All stories by Ben Kulvichit on BroadwayStars

Monday, August 20, 2018

Void review at Summerhall, Edinburgh – ‘overwhelming but opaque dance adaptation’ by Ben Kulvichit

In JG Ballard’s novel, Concrete Island, an architect is left stranded after a car accident in an area of overgrown wasteland in

SOURCE: The Stage Registration at 12:05PM

An Evening with Miss Wong review at Assembly Rooms, Edinburgh – ‘fascinating but theatrically insipid’ by Ben Kulvichit

Anna May Wong was one of a kind. Widely considered Hollywood’s first Chinese-American movie star, she had a prolific career and starred

SOURCE: The Stage Registration at 08:09AM

The Forecast review at Zoo Charteris, Edinburgh – ‘visually arresting but surprisingly flabby’ by Ben Kulvichit

Limbik Theatre’s adaptation of George Saunders’ short story, The Semplica Girl Diaries, has a nightmarish premise. Set in a near future, the

SOURCE: The Stage Registration at 05:58AM
Saturday, August 18, 2018

Edinburgh fringe review: Unconditional by ThisEgg by Ben Kulvichit

Endangered rhinos: a mother and a daughter duo have created this show about a species in peril. The post Edinburgh fringe review: Unconditional by ThisEgg appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 03:45AM
Friday, August 17, 2018

Century Song review at Zoo Southside, Edinburgh – ‘classical technique mixed with rawer vocal colours’ by Ben Kulvichit

As a classical singer, one’s agency is limited. Immersed in the canon of Western music, one’s voice is trained and disciplined, taught

SOURCE: The Stage Registration at 08:08AM

Dominoes review at Assembly George Square, Edinburgh – ‘well-conceived solo show’ by Ben Kulvichit

For Layla, who is mixed-race and soon to be married to a white man, there’s no worry about whether to take his

SOURCE: The Stage Registration at 07:45AM

Another One review at Summerhall, Edinburgh – ‘bemusing and slow-paced’ by Ben Kulvichit

You can always rely on Summerhall’s Big in Belgium programme to throw up some curiosities. Another One begins with two people in

SOURCE: The Stage Registration at 07:06AM
Thursday, August 16, 2018

Edinburgh Review: Flight at Summerhall by Ben Kulvichit

Flight is a 'perfectly programmed high-art theme park ride.' The post Edinburgh Review: Flight at Summerhall appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 08:15AM
Wednesday, August 15, 2018

How To Keep Time: A Drum Solo for Dementia review at Summerhall, Edinburgh – ‘poignant and lyrical’ by Ben Kulvichit

Drumming requires discipline – years of precision drilling, until playing becomes second nature, muscle memory. It’s oddly fitting, then, that for a

SOURCE: The Stage Registration at 07:07AM
Tuesday, August 14, 2018

Polaris review at Pleasance Courtyard, Edinburgh – ‘endearing but thin sci-fi fairytale’ by Ben Kulvichit

What links an astronaut in 2096, two girls in year 10, and a T-Rex in the Cretaceous period? In Holly and Ted’s

SOURCE: The Stage Registration at 12:07PM
Monday, August 13, 2018

Queens of Sheba review at Underbelly Cowgate – ‘powerful polemic against the discrimination black women face’ by Ben Kulvichit

Nouveau Riche’s Queens of Sheba – one of the winners of New Diorama and Underbelly’s Untapped Award – is strikingly unadorned. Four

SOURCE: The Stage Registration at 09:16AM
Friday, July 20, 2018

Ladies’ Day review at Wolverhampton Grand Theatre – ‘a directionless revival’ by Ben Kulvichit

If a comedy about four women on a day out at the races who bet exclusively on horses named after Tony Christie

SOURCE: The Stage Registration at 11:42AM
Thursday, July 12, 2018

Read All About It! review at Coventry Evening Telegraph Building – ‘immersive community theatre’ by Ben Kulvichit

Weeks before work begins redeveloping it into a boutique hotel, the old Coventry Evening Telegraph building, closed since 2012, has its swan

SOURCE: The Stage Registration at 10:39AM
Monday, July 9, 2018

BE Festival 2018 review – ‘risk-taking, multi-disciplinary European theatre’ by Ben Kulvichit

Transforming the backstage area of the Birmingham Repertory Theatre into a lively festival hub and the main stage into a communal dining

SOURCE: The Stage Registration at 11:52AM
Wednesday, June 20, 2018

Woyzeck review at Birmingham Repertory Theatre – ‘joyous and complex’ by Ben Kulvichit

Woyzeck, Georg Büchner’s fragmented, unfinished play about a downtrodden soldier who murders his partner isn’t an immediately obvious choice for a mass

SOURCE: The Stage Registration at 10:41AM
Wednesday, June 6, 2018

#WeAreArrested/The Day of the Living review at the Other Place, Stratford-upon-Avon – ‘uneven pairing of plays about state corruption’ by Ben Kulvichit

This spring, the RSC’s biannual Mischief Festival of new work features two true stories exploring human rights abuses and state corruption. Written

SOURCE: The Stage Registration at 07:36AM
Thursday, April 5, 2018

The Twisted Tale of Hansel and Gretel review at Birmingham Hippodrome – ‘a missed opportunity’ by Ben Kulvichit

The Birmingham Hippodrome’s first in-house production – a collaboration with Open Theatre Company and inventive theatre-makers Metro-Boulot-Dodo – sees a cast of

SOURCE: The Stage Registration at 08:10AM
Friday, February 23, 2018

Elephant review at Birmingham Repertory Theatre – ‘a volatile family drama’ by Ben Kulvichit

The meaning of the title of Gurpreet Kaur Bhatti’s new play is threefold –  Elephant is the pet name of the play’s

SOURCE: The Stage Registration at 06:15AM
Tuesday, February 13, 2018

Point of Echoes review at St Chad’s Centre, Bishop’s Tachbrook – ‘dance-theatre for village halls’ by Ben Kulvichit

In this first commission from the Rural Touring Dance Initiative, Ben Wright – previously a principal for Matthew Bourne – choreographs and

SOURCE: The Stage Registration at 07:34AM
Monday, January 8, 2018

Into the Numbers review at Finborough Theatre – ‘fascinating, if oblique’ by Ben Kulvichit

In 1937, some 300,000 Chinese civilians were raped, tortured and murdered by Japanese soldiers in the city of Nanking. Christopher Chen’s new

SOURCE: The Stage Registration at 05:53AM
Tuesday, December 12, 2017

Crimes on the Christmas Express review at Lichfield Garrick Theatre – ‘a good-natured romp’ by Ben Kulvichit

Comedy-theatre company New Old Friends follow last year’s Crimes Against Christmas with a new festive caper for the Lichfield Garrick, Crimes on

SOURCE: The Stage Registration at 10:27AM
Monday, December 11, 2017

Sleeping Beauty review at Royal Spa Centre, Leamington Spa – ‘flair and artistry’ by Ben Kulvichit

“They laughed at me when I said I wanted to be a jester. Well, they’re not laughing now,” quips Sean Dodd’s clown.

SOURCE: The Stage Registration at 11:12AM
Wednesday, December 6, 2017

The Hundred and One Dalmatians review at Birmingham Repertory Theatre – ‘funny, warm, and inventive’ by Ben Kulvichit

With Goats playing at the Royal Court, part of me optimistically hoped to see 101 real dogs in the Birmingham Rep’s adaptation

SOURCE: The Stage Registration at 05:53AM
Monday, December 4, 2017

One Man, Two Guvnors review at Old Joint Stock Theatre, Birmingham – ‘an inconsistent, unfunny staging’ by Ben Kulvichit

Richard Bean’s 2011 comedy One Man, Two Guvnors, with its blend of commedia dell’arte and British farce, was a hit when it

SOURCE: The Stage Registration at 06:29AM
Thursday, October 26, 2017

Fierce Festival by Ben Kulvichit

Ben Kulchivit discovers the grotesque, the perverse, and the transcendental at Birmingham's annual festival of live art. The post Fierce Festival appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 05:32AM
Friday, October 13, 2017

Fierce Festival: putting performance art on the map in Birmingham by Ben Kulvichit

A six-day celebration of live art opens in Birmingham on Monday. Ben Kulvichit talks to Fierce Festival’s new artistic director about its

SOURCE: The Stage Registration at 02:00AM
Wednesday, October 4, 2017

I Knew You review at Birmingham Repertory Theatre – ‘superbly acted domestic drama’ by Ben Kulvichit

I Knew You is Steven Camden’s (otherwise known as spoken word artist Polarbear) second play, it’s an agreeable but curiously slight piece

SOURCE: The Stage Registration at 06:45AM
Monday, October 2, 2017

Desire Under the Elms review at Sheffield Crucible – ‘atmospheric and operatic’ by Ben Kulvichit

The New England farm that provides the setting for Eugene O’Neill’s 1924 tragedy plays a large part in precipitating the play’s events.

SOURCE: The Stage Registration at 07:30AM
Tuesday, September 12, 2017

Kingdom Come review at the Other Place, Stratford-upon-Avon – ‘bold and beautiful’ by Ben Kulvichit

Gemma Brockis and Wendy Hubbard’s devised show, Kingdom Come – programmed as part of the Mischief Festival – is set before, during

SOURCE: The Stage Registration at 04:14AM
Wednesday, September 6, 2017

Faithful Ruslan – The Story of a Guard Dog review at Belgrade Theatre, Coventry – ‘rambling and leaden’ by Ben Kulvichit

Dog isn’t so much man’s best friend as his most cruelly conditioned subordinate in Helena Kaut-Howson’s adaptation of Georgi Vladimov’s novel, Faithful

SOURCE: The Stage Registration at 07:03AM
Friday, August 25, 2017

Katie and Pip review at C Venues, Edinburgh – ‘quietly moving’ by Ben Kulvichit

Never work with animals or children, the saying goes. Preston-based collective Tin Can People shows a healthy disregard for showbiz wisdom with

SOURCE: The Stage Registration at 06:55AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards