All stories by Arifa Akbar on BroadwayStars

Tuesday, February 28, 2023

Flies review – the effects of the male gaze on adolescent girls by Arifa Akbar

Shoreditch Town Hall, LondonThe new work by Charlie Josephine gives us teenagers’ thoughts about objectification, shame, body image and sex Last year Charlie Josephine presented Joan of Ar…

SOURCE: The Guardian at 07:39AM
Thursday, February 23, 2023

Women, Beware the Devil review – bizarre comedy horror is like Bridgerton on acid by Arifa Akbar

Almeida, LondonLulu Raczka’s new play, directed by Rupert Goold, is beautifully designed but the plot – and the point – is puzzling. Maybe the joke’s on us? This confounding play is …

SOURCE: The Guardian at 08:04AM
Wednesday, February 22, 2023

Romeo and Julie review – a sweet spin on Shakespeare by Arifa Akbar

Dorfman theatre, LondonGary Owen’s tale of star-crossed, working-class lovers in modern Cardiff offers existential questions and awkward encounters Writer-director team Gary Owen and Rache…

SOURCE: The Guardian at 08:00AM
Tuesday, February 21, 2023

Trouble in Butetown review – humanity and heroism in wartime Cardiff by Arifa Akbar

Donmar Warehouse, LondonWhile Diana Nneka Atuona’s deft script could do with a final polish, its heart, humour and spirit sing in the hands of a luminous cast The Donmar’s last productio…

SOURCE: The Guardian at 08:57AM
Sunday, February 19, 2023

Unexpected Twist review – Oliver gets a phone in beatboxing version of Dickens’s classic by Arifa Akbar

Royal and Derngate theatre, NorthamptonMichael Rosen’s update of Oliver Twist gets the musical treatment in this high-energy show about a schoolgirl ensnared by a street gang Charles Dicke…

SOURCE: The Guardian at 08:21AM
Friday, February 17, 2023

Medea review – Sophie Okonedo is magnificent as ancient Greece’s preeminent rebel woman by Arifa Akbar

@sohoplace, LondonMedea is as much victim as villain in Dominic Cooke’s psychologically subtle and subversive production, and Ben Daniels is superb playing all the puffed up men in her li…

SOURCE: The Guardian at 07:01PM
Thursday, February 16, 2023

Graceland review – anatomy of a toxic relationship by Arifa Akbar

Royal Court theatre, LondonAva Wong Davies’s monologue takes us through the small, slow steps that lead her central character into peril This slow but searing monologue begins as a girl-me…

SOURCE: The Guardian at 07:17AM
Wednesday, February 15, 2023

Sylvia review – storming show sets suffragettes to soul, funk and hip-hop by Arifa Akbar

Old Vic, LondonHistorical characters bust contemporary dance moves while the troubled relationship between Sylvia Pankhurst and her mother Emmeline is laid bare So many shows seem to want to…

SOURCE: The Guardian at 06:45AM
Tuesday, February 14, 2023

Standing at the Sky’s Edge review – Richard Hawley pulls on the heartstrings in his Sheffield opus by Arifa Akbar

National Theatre, LondonThis new musical traces the intersecting lives of three families on the Park Hill estate in this spine-tingling and sentimental love song to the steel city This music…

SOURCE: The Guardian at 11:03AM
Monday, February 13, 2023

Tiny Fragments of Beautiful Light review – fizzy, funny neurodiverse story by Arifa Akbar

Alphabetti Theatre, Newcastle upon Tyne and onlineImmersive, interactive and online, this story of Allison Davies’ schooldays, early romances and autism diagnosis, is heartfelt Elsa has a…

SOURCE: The Guardian at 07:00AM

Babygrows are such sweet sorrow: Romeo and Juliet get a gritty romcom reboot by Arifa Akbar

Romeo, an out-of-work single dad, falls for Julie, a top student who dreams of being an astrophysicist. We go behind the scenes at a Shakespeare update that swaps fair Verona for Splott in C…

SOURCE: The Guardian at 01:00AM
Friday, February 10, 2023

Phaedra review – Simon Stone’s reimagining flitters from tragedy to comedy by Arifa Akbar

Lyttelton theatre, LondonJanet McTeer plays a politician who falls for her dead lover’s son, but even her strong performance cannot save a tonally unsure play The ancient Greek tragedy of…

SOURCE: The Guardian at 07:55AM
Thursday, February 9, 2023

The Lehman Trilogy review – Sam Mendes’ banking saga returns with dividends by Arifa Akbar

Gillian Lynne theatre, LondonHadley Fraser, Nigel Lindsay and Michael Balogun are astonishing as the 18th-century bankers who helped to define the American dream The Lehman Trilogy premiered…

SOURCE: The Guardian at 08:43AM
Wednesday, February 8, 2023

One Who Wants to Cross review – nail-biting dread in a story of desperate migrants by Arifa Akbar

Finborough theatre, LondonThis two-hander, translated from the French, has a hypnotic narrative power as it considers the refugees’ dangerous journey Two men stand at opposite ends of the …

SOURCE: The Guardian at 03:00PM
Friday, February 3, 2023

How Not to Drown review – a child asylum seeker’s brutal true story by Arifa Akbar

Theatre Royal Stratford East, LondonKosovan refugee Dritan Kastrati looks back at the struggles of his arduous journey and his troubling experiences in London ‘In my country” is an often…

SOURCE: The Guardian at 08:53AM
Thursday, February 2, 2023

2:22: A Ghost Story review – Cheryl’s West End debut is a thunderous fright night by Arifa Akbar

Lyric theatre, LondonThe singer is convincing in the role (first played by Lily Allen) of a mother who hears spooky noises at night in Danny Robins’ well-oiled, blackly comic chiller Since…

SOURCE: The Guardian at 04:22AM
Wednesday, February 1, 2023

Lemons Lemons Lemons Lemons Lemons review – Aidan Turner and Jenna Coleman star in sharp drama by Arifa Akbar

Harold Pinter theatre, LondonJosie Rourke’s West End revival of Sam Steiner’s fringe hit really lifts when the show’s starry duo drop their romcom routine Does a revival of Sam Steiner…

SOURCE: The Guardian at 04:14AM
Tuesday, January 31, 2023

Welcome Home review – madcap sci-fi adventure spins out of control by Arifa Akbar

Soho theatre, LondonThis intergalactic show about sexuality and religious homophobia boasts a charismatic star in Willy Hudson but tips into chaos Willy Hudson’s “queer sci-fi epic” ha…

SOURCE: The Guardian at 08:40AM
Friday, January 27, 2023

Still Life: Flesh review – morsels of mime gesture towards a finer show by Arifa Akbar

Barbican, LondonThese four vignettes offer flashes of brilliance and smart stagecraft but feel too disconnected to truly hit home Is it too soon to see the funny side of the pandemic? A hosp…

SOURCE: The Guardian at 07:13AM
Thursday, January 26, 2023

Sound of the Underground review – magnificent explosion of mesmerising drag by Arifa Akbar

Royal Court, LondonA plot to kill RuPaul for dragging drag into the mainstream, followed by song and dance numbers, fires up an exhilarating show with breathtaking costumes, radical politics…

SOURCE: The Guardian at 07:05AM
Wednesday, January 25, 2023

The Boys Are Kissing review – family satire with an audacious angelic twist by Arifa Akbar

Theatre503, LondonWhen two boys kiss at primary school, there’s a furore on the parents’ WhatsApp group and an intervention from fabulous supernatural forces Two couples thrash out their…

SOURCE: The Guardian at 07:23AM
Tuesday, January 24, 2023

The Elephant Song review – psychiatrist and patient spar in game of truth or lie by Arifa Akbar

Park theatre, LondonGwithian Evans and Jon Osbaldeston star in a power struggle that keeps you guessing – but it’s not enough to get under your skin Nicolas Billon’s 2004 play sets its…

SOURCE: The Guardian at 08:27AM
Monday, January 23, 2023

We Didn’t Come to Hell for the Croissants review – wonderfully weird cabaret of the unexpected by Arifa Akbar

Riverside Studios, LondonJemma Kahn’s show begins with a striptease, then ponders existential questions before ending with an orgiastic dinner party This peculiar and alluring act begins a…

SOURCE: The Guardian at 04:18AM
Friday, January 20, 2023

In the Net review – a tangled, scattergun study of global crises by Arifa Akbar

Jermyn Street theatre, LondonMisha Levkov’s dystopian debut examines migration, climate and community action but the drama is lost amid bland philosophical arguments It is 2025 and the wor…

SOURCE: The Guardian at 03:00PM
Thursday, January 19, 2023

Who’s Afraid of Virginia Woolf? review – Elizabeth McGovern and Dougray Scott face off by Arifa Akbar

Ustinov Studio, BathThe humour is a little too clownish in Lindsay Posner’s revival of Edward Albee’s classic but the toxic power games are potent So much of Edward Albee’s 1962 play a…

SOURCE: The Guardian at 10:22AM
Wednesday, January 18, 2023

George Takei’s Allegiance review – shocking history given musical uplift by Arifa Akbar

Charing Cross theatre, LondonThe Star Trek actor appears in an epic story of Japanese Americans interned after Pearl Harbor but there is never enough emotional force This musical, inspired b…

SOURCE: The Guardian at 07:18AM
Sunday, January 15, 2023

Irrelevant: A Hollywood Tragicom review – broad-brush contender story misses its mark by Arifa Akbar

Seven Dials Playhouse, LondonKeith Merrill’s monologue about an agent who feels she should have found fame as an actor relies too heavily on backstory and hackneyed lines to realise the po…

SOURCE: The Guardian at 08:39AM
Friday, January 13, 2023

A Streetcar Named Desire review – Paul Mescal brings a fierce and dangerous energy by Arifa Akbar

Almeida, LondonOne of the year’s most hyped shows delivers with powerful performances from the Normal People star, Patsy Ferran and Anjana Vasan Two weeks into 2023 and we have already arr…

SOURCE: The Guardian at 04:53AM
Thursday, January 12, 2023

On the Ropes review – Windrush boxer’s tale of triumph and tragedy over 12 gut-wrenching rounds by Arifa Akbar

Park theatre, LondonVernon Vanriel’s extraordinary battles with addiction, poverty and the Home Office are brought to life in a big-hearted if overlong show This play enacts a boxer’s re…

SOURCE: The Guardian at 07:03AM
Wednesday, January 11, 2023

Watch on the Rhine review – Lillian Hellman’s call to arms is a must-see by Arifa Akbar

Donmar Warehouse, LondonPatricia Hodge stars in Hellman’s play about a liberal American family confronted by war in Europe and the dangers of inaction Lillian Hellman’s 1941 play looks …

SOURCE: The Guardian at 08:42AM
Tuesday, January 10, 2023

Blaccine: First Dose review – Black voices speak out about the pandemic by Arifa Akbar

Available onlineThree monologues, told from a Black British perspective, tackle subjects ranging from distrust of the medical system to the gentrification of Brixton These three audio dramas…

SOURCE: The Guardian at 08:27AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic