All stories by Celia Wren on BroadwayStars

Wednesday, February 12, 2014

‘Souvenir’ enjoyably but dawdlingly traces career of infamously bad opera singer by Celia Wren

Florence Foster Jenkins — the socialite-turned-soprano — has a solemn warm-up routine. Looking religiously intent, she flexes and massages her jaw. She touches her fingers delicately to …

SOURCE: Washington Post at 01:43PM
Monday, February 10, 2014

‘La Señorita de Tacna’: An affecting drama of family torment and family love by Celia Wren

She seems a fragile support for an ambitious family canvas: this slender barefoot woman in a white nightdress, often seen huddled in a wooden rocking chair. Yet, in “La Señorita de Tacna …

SOURCE: Washington Post at 02:16PM
Thursday, February 6, 2014

NextStop offers chilling, clever take on ‘Richard III,’ featuring deaf and hearing actors by Celia Wren

One of the most powerful moments in NextStop Theatre Company’s “Richard III” contains no audible words. It’s near the end of the play; at Richard’s behest, the sinister ruffian Tyr…

SOURCE: Washington Post at 02:30PM
Tuesday, February 4, 2014

‘The Best Man’ at Keegan Theatre saps the life from the party by Celia Wren

Faint shouts and cheers waft periodically from the rear of the stage during the Keegan Theatre’s “The Best Man.” Gore Vidal’s 1960 drama imagines an eventful presidential convention,…

SOURCE: Washington Post at 04:03PM
Sunday, January 26, 2014

‘Wedding of Ordos’ is a sight to behold at Kennedy Center by Celia Wren

If Brides magazine ever decided to cover “Wedding of Ordos,” the editors would have to relegate all other nuptial-related topics to another issue. As seen at the Kennedy Center’s Eisen…

SOURCE: Washington Post at 07:24PM
Tuesday, January 21, 2014

Theater review: ‘Scapin’ is a delightful contemporary farce by Celia Wren

Sometimes the sad sack wins the day. During much of Constellation Theatre Company’s delightful “Scapin,” the none-too-bright servant Sylvestre (Bradley Foster Smith) exudes wet-noodle …

SOURCE: Washington Post at 02:42PM

Keen sense of absurd leavens gravity of Steven Fales’s powerful ‘Mormon Boy Trilogy’ by Celia Wren

An eye for absurdity can take you a long way: The work of the engaging solo performer Steven Fales is a case in point. His trio of autobiographical one-man shows — “Confessions of a Morm…

SOURCE: Washington Post at 11:56AM
Friday, January 17, 2014

Review: ‘50 Shades! The Musical’ at the Warner Theatre by Celia Wren

If it is possible to execute a full-body leer, actor Jack Boice has mastered the trick. A scene in the campy entertainment “50 Shades! The Musical” finds the performer — wearing a skim…

SOURCE: Washington Post at 05:24PM

‘Violet’s’ place on Jeff Calhoun’s spectrum by Celia Wren

Jeff Calhoun has directed for Broadway. He has directed for regional theaters; he has directed galas; and he directed tours of “High School Musical” and “High School Musical 2.” The …

SOURCE: Washington Post at 11:59AM
Thursday, January 9, 2014

Pointless Theatre’s ‘Minnie the Moocher’ offers fun, ingenious take on Jazz Age by Celia Wren

When does the exuberantly seedy spirit that animates Pointless Theatre’s “Minnie the Moocher” flare into full view? Is it when two sinister figures wearing skull masks caper comically …

SOURCE: Washington Post at 03:04PM
Friday, January 3, 2014

Richmond’s Acts of Faith festival brings spirituality, stage together by Celia Wren

Conventional wisdom holds that January can be a challenging time for theaters, with winter weather and post-holiday fatigue tending to put a damper on attendance. But in Richmond, the period…

SOURCE: Washington Post at 11:20AM
Friday, December 13, 2013

Sherrie Maricle, the ‘team player’ of ‘Maurice Hines Is Tappin’ Thru Life’ at Arena Stage by Celia Wren

You might expect a drummer to take a leery view of tap dancers. After all, tap dancers create their own crisp rhythms from floor and shoe leather — sort of infringing on a percussionist’…

SOURCE: Washington Post at 11:42AM
Wednesday, December 11, 2013

‘Noises Off’ actors get most things right, even as the characters they play in the farce don’t by Celia Wren

There’s a point in the second act of 1st Stage’s current production — Michael Frayn’s beloved farce “Noises Off” — when a character inadvertently aligns with a cactus. The mome…

SOURCE: Washington Post at 01:29PM
Friday, November 29, 2013

Theater reviews: “Elephant & Piggie’s ‘We Are in a Play!’ ” and “Lyle the Crocodile.” by Celia Wren

Holiday parties of all descriptions are in the pipeline around the region. But few festive gatherings will be as zoologically notable as those in two children’s musicals, “Elephant &…

SOURCE: Washington Post at 05:01PM
Friday, November 8, 2013

Matthew Bourne’s “Sleeping Beauty” by Celia Wren

Never underestimate the usefulness of a vampiric fairy. Such a supernatural creature—or, to be more accurate, the idea of one — played a critical role in the birth of “Matthew Bourne�…

SOURCE: Washington Post at 04:37PM
Thursday, November 7, 2013

Avant Bard’s “King John” by Celia Wren

A hallucinatory domesticity marks this battle in early 13th-century France. Instead of swords, pikes and longbows, the troops are armed with modern household objects and sporting gear: a ten…

SOURCE: Washington Post at 10:08PM
Tuesday, November 5, 2013

Theater review: FallFringe offerings are works in progress by Celia Wren

“Pay attention!” You won’t hear that instruction when you take your seat for Mickle Maher’s play “There Is a Happiness That Morning Is,” running as part of fallFringe. Still, you…

SOURCE: Washington Post at 03:35PM
Friday, November 1, 2013

‘Mies Julie’: An adaptation of Strindberg’s play that restores original’s lightning-rod quality by Celia Wren

A playwright’s arsenal should include a kind of temperature-sensor-and-homing device. Such, at least, is the philosophy of Yael Farber, the dramatist and director whose adaptation “Mies …

SOURCE: Washington Post at 10:37AM
Tuesday, October 29, 2013

Charlayne Woodward explores being the non-parent in ‘The Night Watcher’ at Studio Theatre by Celia Wren

It is both fitting and slightly ironic that Charlayne Woodard’s first words, at the start of “The Night Watcher,” should be “Out of the blue . . . .” Fitting, because that phra…

SOURCE: Washington Post at 03:01PM

‘Goodnight Moon’: Gobs of fun before ‘hush’ by Celia Wren

Perseverance pays off for the characters in “Goodnight Moon,” the sweetly impish children’s musical based on the classic picture book by writer Margaret Wise Brown and illustrator Clem…

SOURCE: Washington Post at 11:14AM
Monday, October 21, 2013

Review: Top-drawer ‘Agüita de Viejas’ kicks off Hispanic theater festival by Celia Wren

You thought airline security was a hassle? The feisty senior citizen named Miche has had a showdown with a body scanner — and she hasn’t even reached the airport yet. Her equally elderly…

SOURCE: Washington Post at 02:50PM

Sally Silvers’s ‘Bonobo Milkshake’: Whimsy? Sondheim? Send in the chimps! by Celia Wren

To answer the obligatory question: Yes, there were bonobos (sort of). At least twice during the whimsical “Bonobo Milkshake,” performed by Sally Silvers & Dancers at the American Da…

SOURCE: Washington Post at 10:40AM
Monday, October 14, 2013

Theater review: ‘In the Forest, She Grew Fangs’ is a poetic take on bullying by Celia Wren

The environment — initially — appears to be spartan: a couple of benches on a black floor, in front of school lockers, which are also black. But the visual starkness turns out to be dece…

SOURCE: Washington Post at 02:42PM
Wednesday, October 2, 2013

Despite hurdles put up by government shutdown, Ford’s stages fine ‘Laramie Project’ by Celia Wren

Congress did not have Bertolt Brecht in mind when it wrenched the government into shutdown mode early this week. But the politicians did achieve — indirectly — a small Brechtian feat Tue…

SOURCE: Washington Post at 06:25PM
Wednesday, September 25, 2013

In 1st Stage’s lively ‘Pitmen Painters,’ men are proficient with ax and brush by Celia Wren

The thud of tools biting into rock. Dripping noises, suggestive of dank subterranean spaces. Early on in director Stevie Zimmerman’s lively and absorbing production of “The Pitmen Painte…

SOURCE: Washington Post at 03:19PM
Wednesday, September 18, 2013

Review: GALA Hispanic Theatre’s ‘Cabaret Barroco’ by Celia Wren

Would you let your beloved talk you into become a toreador? Especially if it meant waging your first-ever bullfight in front of a king? You would if you were Cosme Rana, one of the love-beda…

SOURCE: Washington Post at 11:48AM
Wednesday, September 11, 2013

Four-actor troupe tackles ‘Hamlet’ and ‘Saint Joan’ at Olney Theatre Center by Celia Wren

Joan of Arc dared greatly. The prince of Elsinore dared — but did a lot more dithering. That difference aside, the protagonists of George Bernard Shaw’s “Saint Joan” and Shakespeare�…

SOURCE: Washington Post at 03:13PM
Thursday, August 22, 2013

Forum Theatre’s ‘Agnes Under the Big Top’ by Celia Wren

If you insist on being literal, there is no subway connecting urban America with Liberia, India, Bulgaria and an arena of transformation that may be Death. But on a metaphoric and acoustic l…

SOURCE: Washington Post at 03:07PM
Thursday, August 15, 2013

A solid ‘A Few Good Men’ at Keegan Theatre by Celia Wren

For a play whose characters spend considerable time standing at attention — or hovering, with disciplined posture, near a testifying witness — there’s an impressive physical dynamism t…

SOURCE: Washington Post at 03:53PM
Thursday, July 25, 2013

At ‘Dr. Seuss’s Cat in the Hat,’ lots of good fun that is funny by Celia Wren

For an embodiment of anarchy, this whiskered visitor is awfully personable. After strolling into a glum household, sporting his trademark striped headgear, he beams and does a soft-shoe rout…

SOURCE: Washington Post at 04:12PM
Thursday, July 18, 2013

Capital Fringe’s‘The Afflicted’ could benefit from rewrites by Celia Wren

What’s with the uptick in new plays about the Salem Witch Trials? This month, the Contemporary American Theater Festival in Shepherdstown, W.Va., premiered Liz Duffy Adams’s “A Discour…

SOURCE: Washington Post at 12:16PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic