchester; Lowry, SalfordAncient storytelling traditions kaleidoscope to life in two texts by contemporary writers. Rats' Tales sashays out of shadow-fraught European forest…

SOURCE: The Guardian at 07:04PM
Saturday, December 1, 2012

The Double – review by Clare Brennan

Ustinov Studio, Theatre Royal, BathLaurence Boswell's response to the challenge of transforming The Double for the stage is astutely theatrical. In Dostoevsky's second novel, a clerk is driv…

SOURCE: The Guardian at 07:02PM
Saturday, November 10, 2012

The Spire – review by Clare Brennan

Salisbury Playhouse, SalisburyIdeally, an adaptation should do two things: it should reflect its original and it should work on the terms of its new medium. Bizarrely, Roger Spottiswoode's t…

SOURCE: The Guardian at 07:01PM
Saturday, November 3, 2012

Orpheus Descending – review by Clare Brennan

Royal Exchange, ManchesterThis wild confection of southern belle pettiness, redneck malevolence and racist viciousness takes pretty much every trope of the deep south, laces them with poetic…

SOURCE: The Guardian at 08:06PM
Saturday, October 20, 2012

Ulysses – review by Clare Brennan

Tron, GlasgowJames Joyce's notoriously dense 1922 novel follows a group of characters on a voyage through the events and imaginings of a superficially mundane Dublin day (16 June 1904). Derm…

SOURCE: The Guardian at 07:04PM

The Guinea Pig Club – review by Clare Brennan

Theatre Royal, YorkWriter Susan Watkins's debut drama about the second world war pilots who became the "guinea pigs" for innovative plastic surgeon Archibald McIndoe delivers a great story i…

SOURCE: The Guardian at 07:03PM
Saturday, October 6, 2012

Finding Neverland – review by Clare Brennan

Curve, LeicesterLast week, speaking on Front Row on Radio 4, the director of the National theatre, Nicholas Hytner, called on our government to reinstate the money it has cut from the b…

SOURCE: The Guardian at 07:02PM
Saturday, September 29, 2012

The Guid Sisters – review by Clare Brennan

Royal Lyceum, Edinburgh; then touringMichel Tremblay's 1968 play is set in a working-class district of Montreal and written in the local French-Canadian dialect (called joual). Translated in…

SOURCE: The Guardian at 07:03PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic