All stories by Charles McNulty on BroadwayStars

Tuesday, February 4, 2014

Review: Limited scale both diminishes and enhances 'Light' at SCR by Charles McNulty

Adam Guettel's music is the essence of 'The Light in the Piazza.' Performed by just five musicians, the score doesn't have Broadway heft. But director Kent Nicholson focuses in on the drama …

SOURCE: Los Angeles Times at 08:30AM
Monday, February 3, 2014

Theater review: 'Bethany,' at Old Globe, challenges credibility by Charles McNulty

Laura Marks' play, concerning squatters in a foreclosed house, features plot points that defy common sense, and the production compounds the problem — though the characterizations most…

SOURCE: Los Angeles Times at 07:05PM

Philip Seymour Hoffman, a theatrically charged talent by Charles McNulty

As a theater actor, Philip Seymour Hoffman commanded a pile-driving force. He didn’t start softly and build. He came out of the blocks in a fury and steadily ratcheted up to an apoplec…

SOURCE: Los Angeles Times at 03:00PM
Thursday, January 30, 2014

Review: 'Passion Play' a religious-themed romp through history by Charles McNulty

Sarah Ruhl's 'Passion Play' at the Odyssey Theatre is a bit unwieldy and long, but boldly imaginative and ambitious.Right at the start of Sarah Ruhl's "Passion Play," now at the Odyssey Thea…

SOURCE: Los Angeles Times at 07:30AM
Tuesday, January 28, 2014

Review: Other voices but not its own in 'Se Llama Cristina' by Charles McNulty

Octavio Solis' new play might get you thinking about a lot of 20th century writers, but the nightmarish 'Se Llama Cristina' — at Theatre @ Boston Court — can't speak for itself.I…

SOURCE: Los Angeles Times at 11:00AM
Thursday, January 23, 2014

Review: Christopher Plummer, a man of letters, says 'A Word or Two' by Charles McNulty

The skilled Shakespeare interpreter and film star Christopher Plummer roams a lifetime devoted to books in the elegant one-man stage show 'A Word or Two.'If you've ever said to yourself afte…

SOURCE: Los Angeles Times at 07:30PM
Wednesday, January 22, 2014

The daring theater of 'Prudencia Hart,' 'Penny Plain' by Charles McNulty

Critic's Notebook: For plays with a refreshing otherworldliness, there's nothing quite like the recent L.A. productions of 'The Strange Undoing of Prudencia Hart' and 'Penny Plain.'Playwrigh…

SOURCE: Los Angeles Times at 09:30AM
Wednesday, January 15, 2014

Review: Beckett novels shrunk to savory appetizers in 'I'll Go On' by Charles McNulty

In 'I'll Go On,' Barry McGovern performs well chosen excerpts from three Samuel Beckett novels. He is a superb interpreter, but these morsels leave the listener wanting to taste more.Irish a…

SOURCE: Los Angeles Times at 10:00AM
Monday, January 13, 2014

Review: 'Trudy and Max in Love's' amorous, adulterous journey by Charles McNulty

Zoe Kazan's play, starring Aya Cash and Michael Weston at South Coast Repertory, wrestles honestly with the fiction of happy endings, but the dramatic stakes are small. "Trudy and Max in Lov…

SOURCE: Los Angeles Times at 08:05PM
Friday, December 27, 2013

Faces to Watch 2014: Theater by Charles McNulty

Annette Bening performs Ruth Draper monologues, Ayad Akhtar premieres his next play and Taraji P. Henson stars in 'Above the Fold'The Times asked its reporters and critics to highlight figur…

SOURCE: Los Angeles Times at 12:30PM
Friday, December 20, 2013

A vintage year onstage as classics blended with provocative premieres by Charles McNulty

Notes on the Year: The performance year was a marriage of well-played canonical classics and intriguing work by provocative playwrights, even if from afar.Much that was old was new again in …

SOURCE: Los Angeles Times at 09:30AM

Best of 2013: Charles McNulty picks 'American Buffalo,' 'Prometheus Bound' by Charles McNulty

In the Southland and elsewhere, these onstage performances stood out.In this time when news is disseminated ever more quickly, we asked our critics to list the best of culture in 2013 in twe…

SOURCE: Los Angeles Times at 09:30AM
Wednesday, December 18, 2013

Difficult truths to face as theater leaders talk diversity, economics by Charles McNulty

Critic's Notebook: Missing in a panel hosted by the Pasadena Playhouse is how to broaden the theater world's artistic diversity.In 21st century America, there is one subject even more diffic…

SOURCE: Los Angeles Times at 09:00AM
Saturday, December 14, 2013

It's Brit versus Yank in Shakespeare on Broadway by Charles McNulty

Critic's Notebook: 'Twelfth Night' and 'Richard III' with English actor Mark Rylance at Shakespeare's Globe Theatre face off against 'Macbeth' with Ethan Hawke at Lincoln Center.NEW YORK &md…

SOURCE: Los Angeles Times at 02:00PM
Tuesday, December 10, 2013

Theater review: 'The Steward of Christendom' leans too much on words by Charles McNulty

Brian Dennehy's performance at the Mark Taper Forum is forceful and heartfelt, but the Sebastian Barry play that nods to Irish history lacks momentum. Whatever form Irish novelist and playwr…

SOURCE: Los Angeles Times at 08:00AM
Saturday, December 7, 2013

Lively 'Peter and the Starcatcher' make us believers again by Charles McNulty

Handcrafted magic in the cheeky prequel to Peter Pan employs simplicity and audience imagination to cast its spell.These days it seems as though every time I turn around there's another inst…

SOURCE: Los Angeles Times at 09:00AM
Friday, December 6, 2013

HBO's 'Six by Sondheim' offers stylish salute to a stage legend by Charles McNulty

LOS ANGELES — Ever since Stephen Sondheim reached the four-score mark three years ago, the spotlight has shifted from his work to the legend himself. There have been birthday galas, mu…

SOURCE: Chicago Tribune Subscription at 03:39PM

Review: 'Parfumerie' at Wallis Annenberg Center has zaniness in store by Charles McNulty

Despite a cumbersome setup, the romantic comedy 'Parfumerie' playing in fancy Beverly Hills digs makes a festive holiday treat for adults.Scrooge still holds a monopoly on holiday theater, b…

SOURCE: Los Angeles Times at 08:30AM
Sunday, December 1, 2013

Bette Midler eats up her turn as Mengers, heading to the L.A. stage by Charles McNulty

One-woman show 'I'll Eat You Last: A Chat With Sue Mengers' turns out to be just the right fit for the Divine Miss M.NEW YORK — Tea time at Sardi's, and in rushed Bette Midler too busy…

SOURCE: Los Angeles Times at 01:00PM
Friday, November 22, 2013

Review: Catastrophe loves company in 'We're Gonna Die' by Charles McNulty

Playwright Young Jean Lee shares the bleak facts of life in her delightful hipster cabaret.Death and denial were made for each other, but for those facing tragedy, the raw truth can be a ton…

SOURCE: Los Angeles Times at 09:00AM
Tuesday, November 19, 2013

Review: Reworked 'Side Show' puts gripping emotion in the main tent by Charles McNulty

The musical 'Side Show' flopped on Broadway in 1997 but won an enduring audience. Bill Condon enters the scene to relaunch the musical. Not all problems are solved, but there's power aplenty…

SOURCE: Los Angeles Times at 08:30AM
Thursday, November 14, 2013

Shakespeare scholar Anne Barton dies at 80, a graceful, expert voice by Charles McNulty

Anne Barton, one of the 20th century’s foremost Shakespeare scholars, died Monday in Cambridge, England.  She was 80 years old. The announcement was made by Cambridge University, wher…

SOURCE: Los Angeles Times at 03:10PM
Tuesday, November 12, 2013

Review: '12 Angry Men,' cast in black and white, misses the gray by Charles McNulty

The blunt '12 Angry Men' at Pasadena Playhouse confronts racial relations by remaking Reginald Rose's jury into six black and six white men.Direct from the age of black-and-white television,…

SOURCE: Los Angeles Times at 09:30AM
Saturday, November 9, 2013

Tennessee Williams receives a production worthy of him by Charles McNulty

Critic's Notebook: The hot-ticket Broadway revival of 'The Glass Menagerie,' Tennessee Williams' breakthrough play, underscores the poetry-tinged beauty of his writing. More productions like…

SOURCE: Los Angeles Times at 01:00PM
Wednesday, November 6, 2013

Review: 'the road weeps, the well runs dry' takes its toll by Charles McNulty

The Latino Theater Company drama at the Los Angeles Theater Center is tantalizing but feels like a work in progress.Marcus Gardley taps into some fascinating, and for many little known, hist…

SOURCE: Los Angeles Times at 08:00AM
Tuesday, November 5, 2013

Review: Garage-band blues played by 'The Black Suits' by Charles McNulty

'The Black Suits,' a new musical co-created by Joe Iconis, offers a no-stakes, Partridge Family/After School Special sort of tale about a fledgling band. Still, Iconis is a talent in the mak…

SOURCE: Los Angeles Times at 08:00AM
Tuesday, October 29, 2013

Theater Review: '4000 miles' takes a dramatic journey across the generations by Charles McNulty

Set in one room, the South Coast Rep production goes further than many works in presenting meaningful character interaction.Amy Herzog's "4000 Miles" is a small drama that's confined to one …

SOURCE: Los Angeles Times at 09:00AM
Monday, October 28, 2013

Review: Audra McDonald taps the soul of songs in concert by Charles McNulty

Audra McDonald, in an L.A. Opera-presented concert at the Dorothy Chandler Pavilion, digs deep into musical theater songs old and new, combining purity of emotion with purity of sound.Audra …

SOURCE: Los Angeles Times at 08:30AM
Sunday, October 27, 2013

Review: In 'Betrayal' on Broadway, it's a man's world by Charles McNulty

Daniel Craig, Rachel Weisz and Rafe Spall wrangle for the emotional upper hand in Harold Pinter's 'Betrayal,' directed by Mike Nichols. The guys get the focus; Weisz's character is odd man o…

SOURCE: Los Angeles Times at 09:20PM
Tuesday, October 22, 2013

Review: Awkwardness adds to 'Fun Home' charm by Charles McNulty

Muddled beginning, smudgy staging and distracting songs in this musical ultimately add up to a tender honesty.NEW YORK — "Fun Home," the musical adaptation of Alison Bechdel's extraord…

SOURCE: Los Angeles Times at 09:00PM
Thursday, October 17, 2013

Review: A classic talent in 'Wait Until Dark' by Charles McNulty

Alison Pill radiates Old Hollywood and theatrical style in an adaptation of 'Wait Until Dark' that only partly dusted off an outdated work.The suspense is laboriously built up in the Geffen …

SOURCE: Los Angeles Times at 07:40PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre