All stories by Chris Williams on BroadwayStars

Saturday, April 1, 2017

Theatre Review: ‘Battlefield’ at The Kennedy Center by Chris Williams

Peter Brook has been called “our greatest living theatre director”, so his inclusion in The Kennedy Center’s “Spotlight on Directors” series is a straightforward one. Nonetheless, …

SOURCE: mdtheatreguide.com at 02:03PM
Monday, March 27, 2017

Concert Review: ‘Petrushka’ by the Baltimore Symphony Orchestra at Strathmore by Chris Williams

The Baltimore Symphony Orchestra’s “Petrushka” on Saturday night was a masterclass in ‘how to do’ orchestral music. An exciting and intelligent program, a captivating soloist and f…

SOURCE: mdtheatreguide.com at 10:20PM
Saturday, March 18, 2017

Theatre Review: ‘Mrs. Miller Does Her Thing’ at Signature Theatre by Chris Williams

I hope that – from time to time – everyone else has the nagging concern that they might secretly be ‘a Mrs. Miller’, because I certainly do. A housewife from Claremont, Calif…

SOURCE: mdtheatreguide.com at 05:05PM
Friday, March 3, 2017

Theatre Review: ‘The Gospel at Colonus’ by WSC Avant Bard at Gunston Arts Center by Chris Williams

The time is the present, the place a ‘sacred site’. Part religious rite, part parable, part Gospel musical and part Greek tragedy, “The Gospel at Colonus” is a rich tapestry, and…

SOURCE: mdtheatreguide.com at 09:09AM
Monday, February 27, 2017

Concert Review: ‘Mendelssohn Symphony No.4’ by Baltimore Symphony Orchestra at Strathmore by Chris Williams

The caricature of classical music is that it is ‘serious’ music. The serious conductor conducts the serious musicians, while the audience looks on, seriously. Revealing the lie of this, …

SOURCE: mdtheatreguide.com at 09:21PM
Monday, February 20, 2017

Opera Review: ‘Léonore, ou L’Amour conjugal’ by Opera Lafayette at the Lisner Auditorium by Chris Williams

Gaveaux’s opera comique “Léonore, ou L’Amour conjugal” has become something of a historical footnote to Beethoven over the years. Wildly popular in late to post-revolutionary France…

SOURCE: mdtheatreguide.com at 08:35PM
Saturday, February 11, 2017

Theatre Review: ‘Watch on the Rhine’ at Arena Stage by Chris Williams

Both the Artistic Director of Arena Stage, Molly Smith, and the director of their powerful new production, “Watch on the Rhine”, Jackie Maxwell, emphasize the importance of conte…

SOURCE: mdtheatreguide.com at 11:40PM
Tuesday, December 13, 2016

Theatre Review: ‘At Sea, Staring Up’ by The Wheel Theatre Company at DC Arts Center by Chris Williams

Finegan Kruckemeyer’s “At Sea, Staring Up” is about the in-between places. The place – physical and emotional – between people, the place between the real and the unreal, t…

SOURCE: mdtheatreguide.com at 02:10PM

Opera Review: ‘Goyescas’ and ‘Goyesquitas’ by In Series at Gala Hispanic Theatre by Chris Williams

The planned Parisian premiere of Enrique Granados’ one-act opera “Goyescas” was canceled because of World War I, opening instead at The Met in 1916. It was so positively received that…

SOURCE: mdtheatreguide.com at 02:05PM
Wednesday, November 23, 2016

Theatre Review: The Young Vic Production of ‘A View From the Bridge’ at The Kennedy Center by Chris Williams

Ivo Van Hove’s “A View From the Bridge” is flawless theatre. It is visceral, detailed, and beautifully wrought with acute clarity of intent and singularity of vision. Arthur Miller’s…

SOURCE: mdtheatreguide.com at 06:37PM
Friday, November 18, 2016

Live Event Review: ‘Metropolis’ screening by Constellation Theatre Company by Chris Williams

Constellation Theatre’s latest offering is a screening of Fritz Lang’s iconic film “Metropolis,” to live original music composed, improvised, and performed by Tom Teasley. When “Me…

SOURCE: mdtheatreguide.com at 11:42PM
Monday, November 14, 2016

Opera Review: ‘The Daughter of the Regiment’ by Washington National Opera at The Kennedy Center by Chris Williams

A story of old-fashioned love overcoming circumstance with catchy tunes and moments of emotionally moving music amidst a background of well-crafted silliness. What else could you ask for? If…

SOURCE: mdtheatreguide.com at 08:37PM
Tuesday, October 25, 2016

Theatre Review: ‘Rameau’s Nephew’ at Spooky Action Theater by Chris Williams

  “Rameau’s Nephew,” translated and adapted by Shelly Berc and Andrei Belgrader, after Denis Diderot’s “Le Neveu de Rameau,” is an imaginary dialogue between “I,” The Ph…

SOURCE: mdtheatreguide.com at 11:17PM
Monday, October 24, 2016

Concert Review: ‘The Romantics III: Schumann & Heine’ by the In Series at Source Theatre by Chris Williams

The In Series’ latest offering is a real treat for a Sunday afternoon. Performed at Source Theatre, “The Romantics III” features the songs of Robert Schumann (1810-1856), in a salon-st…

SOURCE: mdtheatreguide.com at 11:22PM
Sunday, October 23, 2016

Theatre Review: ‘A Funny Thing Happened on the Way to the Forum’ at American University by Chris Williams

The American University Department of Performing Arts production of Stephen Sondheim, Burt Shevelove and Larry Gelbart’s “A Funny Thing Happened On The Way To The Forum” goes for the s…

SOURCE: mdtheatreguide.com at 03:57PM
Tuesday, October 11, 2016

Concert Review: ‘The National Philharmonic: Chee-Yun Plays The Four Seasons’ at the Music Center at Strathmore by Chris Williams

The four violin concerti that make up Vivaldi’s “The Four Seasons” seem to be somehow firmly lodged in our cultural collective unconscious. I have friends who have never attend…

SOURCE: mdtheatreguide.com at 12:50AM
Friday, July 22, 2016

Fringe Review: ‘Dial R for Robot’ at the Atlas Performing Arts Center by Chris Williams

There is much to love in Dial R for Robot, billed variously as “a sci-fi Hitchcock rock opera” and a “multimedia rock opera re-boot.” At its (beating, digital) heart is the eclectic …

SOURCE: mdtheatreguide.com at 09:48AM
Tuesday, July 19, 2016

Fringe Review: ‘Do Not Disturb’ at the Atlas Performing Arts Center by Chris Williams

The Forgotten Opera Company is the “alter-ego” of The Victorian Lyric Opera Company, and could perhaps be described as the ‘new music wing’ of the company. A community theatre compan…

SOURCE: mdtheatreguide.com at 11:07PM
Monday, July 18, 2016

Theatre Review: ‘8 STOPS’ at the Randolph Road Theater by Chris Williams

Unexpected Stage Company’s production of 8 STOPS, written and performed by Deb Margolin, tackles universal themes, but through a very personal experience of birth, illness, and above all, …

SOURCE: mdtheatreguide.com at 06:46PM

Fringe Review: ’35mm: A Musical Exhibition’ at Atlas Performing Arts Center by Chris Williams

35mm: A Musical Exhibition is a concept musical written around a series of photographs by Matthew Murphy, which are projected in this production onto the back wall as the songs are sung, wit…

SOURCE: mdtheatreguide.com at 06:36PM
Tuesday, June 14, 2016

Theatre Review: ‘Towards Zero’ at Cockpit in Court Summer Theatre by Chris Williams

Cockpit in Court Summer Theatre, at the Community College of Baltimore County, has been making theatre for the greater Baltimore area for more than forty years. One of their diverse offering…

SOURCE: mdtheatreguide.com at 12:52PM
Sunday, June 12, 2016

Theatre Review: ‘Ragtime’ at Wolf Trap National Park for the Performing Arts by Chris Williams

Ahrens and Flaherty, the songwriting team behind Ragtime the musical, are probably best known outside of the theatre for their Academy Award and Golden Globe nominated work on the animated f…

SOURCE: mdtheatreguide.com at 04:51PM
Friday, June 10, 2016

Theatre Review: ‘Buried Cities’ at Source Festival by Chris Williams

There is something exciting happening over on 14th Street. This year’s Source Festival, organised by CulturalDC runs from June 8 to July 3, and has the kind of energy than can only be wrou…

SOURCE: mdtheatreguide.com at 02:43PM
Tuesday, June 7, 2016

Theatre Review: ‘Going to a Place where you Already Are’ at Theater Alliance by Chris Williams

Theater Alliance’s production of Bekah Brunstetter’s Going to a Place where you Already Are may begin at a funeral and end in heaven, but it covers a lot of ground in between. It is also…

SOURCE: mdtheatreguide.com at 12:17AM
Saturday, June 4, 2016

Theatre Review: ‘Lost in Wonderland’ at Caos on F by Chris Williams

  The Pallas Theatre Collective exists not just to stage new musical theatre, but to go through the vital process of developing it. This is a tricky, and often untold, part of every suc…

SOURCE: mdtheatreguide.com at 11:36PM
Friday, June 3, 2016

Theatre Review : ‘The Who & The What’ at Round House Theatre by Chris Williams

There’s an excitingly fine line between hilarity and heartbreak in Ayad Akhtar’s The Who & the What, the final production of Round House Theatre’s 2015/2016 season. It̵…

SOURCE: mdtheatreguide.com at 03:44PM
Thursday, May 26, 2016

Theatre Review: ‘The Taming of the Shrew’ at Shakespeare Theatre Company by Chris Williams

It’s been a big year for Shakespeare, and 400 years on he can seem as remarkably modern as he does, sometimes, show his age. Ed Sylvanus Iskandar’s new production of The Taming of The Sh…

SOURCE: mdtheatreguide.com at 10:29PM
Tuesday, May 24, 2016

Theatre Review: ‘Blackberry Winter’ at Forum Theatre by Chris Williams

The final production in Forum Theatre’s twelfth season, Blackberry Winter by Steve Yockey, forms part of the National New Play Network’s flagship initiative of Rolling World Premieres. A…

SOURCE: mdtheatreguide.com at 10:13PM
Monday, May 16, 2016

Theatre Review: ‘Happy Hour’ at Spooky Action Theater by Chris Williams

Happy Hour, Spooky Action Theater’s innovative new production in collaboration with the Goethe-Institut Washington, is currently playing at their usual home inside the Universalist Na…

SOURCE: mdtheatreguide.com at 04:14PM
Friday, January 22, 2016

Theatre Review: ‘Sweat’ at Arena Stage by Chris Williams

Lynn Nottage’s Sweat masterfully explores the experience of a group of workers in Reading, PA, against the shifting economic realities of the year 2000. Recession and the de-industrializa…

SOURCE: mdtheatreguide.com at 04:02PM
Tuesday, January 19, 2016

Theatre Review: ‘Equus’ at Constellation Theatre Company by Chris Williams

Equus, now playing at Constellation Theatre Company, follows the story of child psychiatrist, Martin Dysart (played here by Michael Kramer), and his interactions with 17-year-old patient Al…

SOURCE: mdtheatreguide.com at 01:30PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic