All stories by BEN BRANTLEY on BroadwayStars

Monday, November 19, 2012

A Guide to Theater Shows That Say It All by Ben Brantley

The plays in New York theaters are full of meaning, and delivering a holiday message, hostile or tender, is as easy as buying a ticket.

SOURCE: The New York Times Subscription at 12:27PM
Thursday, November 15, 2012

Theater Review: ‘Giant,’ With Brian D’Arcy James, at the Public Theater by Ben Brantley

Brian D’Arcy James and Kate Baldwin star in “Giant,” a musical adaptation of Edna Ferber’s multigenerational novel of a Texas family, with a soaring score by Michael John LaChiusa.

SOURCE: The New York Times Subscription at 10:00PM

Theater Review: ‘Murder Ballad,’ With Karen Olivo, at Manhattan Theater Club by Ben Brantley

A love triangle and a narrator, with songs and murder, take the stage in “Murder Ballad,” at Manhattan Theater Club.

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, November 14, 2012

Theater Review: ‘The Performers,’ With Henry Winkler and Cheyenne Jackson by Ben Brantley

An engaged couple takes a last swing at the wild side while visiting an awards ceremony for cinematic pornography in the Broadway premiere of “The Performers.”

SOURCE: The New York Times Subscription at 10:07PM
Monday, November 12, 2012

Theater Review: ‘Vanya and Sonia and Masha and Spike’ at Lincoln Center by Ben Brantley

“Vanya and Sonia and Masha and Spike” turns out to be a loving rejection of pretty much everything Chekhov stands for in the popular imagination.

SOURCE: The New York Times Subscription at 10:00PM

Theater Review: Yael Farber’s ‘Mies Julie,’ at St. Ann’s Warehouse by Ben Brantley

“Mies Julie,” adapted and directed by Yael Farber, transposes Strindberg’s 1888 tale of love, class and madness into contemporary South Africa.

SOURCE: The New York Times Subscription at 10:00PM
Sunday, November 11, 2012

Theater Review: ‘Ivanov,’ With Ethan Hawke, From Classic Stage Company by Ben Brantley

“Ivanov,” Chekhov’s 1887 drama, features a melancholy title character played by Ethan Hawke in the Classic Stage Company production.

SOURCE: The New York Times Subscription at 10:00PM
Thursday, November 8, 2012

Theater Review: ‘Checkers,’ With Anthony LaPaglia, at the Vineyard Theater by Ben Brantley

In “Checkers,” a play by Douglas McGrath, Anthony LaPaglia is Richard Nixon, fighting to stay on the 1952 presidential ticket, and Kathryn Erbe plays his wife, Pat, as an innocent victim…

SOURCE: The New York Times Subscription at 10:00PM

Theater Review: ‘Annie,’ Starring Katie Finneran, at the Palace Theater by Ben Brantley

As it did in 1977, the musical “Annie” arrives in a battered city and economically uncertain country, but this time with Katie Finneran as a Miss Hannigan who has glimmers of a conscienc…

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, November 7, 2012

Theater Review: ‘Sorry,’ by Richard Nelson, at the Public Theater by Ben Brantley

“Sorry,” the third in Richard Nelson’s to-the-moment explorations of the Apple family on the days of historical events, opens at the Public Theater.

SOURCE: The New York Times Subscription at 03:10PM
Thursday, November 1, 2012

Theater Review: ‘The Heiress,’ With Jessica Chastain, at Walter Kerr Theater by Ben Brantley

A new staging of “The Heiress,” adapted from a Henry James novella, stars Jessica Chastain in a bluntly drawn outline of the title character.

SOURCE: The New York Times Subscription at 10:00PM
Thursday, October 25, 2012

Theater Review: ‘A Summer Day,’ Starring Karen Allen by Ben Brantley

In Jon Fosse’s drama “A Summer Day,” Karen Allen returns to the New York stage as a woman who can’t get over the disappearance of her husband long ago.

SOURCE: The New York Times Subscription at 10:00PM
Tuesday, October 23, 2012

Theater Review: ‘Neutral Hero,’ by Richard Maxwell, at the Kitchen by Ben Brantley

“Neutral Hero,” the playwright-director Richard Maxwell’s new play, is set in a small Midwestern town and depicts the coming-of-age journey of an anonymous, commonplace character.

SOURCE: The New York Times Subscription at 10:00PM
Sunday, October 21, 2012

Theater Review: ‘5 Lesbians Eating a Quiche’ at SoHo Playhouse by Ben Brantley

The frolicsome comedy “5 Lesbians Eating a Quiche” at SoHo Playhouse seems destined to attract a cult following.

SOURCE: The New York Times Subscription at 05:52PM
Thursday, October 18, 2012

ArtsBeat: Theater Talkback: Screams, Silent and Otherwise by Ben Brantley

Ben Brantley on the scariest shows he's seen on stage.

SOURCE: The New York Times Subscription at 02:39PM
Tuesday, October 16, 2012

Theater Review: ‘A Celebration of Harold Pinter,’ Directed by John Malkovich by Ben Brantley

In “A Celebration of Harold Pinter,” performed by Julian Sands and directed by John Malkovich, the focus is on poetry, but the production also indirectly honors Pinter as an apostle of t…

SOURCE: The New York Times Subscription at 10:00PM
Friday, October 12, 2012

Theater Review: ‘Heresy,’ by A. R. Gurney, at the Flea Theater by Ben Brantley

In “Heresy,” at the Flea Theater, A. R. Gurney spins a story of a modern-day Christ figure.

SOURCE: The New York Times Subscription at 07:45PM

Theater Review: ‘Helen & Edgar,’ Edgar Oliver’s Solo Show, at Theater 80 by Ben Brantley

In “Helen & Edgar,” his one-man show at Theater 80, Edgar Oliver tells of coming of age in Georgia with his sister and their mother, who would fretfully ask them, “I’m not like a gro…

SOURCE: The New York Times Subscription at 06:43PM
Thursday, October 11, 2012

Theater Review: ‘Cyrano de Bergerac,’ With Douglas Hodge by Ben Brantley

Douglas Hodge, the Tony-winning star of “La Cage aux Folles,” takes on the witty, civilized hero with the big nose in the latest Broadway revival of “Cyrano de Bergerac.”

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, October 10, 2012

Theater Review: Mary McCann in ‘Harper Regan’ at Atlantic Theater Company by Ben Brantley

In “Harper Regan” Mary McCann stunningly plays a working wife and mother who runs away from her job and her family when she suddenly feels mortal shadows are closing in on her.

SOURCE: The New York Times Subscription at 10:00PM
Sunday, October 7, 2012

Theater Review: ‘The Best of Everything,’ Based on Rona Jaffe’s Novel by Ben Brantley

“The Best of Everything” is based on Rona Jaffe’s 1958 novel of workplace sexual politics (and sexual sex).

SOURCE: The New York Times Subscription at 05:48PM
Friday, October 5, 2012

Theater Review: ‘AdA,’ Plays by Neil LaBute and Marco Calvani at La MaMa by Ben Brantley

Neil LaBute and Marco Calvani in collaboration at La MaMa.

SOURCE: The New York Times Subscription at 07:46PM
Thursday, October 4, 2012

Theater Review: ‘Grace,’ With Paul Rudd and Michael Shannon, at Cort Theater by Ben Brantley

“Grace,” Craig Wright’s tale of a Christian entrepreneur in Florida, stars Michael Shannon and Paul Rudd.

SOURCE: The New York Times Subscription at 10:00PM

Theater Review: ‘Paris Commune’ From the Civilians at BAM New Wave Festival by Ben Brantley

At “Paris Commune” you might experience some of the dizzy exhilaration, liberation and exhaustion known by the Parisians who took over their city during this re-creation of a revolution.

SOURCE: The New York Times Subscription at 06:50PM

ArtsBeat: Hold the Entrance Applause, Please by Ben Brantley

Entrance applause can break the illusion, and the emotional momentum, that actors are working hard to sustain.

SOURCE: The New York Times Subscription at 12:14PM
Thursday, September 27, 2012

Theater Review: Adam Rapp’s ‘Through the Yellow Hour,’ at Rattlestick by Ben Brantley

A locked-down New York is the setting of Adam Rapp’s new play, “Through the Yellow Hour,” now at Rattlestick Playwrights Theater.

SOURCE: The New York Times Subscription at 10:00PM
Monday, September 24, 2012

Theater Review: ‘Sweet Bird of Youth,’ Revived by Goodman Theater by Ben Brantley

The Goodman Theater in Chicago has revived Tennessee Williams’s “Sweet Bird of Youth,” starring Diane Lane and Finn Wittrock.

SOURCE: The New York Times Subscription at 10:00PM
Sunday, September 23, 2012

Theater Review: ‘Habit’ at the Essex Street Market, Building B by Ben Brantley

“Habit,” an art-theater project from David Levine, takes place in a structure within the Essex Street Market; audiences look through its windows or walk in.

SOURCE: The New York Times Subscription at 05:21PM
Thursday, September 20, 2012

Theater Review: Jake Gyllenhaal in ‘If There Is I Haven’t Found It Yet’ by Ben Brantley

Jake Gyllenhaal makes his New York stage debut as the wastrel uncle to an overweight, affection-starved teenage girl in Nick Payne’s “If There Is I Haven’t Found It Yet.”

SOURCE: The New York Times Subscription at 10:00PM

ArtsBeat: Theater Talkback: Lives of the Artists by Ben Brantley

Every so often - and more frequently on stage than in film - the interiority of artistic creation is translated into a visible, physical language that raises goose bumps.

SOURCE: The New York Times Subscription at 12:23PM
Wednesday, September 19, 2012

Theater Review: ‘Job,’ at the Flea Theater by Ben Brantley

“Job,” Thomas Bradshaw’s latest play, hews close to the Bible and eagerly dives into forbidden subject matter.

SOURCE: The New York Times Subscription at 10:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime