All stories by Andrew Clements on BroadwayStars

Sunday, October 15, 2017

Culture highlights: what to see this week in the UK by Steve Rose , Michael Cragg, Andrew Clements, Jonathan Jones, Lyn Gardner and Judith Mackrell

From the return of St Vincent to Dr Seuss on stage, here is our pick of the best films, gigs, concerts, exhibitions, theatre and dance in the next seven days Continue reading...

SOURCE: The Guardian at 01:12PM
Saturday, October 7, 2017

Culture highlights: what to see this week in the UK by Steve Rose, Michael Cragg, Andrew Clements, Jonathan Jones, Lyn Gardner and Judith Mackrell

Introducing our regular roundup of the best films, gigs, concerts, exhibitions, theatre and dance, including Blade Runner 2049, Little Mix and Dalí/Duchamp Continue reading...

SOURCE: The Guardian at 04:12AM
Sunday, June 14, 2015

The Corridor/The Cure review – Birtwistle unveils lyrical sequel to Orpheus story by Andrew Clements

Britten Studio, Snape, SuffolkPart two of Harrison Birtwistle’s Greek myth double bill lacks The Corridor’s dramatic impact, but performers and production are exceptional and beautifully…

SOURCE: The Guardian at 11:20AM
Sunday, May 10, 2015

The Pirates of Penzance review - Mike Leigh's exercise in affectionate nostalgia by Andrew Clements

Coliseum, LondonThe comic business is deftly done, and the cast is a good one – with Claudia Boyle a standout as Mabel – but director Mike Leigh offers few insights or surprises in his o…

SOURCE: The Guardian at 07:38AM
Sunday, August 31, 2014

Delusion of the Fury Heiner Goebbels brings an extraordinary opera to life by Andrew Clements

King's theatre, EdinburghWith its unique instruments and otherworldly rituals, Harry Partch's opera is strange, beautiful and utterly compelling Harry Partch how Heiner Goebbels bought Del…

SOURCE: The Guardian at 09:50AM
Friday, August 29, 2014

Les Troyens review Mariinsky without the magic by Andrew Clements

Festival theatre, Edinburgh Valery Gergiev and the Mariinsky Opera make Berlioz's magnificent opera seem routine Continue reading...

SOURCE: The Guardian at 08:00AM
Thursday, November 7, 2013

Sullivan: The Beauty Stone – review by Andrew Clements

Spence/Stout/Gadd/Suart/Opie/Thomas/Evans/Wyn-Rogers/BBC NOW & Chorus/Macdonald(Chandos, two CDs)Even at the height of their success together, Arthur Sullivan's partnership with WS Gilbert w…

SOURCE: The Guardian at 05:00PM
Friday, July 5, 2013

The Lighthouse Keepers/Words and Music – review by Andrew Clements

Parabola Arts Centre, CheltenhamFour years ago, Birmingham Contemporary Music Group introduced David Sawer's Rumpelstiltskin, which he designated a ballet, but defied precise categorisation.…

SOURCE: The Guardian at 12:36PM
Sunday, May 26, 2013

The best classical concerts and operas for summer 2013 by Andrew Clements

Seven Wagner operas are performed at the Proms, Aldeburgh and Covent Garden celebrate the Benjamin Britten centenary and Glyndebourne goes for French baroqueSongs from the Same EarthNine wor…

SOURCE: The Guardian at 02:30PM
Tuesday, February 26, 2013

Lecture on Nothing – review by Andrew Clements

Barbican, LondonThough its origins go back more than a decade earlier to a talk he gave in New York, John Cage's Lecture on Nothing was included in his first and most important collection of…

SOURCE: The Guardian at 01:16PM
Friday, April 6, 2012

Uncle Vanya – review by Andrew Clements

Minerva, ChichesterIt was Olivier's legendary production of this play 50 years ago that put the new Chichester theatre on the map, and there are times when Jeremy Herrin's production seems l…

SOURCE: The Guardian at 12:55PM
Tuesday, June 28, 2011

Madama Butterfly – review by Andrew Clements

Royal Opera House, LondonInternational opera houses such as Covent Garden need fail-safe productions of works that feature in most seasons, in which multiple casts can be accommodated as unf…

SOURCE: The Guardian at 01:01PM
Friday, June 24, 2011

Two Boys - review by Andrew Clements

Coliseum, LondonNico Muhly's first opera may have its origins in a true story from Manchester in 2003, but, as presented in Craig Lucas's libretto, Two Boys seems far removed from any kind o…

SOURCE: The Guardian at 08:06PM
Tuesday, June 7, 2011

Candide – review by Andrew Clements

Barbican, LondonIf anyone can claim a tradition of performing Candide, it is surely the London Symphony Orchestra. It was with the LSO and its Chorus that Leonard Bernstein conducted hi…

SOURCE: The Guardian at 01:28PM
Friday, May 6, 2011

The Damnation of Faust - review by Andrew Clements

Coliseum, LondonAt first sight it seems really perverse to invite Terry Gilliam to cut his teeth as an opera director on a work that isn't really an opera at all.Berlioz labelled it a "drama…

SOURCE: The Guardian at 07:30PM
Friday, April 22, 2011

The Rite of Spring in 3D – review by Andrew Clements

Symphony Hall, BirminghamPerhaps Klaus Obermaier's digitised presentation of Stravinsky's ballet seemed more innovative in 2007 than it does now that 3D movies have become commonplace. Oberm…

SOURCE: The Guardian at 12:59PM
Tuesday, April 5, 2011

The best classical music for spring 2011 by Andrew Clements

A new music-theatre piece celebrates the life of the novelist Anaïs Nin, while the CBSO completes its Mahler cycle with Das Lied von der Erde under the baton of Simon RattleAnaïs NinLouis …

SOURCE: The Guardian at 03:00PM
Monday, March 21, 2011

Kommilitonen! – review by Andrew Clements

Royal Academy of Music, LondonMore than a decade after saying he had written his final theatre piece, the chance to compose a work for and about students has lured Peter Maxwell Davies back …

SOURCE: The Guardian at 02:28PM
Thursday, February 17, 2011

Parsifal – review by Andrew Clements

Coliseum, LondonSince it was created at the Coliseum in 1999, Nikolaus Lehnhoff's staging of Wagner's final opera has been seen across Europe and the US, but it has not been revived by Engli…

SOURCE: The Guardian at 12:07PM
Sunday, December 12, 2010

Tannhäuser – review by Andrew Clements

Royal Opera House, LondonTannhäuser has been described as the "most boring of all great operas", and it remains a work that separates the truly committed Wagnerites from the merely interest…

SOURCE: The Guardian at 12:49PM
Sunday, November 14, 2010

Kafka Fragments – review by Andrew Clements

Barbican, LondonLike so many of his works, the songcycle György Kurtág created from settings of tiny extracts from Franz Kafka's letters and diaries adds up to far more than the sum of its…

SOURCE: The Guardian at 05:16PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards