PRETTY HURTS SO GOOD The title of Tori Sampson’s If Pretty Hurts Ugly Must Be a Muhfucka is a sly retort to Beyoncé’s 2013 song “Pretty Hurts,” both of which lament the negative imp…
SOURCE: Stage and Cinema at 12:54PMBLONDE, YES: SMART? WELL… It’s tempting, if unfair, to compare Willy Holtzman’s Smart Blonde to the 1963 Broadway musical Funny Girl: both use flashback to frame the biographies of you…
SOURCE: Stage and Cinema at 07:05PMDON’T MIES IT In Mies Julie, Yaël Farber’s contemporary adaptation of August Strindberg’s 1889 play Miss Julie, Farber swaps out Strindberg’s Swedish estate for a prosperous far…
SOURCE: Stage and Cinema at 10:09PMCALL ME UNDERWHELMED For City Center’s 75th anniversary season, Encores! has revived a show from its second year, Call Me Madam — only the second show it has ever repeated. Irving B…
SOURCE: Stage and Cinema at 06:12PMHITS THE SPOT As someone who has logged many hours crawling up 10th Avenue in a Megabus, the bright purple-and-white Y2K-esque signage of Yotel has always been intriguing landmark. Since I a…
SOURCE: Stage and Cinema at 03:06PMSOMETHING WICKED THIS WAY CLONES It’s hard to react to the details of this show with anything but resigned bemusement. So, while some of what I’m about to say may sound like I hated Wick…
SOURCE: Stage and Cinema at 02:04PMA BITTER PILL TO SWALLOW It is said that every playwright’s first play needs to be about themselves before they are able to move onto more expansive material. This maxim seems to hold true…
SOURCE: Stage and Cinema at 07:18PM