All stories by Christopher Henley on BroadwayStars

Friday, March 31, 2017

Shakespeare isn’t the only Bard: Charlene V Smith, talking about Brave Spirits’ Incest Rep by Christopher Henley

“A King and No King has never been professionally staged in the DC metropolitan area before, and it’s our fifth play from the early modern era that we can say that about, in just six yea…

SOURCE: DC Theatre Scene at 10:54AM
Wednesday, March 29, 2017

The uncompromising Ms Zinoman, legendary Studio founder, on directing Blood Knot for Mosaic Theater Company by Christopher Henley

“It’s like rehearsals are on fire.” Say “Joy” to anyone at all involved with theatre in DC — as practitioner or as audience — and that person will know immediately that you …

SOURCE: DC Theatre Scene at 10:42AM
Friday, March 24, 2017

Human actors get trapped in the Disney techno-spell cast over Beauty and the Beast (review) by Christopher Henley

The idea seemed promising: take a classic, well-loved, mega-popular animated Disney film and remake it as a live-action movie; hire an accomplished, imaginative director; cast it with good a…

SOURCE: DC Theatre Scene at 06:54PM
Friday, March 17, 2017

Paper Dreams, dance theatre for the very young, at Imagination Stage (review) by Christopher Henley

A charming Continental vibe pervades Paper Dreams, the latest offering at Imagination Stage in its series (called “My First Imagination Stage”) that is specifically designed for very you…

SOURCE: DC Theatre Scene at 11:12AM
Wednesday, March 1, 2017

Elevator Repair Service’s The Select (The Sun Also Rises) at STC (review) by Christopher Henley

Three hours and ten minutes breeze by in The Select, Elevator Repair Service’s delightfully inventive riff on Ernest Hemingway’s classic novel The Sun Also Rises. I thoroughly enjoyed it…

SOURCE: DC Theatre Scene at 11:42AM
Wednesday, February 15, 2017

Robert Joy puts TV and film career on hold for role of a lifetime in King Charles III by Christopher Henley

“This role — and this play — lifts off the Earth. It flies in a certain way. It’s such a great role and a great play.” Robert Joy, who has had a remarkable career in theatre, film,…

SOURCE: DC Theatre Scene at 11:24AM
Monday, February 6, 2017

Holly Twyford on being Edward Albee’s Martha at Ford’s Theatre by Christopher Henley

“When I leave here, I will try not to talk for the rest of the day.” It was 9:30am when I met Holly Twyford for a chat about the rigors of playing Martha in Who’s Afraid of Virginia Wo…

SOURCE: DC Theatre Scene at 11:18AM
Friday, January 13, 2017

An actor’s life: Remembering Steve Wilhite by Christopher Henley

The last of many plays I worked on with Steve Wilhite was Richard II at WSC Avant Bard (then called Washington Shakespeare Company). I played the title role; Steve played Thomas Mowbray, Duk…

SOURCE: DC Theatre Scene at 10:33AM
Monday, January 9, 2017

Jonathan Padget, whose tip located Tricia McCauley, decries systemic failures in DC by Christopher Henley

Through her work as an actor, as a yoga instructor, as an urban gardener, and as a nutritionist/herbalist, Tricia McCauley had a large network of colleagues and friends. On the day after Chr…

SOURCE: DC Theatre Scene at 08:18AM
Friday, January 6, 2017

Film Review: Denzel Washington brings Wilson’s powerful Fences to the screen by Christopher Henley

A great film version of a great play is a rare thing. More often than not, the alchemy that results in success on stage resists translation to the screen,  and film history is replete with …

SOURCE: DC Theatre Scene at 02:33PM
Thursday, December 1, 2016

TAME./Shrew Part Two: Shrew views and dangerous plays or what’s a theatre for? by Christopher Henley

Last week, we posted Part One of my talk with three local theatre-makers who have engaged Shakespeare’s troublesome early comedy The Taming of the Shrew. Jonelle Walker’s TAME. runs thro…

SOURCE: DC Theatre Scene at 12:02PM
Friday, November 25, 2016

Remembering DC actor/director Richard M. Mancini, whose memorial is this Sunday at Keegan by Christopher Henley

So many of the benchmarks from my almost forty years working in the small professional theatre scene in Washington, DC were shared with my dear friend Richard Mancini. Opening the original S…

SOURCE: DC Theatre Scene at 12:31PM
Tuesday, November 22, 2016

A View from the Bridge at The Kennedy Center (review) by Christopher Henley

Arthur Miller’s A View From the Bridge was an experiment. Miller wanted to take the elements of Greek tragedy and focus them on a protagonist who is not a ruler or a great warrior, but ins…

SOURCE: DC Theatre Scene at 08:48PM

TAME./Shrew: Three women talk about facing the Bard’s troubling play head on by Christopher Henley

WSC Avant Bard is presenting a world premiere and critics have lavished praise on its playwright. “Jonelle Walker’s vivid, artfully unnerving TAME. is a retort to Shakespeare’s The Tam…

SOURCE: DC Theatre Scene at 06:42PM
Thursday, October 6, 2016

Mitchell Hébert on the challenge of playing Roy Cohn by Christopher Henley

“You have to get to a place where you can just get out of your own way to play this guy.” “This guy” is the infamous Roy Cohn, who is the real-life antagonist in Tony Kushner’s epi…

SOURCE: DC Theatre Scene at 12:38PM
Tuesday, September 20, 2016

Edward Albee personal tribute: he forgave me (and didn’t have to) by Christopher Henley

The legendary, indispensable (and greatly lamented by me) Circle Theatre was a movie house famous for its double features. The program changed every two or three days. As an adolescent, I sp…

SOURCE: DC Theatre Scene at 01:00PM
Thursday, August 25, 2016

London notebook: I saw a show you’ll likely see here, and that’s The Truth by Christopher Henley

To tell the truth, The Truth is a thoroughly delightful evening. The play is hilarious, clever, and insightful. That said, I think I would have admired it much more if it wasn’t also so de…

SOURCE: DC Theatre Scene at 11:32AM
Wednesday, August 24, 2016

London notebook: Stunning production The Deep Blue Sea (review) by Christopher Henley

The Deep Blue Sea is a wonderful play by Terence Rattigan, with a wonderful lead role for a woman. Helen McCrory is a wonderful actor who takes full advantage of the opportunities the part …

SOURCE: DC Theatre Scene at 08:44AM
Friday, August 12, 2016

Review: Florence Foster Jenkins. Streep is marvelous, but nearly eclipsed by Simon Helberg and Hugh Grant by Christopher Henley

The story of Florence Foster Jenkins is true; it’s strange; it brings up a lot of interesting questions about the intersection of money and the arts; and it is now a movie. In fact, it…

SOURCE: DC Theatre Scene at 11:21AM
Friday, August 5, 2016

Remembering Zelda Fichandler’s Arena Stage by Christopher Henley

Since the death of Zelda Fichandler on July 29th, there have been numerous tributes to the woman, her accomplishments, and her great and important legacy. All are well-earned and thoroughly …

SOURCE: DC Theatre Scene at 11:45AM
Thursday, July 28, 2016

Globe’s marvelous Merchant for 21st century audiences (review) by Christopher Henley

Shakespeare’s Globe has brought a wonderful The Merchant of Venice to The Kennedy Center for an unfortunately too-brief stay. Jonathan Munby’s production is powerful, smart, handsome, me…

SOURCE: DC Theatre Scene at 02:46PM
Friday, June 17, 2016

Remembering Keith Parker by Christopher Henley

On Monday next, June 20th at 7 pm, a memorial will be held at Source Theatre. 1835 14th St., NW.  for Keith Parker. The long-time Literary Manager at Source Theatre Company, Keith becam…

SOURCE: DC Theatre Scene at 12:49PM
Wednesday, June 15, 2016

Laughter, tears, playing through and carrying on in the face of Orlando tragedy by Christopher Henley

Sunday morning, most of us woke up to the dreadful news about the massacre at the Pulse nightclub in Orlando. Sunday is a day off, of course, for a lot of people. For others, it’s a wo…

SOURCE: DC Theatre Scene at 12:09AM
Wednesday, June 1, 2016

Don’t miss these stars on Starz: Hopkins and McKellen in The Dresser by Christopher Henley

“This cold night will turn us all to fools and madmen,” speaks the Fool in King Lear. The action of The Dresser takes place over one night before, during, and after a performance of that…

SOURCE: DC Theatre Scene at 09:01AM
Friday, May 27, 2016

Brent Barrett, bringing his razzle-dazzle to Signature’s La Cage by Christopher Henley

“I have a long history with the show,” Brent Barrett told me. The extremely busy musical theatre actor, with an impressive (and international) resumé, begins previews next week playing …

SOURCE: DC Theatre Scene at 11:54AM
Tuesday, May 24, 2016

2016 Helen Hayes Awards. Highlights from being there and thoughts the day after by Christopher Henley

What’s it going to be like this year? That was a question in the minds of many in the theatre community as last night’s Helen Hayes Awards ceremony approached. For nearly 30 years, the t…

SOURCE: DC Theatre Scene at 02:29PM
Friday, May 20, 2016

All That Fall by Beckett (review) Pan Pan Theatre production is theatrical nirvana by Christopher Henley

Pan Pan Theatre’s stage production of Samuel Beckett’s radio play All That Fall, playing four more times in the Terrace Gallery as part of The Kennedy Center’s Ireland 100 festival, i…

SOURCE: DC Theatre Scene at 09:49AM
Thursday, May 19, 2016

Abbey Theatre’s Plough and the Stars (review) by Christopher Henley

It is one hundred years almost to the month since the Easter Rising, the insurrection that began the armed struggle of Irish Nationalists against British occupation. It is ninety years almos…

SOURCE: DC Theatre Scene at 02:37PM
Wednesday, May 11, 2016

Fletcher McTaggart finally coming home after “perfect storm” audition gets him the role of Martin Luther by Christopher Henley

“It just all sort of fell in place. The perfect storm.” Fletcher McTaggart was telling me how he landed the title role in Martin Luther on Trial. Fellowship for Performing Arts (FPA), th…

SOURCE: DC Theatre Scene at 02:15PM
Tuesday, February 16, 2016

Madeleine Potter adds to her “weird tribe” playing Amanda Wingfield in Glass Menagerie by Christopher Henley

“This is my first role in a Tennessee Williams play, but it’s true that I’ve been told that I should play Blanche since I was thirteen. God knows what that means. But, having played hi…

SOURCE: DC Theatre Scene at 11:04AM
Wednesday, February 10, 2016

At Source, a cast reunion: Equus 1982 and Equus 2016 by Christopher Henley

“That play and that experience — what’s that lovely word? Seminal.” Actor Kryztov Lindquist was talking about Equus. Thirty-three years ago, at Source Theatre Company on 14th Str…

SOURCE: DC Theatre Scene at 02:54PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards